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Thread started 16 Mar 2006 (Thursday) 07:33
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Need some *different* advice on car lighting

 
andygrif
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334 posts
Joined Mar 2005
Location: Northampton, UK
     
Mar 16, 2006 07:33 |  #1

I've been asked to specify equipment and set-up required for a particular installation.

The company, who are asking, sell cars online - so a virtual car dealership if you like. They want about 15-20 shots of each car, front, front 3/4, side, rear, rear 3/4, etc and then some interior shots, side on, forwards, dash etc.

Becuase of the numbers involved we're not looking to create brochure shots, and I have no interest in spending any time at all in Photoshop - simply becuase I took 200 shots yeaterday of 10 cars and that took all day! PS'ing them would have teken me all night too - and they're not paying that much!!

Some shots are wide (eg side on) some shots are close-up (such as the alloy wheel which wills the frame).

the set-up right now consists of two walls in their garage (10-15 ft high celing, sloping, bare boards) and we shoot into the corner of the building from the front, turn the car around and then do the rear shots and interior).

They are telling me that they want white walls, but my thoughts are that black would work better as unlit back is black, unlit white is grey! If they want blown-out white backgrounds then they will have to light them = $$$$/££££ The down side of this is that when I get a dark/black car I'm guessing I'll need some sort of equivalent of hair light(s) to separate the car from the black background, yes?

Now this project is beyond my area of comfort, so I am looking for helpful solutions (on a fair, but limited budget) to work this out.

Bearing in mind that it is not practical to move lights for different angles and that metering between shots/cars/angles is too time consuming - what are your thoughts? Have you done anything similar on this scale or any scale? What did you use, how many lights, where, how muchh power, tungsten or flash or other? What about backgrounds?

Also, whilst I'm here, I thought I'd pick your brains about interior shots. Right now they use on-camera flash and as you'd expect (especially with the cheaper cars with shiny plastic dash boards) it's a very harsh shot, big glare from the flash and generally not particularly appealing. I was thinking about getting a small low power (100w?) tungsten head to take into the car when I do those shots and bouncging the light from the ceiling of the car for interiors...any advice on those? I could use long exposures, but it's too much hassle, takes too long and it's flippin' difficult to set up my tripod in the back of a Mini Cooper:)

Again, please bear in mind that these are online shots to help sell a car - as if you were sat in a dealership looking to buy a car. I wish I had the time, budget and knowledge to produce brochure shots - but it's just not on the agenda right now I'm afraid.

Extreme thanks in advance for your expert input!


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PhotosGuy
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Mar 16, 2006 23:10 |  #2

Bearing in mind that it is not practical to move lights for different angles and that metering between shots/cars/angles is too time consuming - what are your thoughts?

Well, I think you've worked yourself into a corner with that statement & I don't know what I can tell you to help you out of it.
I wouldn't light them with lights directly on the car. We used big, white flats & lit the cars with indirect light bounced off them like the studio in the 1st link here. The lights we used were 750W up to 20,000W which are out of your budget. Or we shot them outside very early/late in the day.

I was thinking about getting a small low power (100w?) tungsten head to take into the car when I do those shots and bouncging the light from the ceiling of the car for interiors...any advice on those? I could use long exposures, but it's too much hassle, takes too long and it's flippin' difficult to set up my tripod in the back of a Mini Cooper

We'd start with a focusing 750W light bounced off a white card on the headliner with maybe some off a card on the seat. Sometimes we might kick in some light through the door if we needed it.
But if it's "not practical" to do this & "flippin' difficult" to do that I suspect that the best I can do is to wish you good luck. You managed to get through "200 shots yeaterday" & if you change what you're doing now it won't match what you already have.
I'm going out of town for 5 days & can't answer other questions, but maybe something in these links will give you some ideas.

Motorcar Photography Tips by Curt Scott
http://www.cobracountr​y.com/fototips/home.ht​ml (external link)

How to get your car in Popular Hot Rodding
http://popularhotroddi​ng.com …es/0506phr_pix/​index.html (external link)


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Need some *different* advice on car lighting
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