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Thread started 02 Sep 2016 (Friday) 14:02
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Lightroom Oversaturation Issue

 
96whiteknight
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Sep 02, 2016 14:02 |  #1
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Nothing has been edited on the two attached photos. These were shot with my 7D, but my 5D Mark III does the same thing. It happens most when I'm shooting night events with colored lighting. Is this really how the untouched RAW photo should look? If so, how do I fix it in LR? If not, why does it look like this?

Thanks for any help!

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JTbandy
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Sep 02, 2016 14:10 |  #2

It looks kinda like some clipping warning. I don't know enough about it to even comment.




  
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96whiteknight
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Sep 02, 2016 14:50 as a reply to  @ JTbandy's post |  #3
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Nope, it's in the JPG conversion, too.

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tonylong
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Sep 02, 2016 16:34 |  #4

What happens if you go to the HSL section in the Develop panel and tweak the Blue settings?


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Sep 02, 2016 17:11 |  #5

The thing is that it "What you see in LR" is not the RAW unprocessed data! What you are seeing is the DEFAULT processed conversion. It is also very easy to change the LR default settings, and you can even set them up to be different for each body (by serial number so two identical cameras could still have different defaults) and on top of by serial number you can also specify by ISO value. So you could potentially have more than thirty different sets of default settings for each camera.It could be that you have a default for higher ISO values that has had the blue channel saturation turned right up by accident. Also check your colour profile, and associated colour settings, again it is easy to get that misset and saved as a default.

Also remember that those Angle hair light pipes, with xenon bulbs are very blue, and could easily be overexposed, and the WB will be way off from other most sources of artificial illumination. So it might not even be an actual processing problem.

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Post edited over 7 years ago by Left Handed Brisket.
     
Sep 02, 2016 17:19 |  #6

i'm guessing that it is not a raw conversion or lightroom issue, but rather an out of gamut problem encountered at the time of capture. The camera basically gets confused and throws those sets of pixels into some weird spot on the spectrum. I've seen yellows get thrown into bright red sunsets, and came across something with stage lighting at one point but forget what it was.

if you can share the RAW, I can open it in Capture One and check it out. Actually, if you have a new camera, will you DNG it first? I have the converter but it probably isn't the most recent version. I can do 6D and earlier.


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96whiteknight
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Sep 02, 2016 19:39 as a reply to  @ tonylong's post |  #7
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Still looks pretty bad

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96whiteknight
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Sep 02, 2016 20:15 as a reply to  @ Left Handed Brisket's post |  #8
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I appreciate the help! Not sure if I'm doing this right. Let me know if this works.

https://www.dropbox.co​m …z30yyne/IMG_338​7.CR2?dl=0 (external link)




  
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Sep 02, 2016 20:37 |  #9

96whiteknight wrote in post #18115065 (external link)
I appreciate the help!

no problem.

interesting result. I converted it to DNG with Adobe's DNG converter and opened it with CS4 and it looked pretty much just like your original post. Then when I opened them in Capture One I imported both images. The original CR2 looks much more realistic. Its the pic on the left what you were expecting?

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96whiteknight
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Sep 02, 2016 21:09 as a reply to  @ Left Handed Brisket's post |  #10
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Awesome. So, it's LR, then?




  
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Sep 02, 2016 22:30 as a reply to  @ 96whiteknight's post |  #11

These are LED ring lights, no? To me it looks very similar to the problem found in many small clubs and concert venues with LED stage lighting.
Due to the technology used in lower cost LED systems, some colors, usually magentas and purples, photograph extremely saturated, to the point of blowing a channel.
This looks to be related to that.


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Redcrown
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Sep 03, 2016 00:26 |  #12

This is where a program like Rawdigger is useful.

http://www.rawdigger.c​om/ (external link)

Download the trial and load this raw image. Go through the overexposure display channel by channel. Look at the raw histograms.
You will see the raw is toasted. No converter can save it.




  
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mclaren777
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Sep 03, 2016 03:30 |  #13

There's an easy solution for this: change the profile in the Calibration panel to something other than Adobe Standard


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Sep 03, 2016 06:12 |  #14

mclaren777 wrote in post #18115327 (external link)
There's an easy solution for this: change the profile in the Calibration panel to something other than Adobe Standard

If as suspected the image is actually blown in one or more channel then changing the profile is very unlikely to help. The Adobe Standard profile is pretty good usually, and IMO unlikely to be the cause of this issue. Now Camera Landscape, that would be a different proposition.

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Sep 03, 2016 06:32 |  #15

96whiteknight wrote in post #18115100 (external link)
Awesome. So, it's LR, then?

is theh Capture One conversion of the original RAW "correct"? I haven't really studied BMW running lights lately, but I seem to think that is what they are supposed to look like.

Redcrown wrote in post #18115265 (external link)
This is where a program like Rawdigger is useful.

http://www.rawdigger.c​om/ (external link)

Download the trial and load this raw image. Go through the overexposure display channel by channel. Look at the raw histograms.
You will see the raw is toasted. No converter can save it.

Assuming you opened the file with RawDigger and that the Capture One version is correct ... that would make the bold incorrect, right?


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Lightroom Oversaturation Issue
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