Sony Lounge Thread MKIII (All Sony cameras welcome)

Thank you. The clouds were kind of of chopped up. Mother Nature never ceases to amaze me.

Playing around near the airport

digital_AM wrote in post #18924151
Mountain layers

FE 100-200 GM (Travis was kind enough to let me borrow it for a minute.)

IMAGE LINK: https://www.alfredomor​aphoto.com …oads/n-mNp4Hr/i-ftP78W9/A

I love layered mountains like this. Great shot

xpfloyd wrote in post #18924196
I love layered mountains like this. Great shot

Thank you Eddie!

How about some more layers...but this time from up in MRNP...the little dark spec mid frame is a Golden Eagle. It was so cool to stand there on this bluff looking out over this and hearing that eagle screeching...and hearing NOTHING else...it was so quiet, so peaceful and worth the hike up.

Tatoosh Layers

Vdubs at the track. The effortless AF in low light using the 105 f/1.4.

I really do look forward in playing with a sig 35 f/1.2.....waiting!

AlanU wrote in post #18924226
Vdubs at the track. The effortless AF in low light using the 105 f/1.4.

I really do look forward in playing with a sig 35 f/1.2.....waiting!

Hosted photo: posted by AlanU in
./showthread.php?p=189​24226&i=i62415774
forum: Sony Digital Cameras

Hosted photo: posted by AlanU in
./showthread.php?p=189​24226&i=i266881922
forum: Sony Digital Cameras

I know it might not be what you are after...but one thing I like to do with high ISO images, is go black and white...the grain looks so much more natural like old HIGH ISO film.

TRhoads wrote in post #18924229
I know it might not be what you are after...but one thing I like to do with high ISO images, is go black and white...the grain looks so much more natural like old HIGH ISO film.

I totally agree there's the B/W option. Those images really show "real life" render with the track lights illuminating the track and parasitic light falling off onto the grounds. The grounds have almost no lighting.

The noise grain is quite nice with the Sony. I do find sometimes people will use black and white for events to be used as a crutch to hide RAW files that have fallen apart. In some cases I think B/W is perfect for some situations.

Those images were one of the last photos of the night. I should have used lower shutter speed and dropped the iso but at that point I was simply happy to capture anything

AlanU wrote in post #18924240
I totally agree there's the B/W option. Those images really show "real life" render with the track lights illuminating the track and parasitic light falling off onto the grounds. The grounds have almost no lighting.

The noise grain is quite nice with the Sony. I do find sometimes people will use black and white for events to be used as a crutch to hide RAW files that have fallen apart. In some cases I think B/W is perfect for some situations.

Those images were one of the last photos of the night. I should have used lower shutter speed and dropped the iso but at that point I was simply happy to capture anything

My comment wasnt really about salvaging bad files...hope it didn't come across that way...was just mentioning something I like to do with the high ISO files...they look good converted.

My A9 customized itself today. Looks like I get to try out Sony Warranty procedure.

Choderboy wrote in post #18924379
My A9 customized itself today. Looks like I get to try out Sony Warranty procedure.

How the heck did that happen?

The only real wild flower image I got while I was in MRNP. I was a good 10 days late for the real bloom...might have to plan a return trip to spend more time there for it.
Two image focus stack...can't really tell on the web, but it made a big difference in the full size image.

A Pool of Sunlight

Dlee13 wrote in post #18924391

IMAGE LINK: https://flic.kr/p/2hdn​yFw Opera House Sunset by Daniel Lee

Nice shot Daniel!

Dlee13 wrote in post #18924391

IMAGE LINK: https://flic.kr/p/2hdn​yFw Opera House Sunset by Daniel Lee

Great shot, Daniel.