LonelyBoy wrote in post #18350330
I'm interested in the responses here myself - I'm torn between the 2.8ii, the 4IS, and just keeping my 24-105. If the 2.8ii had IS and panning that would be the easy choice, but no dice. The f/4s at least have IS (but the -105 lacks panning, and so I think does the -70/4). The 2.8ii will light up all the AF points, but I'd better have a steady hand.
Eff me.
Good luck with your decision, I'm interested to see what you do.
Eff Me......sounds like me a few years ago myself LonelyBoy.
Having used a 24-105 on a 7D for years, I really liked the range and quality of the images.
When I moved to a 5D Mark III in 2013, the 24-105 really showed its ugly head in Wide End Distortion.
So my choices were the 24-70 f/2.8 L Mark II and the 24-70 f/4 L IS.
Twice the price and NO IS vs. Half the price, one less stop, with IS.....and of course Focus Shift.......
With a trip to Rome in 2015, I added the 16-35 f/4 L IS. Since my 17-40 f/4 L did not have IS, I decided that shooting Hand Held in the Basilica's, where tripods are prohibited, was the reason (excuse) to add the new 16-35 f/4 L IS.
Since I travel light....I mean heavy.......my two Gripped 5D Mark III's were attached to either two of the three lenses, the 16-35 f/4 L IS, 24-105 f/4 L IS and the "Big Heavy" 70-200 f/2.8 L IS Mark II.
Most of the trip had the 16-35 f/4 L IS and the 70-200 Big Heavy attached ready to go. Having IS in the 16-35 allowed me to capture razor sharp at 1/10".....1/15" Hand Held. No way my old 17-40 could do that.
A great investment in the 16-35 f/4 L IS if I say so myself.
Plus this combination had more consistent color and sharpness through out then when paired with my "Old Trusty" 24-105.
Hmmmmmmm.
24-70 f/2.8 Mark II vs. 24-70 f/4 L IS....
With a return trip to Italy a few months later, this time Venice and Florence, I decided it was time to choose.....
Which 24-70?
So after weighing between the two, I followed my "When in Rome" experience. If f/4 and IS was great for me in the 16-35 range, why not carry through to the 24-70?
So I bought the lesser expensive option...........supposedly less quality image as wellas Focus Shift issues and all that...
However, the Wide End Distortion on the 24-70 is much, much more tolerable. When I need critical, that is why I have the 24mm TS-E, which I took as well.
And the color and sharpness was a nice fit between the 16-35 and 70-200. A nice "Flow".
Considering the rebates available when I purchased the 24-70 f/4 L IS, How could I lose?
Considering the f/4 L IS available through the 16-70 range, how about through to 200.
Upon return from Florence and Venice, my back and shoulder really took a beating. So what did I do for a trip last summer to Iceland....left the "Big Heavy" at home and replaced it with the smaller lighter, equally impressive 70-200 f/4 L IS. Did not feel the need for f/2.8 nor the discomfort associated with it. My "Greek Trilogy of the Canon f/4 L IS" proved smooth and comfortable in image quality as well.
Like others have said, and my trip to Rome backs this up, if I am forced to bring only two lenses, the 16-35, 70-200 combination is my choice........why limit to only one lens when we do not have to?
Canon 5D Mark III (x2), BG-E11 Grips, Canon Lenses 16-35 f/4 L IS, 17-40 f/4 L, 24-70 f/4 L IS, 70-200 f/2.8 L IS II, 70-200 f/4 L IS, 70-200 f/4 L IS Version II, 100-400 f/4.5-5.6 L IS Version II, TS-E 24 f/3.5 L II, 100 f/2.8 L Macro IS, 10-22 f3.5-4.5, 17-55 f/2.8 L IS, 85 f/1.8, Canon 1.4 Extender III, 5 Canon 600 EX-RT, 2 Canon ST-E3 Transmitters, Canon PRO-300 Printer