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Thread started 23 Sep 2016 (Friday) 08:04
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POLL: "Who will Purchase the Sigma 85mm 1.4 Art"
Already Pre-Ordered
12
9.6%
Wait to test in store before purchase
3
2.4%
Want to see more reviews/samples before buying
33
26.4%
Not even interested
48
38.4%
Will wait for second hand/import
9
7.2%
This thread bores me
10
8%
Not interested but if it matches OTUS then I will be
3
2.4%
Sticking to Existing Sigma 85 1.4 or other 85mm
7
5.6%

109 voters, 125 votes given (2 choices choices can be voted per member)). VOTING IS FOR MEMBERS ONLY.
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Who will purchase the Sigma 85mm 1.4 Art and when?

 
smythie
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Oct 18, 2016 07:31 |  #106

But even then, the 85 VC is heavier than the Nikon 85/1.4G and about as heavy as the Sigma 85/1.4 EX. It's double the weight of the Nikon 1.8G and almost double the weight of the Canon 85/1.8


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BlazingSkies
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Oct 18, 2016 08:30 |  #107

Anyone have tips for ordering from like Canada? I asked my local Camera store Henrys about exchanging the lens if it was found with "bad AF" and they said managerial discretion... theyd rather not; who should I buy from if I want to return lemons with ease




  
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vengence
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Oct 18, 2016 09:43 |  #108

Sir_Loin wrote in post #18159924 (external link)
86mm filter thread?!?! What the **** is that all about? Even the behemoth of glass that is the EF 85mm f/1.2L has just a 72mm filter thread and it's a faster lens! Is it just me or is the ever increasing size of lenses (and cameras) by all manufacturers getting out of hand? In the 70's and 80's it was all about lightness and compactness, easy to carry around etc etc. When I put my old AE-1 Program next to my 5D3 (both with 24mm f/1.4 attached) it looks like a toy! -?

Larger front element should lead to lower vignetting wide open, which is what everyone wants to shoot this thing at anyways.




  
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Sir_Loin
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Post edited over 7 years ago by Sir_Loin. (2 edits in all)
     
Oct 18, 2016 09:58 |  #109

vengence wrote in post #18160133 (external link)
Larger front element should lead to lower vignetting wide open, which is what everyone wants to shoot this thing at anyways.

Which can be removed in PP, it's a non issue. I even think my lens arsenal is far too big and heavy, I couldn't take all of my gear out on trip even if I needed to and newer lenses are getting even bigger and heavier.


EOS 1D4, 5D3, EF 24-70mm f/2.8L II, EF 70-200mm f/2.8L II IS, EF 50mm f/1.8 STM, EF 85mm f/1.2L II * EOS R6, RF 24-105mm f/4.0-7.1 * EOS M5, EF-M 11-22mm f/4.0-5.6 IS, EF-M 18-55mm f/3.5-5.6 IS, EF-M 55-200mm f/4.5-6.3 IS, EF-M 22mm f/2.0, EF-M 28mm f/3.5 Macro IS * FL-F 300mm f/5.6 FLUORITE, FD 55mm f/1.2 ASPHERICAL, FD 24-35mm f/3.5L, FD 50mm f/1.2L, FD 300mm f/2.8L, FD 50-300mm f/4.5L

  
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Talley
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Oct 18, 2016 10:54 |  #110

Sir_Loin wrote in post #18160144 (external link)
Which can be removed in PP, it's a non issue. I even think my lens arsenal is far too big and heavy, I couldn't take all of my gear out on trip even if I needed to and newer lenses are getting even bigger and heavier.

Since insuring my equipment I take two bags. I can always run back to the vehicle to swap. Doesn't work out all the time but it's an option. Honestly you only really "need" two lenses.... something wide and something long... whatever mm that is.

I've hauled all sorts of glass and most gets unused. I'm switching to primes now and will only take a trinity at a time and I doubt I'll miss much.

But for me it's a hobby. So not everyone fits into this category.


A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Charlie
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Post edited over 7 years ago by Charlie.
     
Oct 18, 2016 10:57 |  #111

vengence wrote in post #18160133 (external link)
Larger front element should lead to lower vignetting wide open, which is what everyone wants to shoot this thing at anyways.

it should, however I see some football bokeh in the bokeh sample, which may be an indication of vignetting.

The size should be a huge concern, it looks like 50% more volume than the 85L... it's also much longer, combined with that front element, it should feel much heavier in practice.

I was disappointed when I saw the Sony 85 f1.4 (massive in size, but the sigma has it beat by far), however that level of optics is absolutely droolworthy. If the sigma can match/beat that, then it will be a very nice lens. After you shoot a very high quality 85, you find that the 85L is quite flawed.


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
Panasonic GH6 - Laowa 7.5/2 - PL 15/1.7 - P 42.5/1.8 - OM 75/1.8 - PL 10-25/1.7 - P 12-32 - P 14-140

  
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Talley
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Oct 18, 2016 11:51 |  #112

Charlie wrote in post #18160195 (external link)
it should, however I see some football bokeh in the bokeh sample, which may be an indication of vignetting.

The size should be a huge concern, it looks like 50% more volume than the 85L... it's also much longer, combined with that front element, it should feel much heavier in practice.

I was disappointed when I saw the Sony 85 f1.4 (massive in size, but the sigma has it beat by far), however that level of optics is absolutely droolworthy. If the sigma can match/beat that, then it will be a very nice lens. After you shoot a very high quality 85, you find that the 85L is quite flawed.

