I'd love an 85 Art, but I don't think I would 1200$ love it.
vengence Goldmember 2,103 posts Likes: 108 Joined Mar 2013 More info | Sep 20, 2016 07:41 | #46 I'd love an 85 Art, but I don't think I would 1200$ love it.
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Sep 20, 2016 07:44 | #47 vengence wrote in post #18134083 I'd love an 85 Art, but I don't think I would 1200$ love it. I just have some hunch that it will be a huge hit. I also think the resale value will hold for a long time... lowest used will be 8-900 area. A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Sep 20, 2016 07:51 | #48 DreDaze wrote in post #18133900 i know i'll never own any of these lenses...but i like when the new ones come out because it makes the old ones that much closer to me attaining them....you've got the 12-24mm new version...the old II versions is probably like 500-600...the I version will start being around $300...
Canon 7D/350D, Σ17-50/2.8 OS, 18-55IS, 24-105/4 L IS, Σ30/1.4 EX, 50/1.8, C50/1.4, 55-250IS, 60/2.8, 70-200/4 L IS, 85/1.8, 100/2.8 IS L, 135/2 L 580EX II, 430EX II * 2, 270EX II.
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Sep 20, 2016 07:57 | #49 I put all the MTF of the art primes side by side for a quick comparison. To ME it seems the 85 ART will be their best performer. I've personally own the 24A and 50A now and before owned the 35A and all three are top notch performers and have all shared the same characteristics. The 85 stands out much different than the others. They seem to really be marketing improved bokeh... we shall see. Image hosted by forum (814834) © Talley [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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MalVeauX "Looks rough and well used" More info | Sep 20, 2016 09:11 | #50 I originally was anticipating picking up the 85A after release. I sold my 85 F1.8 and 85 F1.4 a while back, kept my Tamron 90 F2.8 VC (macro) as it pulls triple duties and does everything. Ultimately I've learned to live without faster than F2.8 on an 85mm lately the past year. So while I wanted the 85A, I actually think I'll just watch and see what happens for now. I'm far more interested in Tamron's 115mm F1.4 VC. If I'm going to pay the money, I want the features. Tamron seems to keep pumping out weather sealed, stabilized, fast primes that are sharp and awesome. I'd rather have 115 F1.4 VC than 135L and more than 85A I think. Time will tell.
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Sep 20, 2016 10:50 | #51 https://www.dpreview.com …ith-sigma-s-latest-lenses A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Sep 20, 2016 11:26 | #53 Talley wrote in post #18134281 https://www.dpreview.com …ith-sigma-s-latest-lenses Good god that 85 is big. ....gonna have to think about this one. Lookie though... it's weather sealed ![]() Its not that big. Guy in the pic prolly has Trump hands. Canon 7D/350D, Σ17-50/2.8 OS, 18-55IS, 24-105/4 L IS, Σ30/1.4 EX, 50/1.8, C50/1.4, 55-250IS, 60/2.8, 70-200/4 L IS, 85/1.8, 100/2.8 IS L, 135/2 L 580EX II, 430EX II * 2, 270EX II.
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Sep 20, 2016 12:23 | #54 after second thought... I'm thinking of cancelling my 85 art. The size is just something crazy to grasp right now. I'm tired of having nothing but large glass AND it with the thought of the 5D4 dpaf doing video the tamron 85 is a very lightweight option w/ VC that I already know works great since I have mostly tamron glass. A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Monkeymoss Goldmember 1,339 posts Likes: 1984 Joined Apr 2012 Location: Bristol, England More info | Sep 20, 2016 14:42 | #55 Im no expert at reading these charts but I don't think I've ever seen such a constantly graded line. Is it unheard of? Talley wrote in post #18134100 I put all the MTF of the art primes side by side for a quick comparison. To ME it seems the 85 ART will be their best performer. I've personally own the 24A and 50A now and before owned the 35A and all three are top notch performers and have all shared the same characteristics. The 85 stands out much different than the others. They seem to really be marketing improved bokeh... we shall see. Jon
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Very nearly as light as the Canon and quite a bit cheaper - if the real world performance is good (as a number of Sigma's lenses certainly are) then this might be quite a money-spinner for Sigma. Life is for living, cameras are to capture it (one day I will learn how!).
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Sep 20, 2016 15:17 | #57 Really interested in the 500mm f4 OS Sport. Besides weight, Sigma has not told us how many stops of stabilization the lens has. When you see my camera gear you'll think I'm a pro.
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Orogeny Goldmember More info | Sep 20, 2016 15:31 | #58 Perfectly Frank wrote in post #18134515 Really interested in the 500mm f4 OS Sport. Besides weight, Sigma has not told us how many stops of stabilization the lens has. Canon has 4 stops, so I hope the Sigma equals it. According to B&H, it has 4 stop OS. There's someone in my head, but it's not me! - Roger Waters
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Arutemu Goldmember More info | Sep 20, 2016 15:57 | #59 vengence wrote in post #18134083 I'd love an 85 Art, but I don't think I would 1200$ love it. That. I love my current Sigma 85 f/1.4. I got it for around $600. It is awesome. I cannot imagine the new ART version to be so much better that it would justify double the price. Oh, I still want it, by the way, but not "$1200 want" it.
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Sep 20, 2016 16:08 | #60 Ok, thanks. When you see my camera gear you'll think I'm a pro.
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