Agreed. I'm very curious to see lens rentals results of the Sigma.


My conclusion/theory/pred​iction will be the Sigma is a smidge higher across the board on the lens rentals olaf mtf test vs the nikon 1.4 or sony G master lens. I'm really feeling that the Sigma will be the top performer. It'll all come down to copy variance which they haven't been known to be rock solid with slightly lacking behind nikon/canon on that matter and AF accuracy....

BUT... you'll get OTUS performance with an AF lens... and supposedly it has a smooth very wide turning range MF ring on it and I think that is going to be another key point to the VS otus thing... it'll manual focus just like the otus AND autofocus too.


A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Charlie
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Oct 18, 2016 12:36 |  #113

Talley wrote in post #18160246 (external link)
Agreed. I'm very curious to see lens rentals results of the Sigma.

My conclusion/theory/pred​iction will be the Sigma is a smidge higher across the board on the lens rentals olaf mtf test vs the nikon 1.4 or sony G master lens. I'm really feeling that the Sigma will be the top performer. It'll all come down to copy variance which they haven't been known to be rock solid with slightly lacking behind nikon/canon on that matter and AF accuracy....

BUT... you'll get OTUS performance with an AF lens... and supposedly it has a smooth very wide turning range MF ring on it and I think that is going to be another key point to the VS otus thing... it'll manual focus just like the otus AND autofocus too.

I have that feeling as well. Never tried the nikon 1.4, but the Sony 85 GM was absolutely stunning. Super sharp, super creamy bokeh. Sometimes with newer optics, bokeh can go backwards (tamron/canon 24-70's have somewhat poor bokeh). Not the case with the 85 GM. That's what I like, modern lenses that can preserve both bokeh quality and sharp/contrast.

I'de like a company to focus on varieties of 1.8 and smaller size, doesnt seem many exist...

sony 50mm f1.8
nikon 85mm f1.8 g
nikon 105mm f2.5 AIS
canon 100mm f2
canon 135mm f2 L (big)

I'm comfortable with these levels of optics and their relative sizes

all sharp lenses
all great bokeh
all great values (nicety)

I really wish someone could focus on making very good lenses of those nature, but with updated coatings/high end elements, and general refinement rather than gigantic monsters. Of course there's a place for gigantic monsters as well for those that desire, it just feels like in this day and age, gigantic monsters take precedence. Sorry for the rant.


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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smythie
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Oct 18, 2016 14:56 |  #114

Sir_Loin wrote in post #18160144 (external link)
Which can be removed in PP, it's a non issue.

which ignores the fact that you are increasing exposure on parts of the image, which admittedly is not a significant issue when shooting at low ISO (it is still an issue nonetheless) but when shooting at high sensitivities can lead to unnecessary increased noise.


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smythie
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Oct 18, 2016 15:04 |  #115

Charlie wrote in post #18160195 (external link)
The size should be a huge concern, it looks like 50% more volume than the 85L... it's also much longer, combined with that front element, it should feel much heavier in practice.

Yet, for Canon shooters it won't actually be much heavier than the 1kg 85L. For Nikon shooters this will be a big increase in actual weight combined with the perceived weight you bring up


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Talley
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Oct 18, 2016 15:15 |  #116

smythie wrote in post #18160415 (external link)
Yet, for Canon shooters it won't actually be much heavier than the 1kg 85L. For Nikon shooters this will be a big increase in actual weight combined with the perceived weight you bring up

Roughly 5.5oz heavier than the canon will be noticeable by many but like you said it's alot heavier than the Nikon.


A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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smythie
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Oct 18, 2016 16:56 |  #117

I think it will be more the size and balance difference between the L and Art that people with both lenses will notice than the weight. That will probably end up being perceived as a significant increase in weight


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Talley
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Oct 18, 2016 22:36 |  #118

I was also thinking too... any of the sigma ART primes are 100% always nail focus when in live view with the 5D4. Never misses ever under any situation.

I haven't calibrated any of my arts yet but my dock arrives with my 85 and plan on going through them. The funny thing is I've already run tests at the distances where Sigma recommends on all my lenses and they do need some minor adjustments and just like my first art lens the 35 my first copy once I did it that thing was my most rock solid auto focusing lens I owned. Never missed. Can't wait to run all mine through and get them to that same 99% area.


A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Oct 19, 2016 12:15 |  #119

BlazingSkies wrote in post #18160077 (external link)
Anyone have tips for ordering from like Canada? I asked my local Camera store Henrys about exchanging the lens if it was found with "bad AF" and they said managerial discretion... theyd rather not; who should I buy from if I want to return lemons with ease

Vistek? Camera Canada? Check this website to get the best deal: photoprice.ca


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Lenses: Canon 24mm TS-E f3.5L II, Canon EF 400mm f/4 DO IS II USM, Canon TC 1.4X III, FUJINON XF50-140mmF2.8.

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Charlie
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Oct 19, 2016 12:42 |  #120

Talley wrote in post #18160739 (external link)
Never misses ever under any situation.


Welcome to my world  :p

live view has its flaws of course, it's not 100% fast like optical, there's a very slight delay, and being 60fps on top of read delay, it could be 30ms total? Could be a dealbreaker to some folks (real fast action, although, practice and prediction can overcome the issue somewhat).


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
Panasonic GH6 - Laowa 7.5/2 - PL 15/1.7 - P 42.5/1.8 - OM 75/1.8 - PL 10-25/1.7 - P 12-32 - P 14-140

  
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Who will purchase the Sigma 85mm 1.4 Art and when?
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