Tareq wrote in post #18417386
Hey Martin,
Thank you very much for your post, it took long time until someone did reply here, and you gave a detailed post so far, that is nice and i appreciate it.
So, let's go into each point you wrote, and i hope i can't forget anything, and you can help me [or guide me hahaha] for better decision for next items if possible.
#1, the mount, yes, i know the is the most important item here, and i got enough recomendations or suggestions and options about it, so i end up with one, not the best in the market or not the top high end, but it can do the job just fine, i saw so many astro images done by less than that mount.
I got SkyWatcher AZ-EQ6, it is same as the Orion Atlas Pro AZ-EQ6 one but mine is white, i know they are both manufactured under same maker [Syntha i think], i was started to look at something in CGEM or AVX then slowly went to EQ5 of different versions then EQ6 too with different models started with EQ6 normal then NEQ6 EQ6 Pro, then EQ6-R, but to my luck i saw AZ-EQ6 at the last moment, didn't know if that is good or not, but i saw they rated it at 55 lbs as the top option of all EQ6 out there, and being a dual motor it is a big plus or bonus for me, so i can use one for DSO imaging and the other [AZ/Alt] for visual.
The EQ6 is an excellent start; as you know its the Atlas. It's weight class is true, so it will hold 40lbs, but for really tight imaging, you will not want to load it more than 20~25lbs for DSO. For planet, you can get away with using 30lb~40lb because it will not need to be perfectly tight and a little drift is allowable because you're doing video for planets. For DSO you need it to be rock solid, so again, stick to 20~25lb as a top weight for DSO on that mount and you will be good, lighter is even better. Also the EQ6 allows for EQMOD (a cable to replace your handset to be controlled via a laptop/computer, super handy, talks with Stellarium so you can guide to things and set slew rate, etc, via software instead of using the cumbersome handset outside). Just look into it, it's a great long term thing.
Polar aligning the EQ6 is easy; don't use the build in polar scope. Instead, use a very short guidescope, like a 50mm with a large sensor camera on it and run SharpCap software; it lets you do a polar alignment sequence and is very easy to use, accurate, and much better than using the flimsy reticle/polar scope built into the mount. I use SharpCap for my alignments and I get 10 minute zero drift accuracy. You'll need this kind of tight alignment for good DSO.
More on this at the end of the post (I have a tutorial).
#2, scopes, this is the second part i keep looking at and not sure what, i bought SW ST80 as starter, just for practice and to play with a scope to understand about the mechanism and about accessories such as eyepieces and diagonals and focuser and whatever, and sounds ST80 is a nice scope for what it is designed [guiding, and can do imaging], but i see like 99% using APO scopes refractors for DSO or reflector instead, i am thinking to give my Canon lenses a test first, not sure how good are those Canon lenses compared to say APO Triplet/Doublet scopes, and most of my lenses are old models, are they better than my Achromatic scope at least?
The ST80 is a good widefield visual scope and a good guidescope. I have one too and I use it for visual, but I image sometimes in narrowband with it.
The thing to remember is if you're in narrowband, having a color corrected scope doesn't matter (ie, APO). The glass of a good achromat is good. The only real difference with an APO doublet & triplet is the level of color correction. But if you're imaging in a single wavelength of light (narrowband) this doesn't matter, a lot of people image with achromats in narrowband because you can get a bigger scope for less cost. That said, I do still recommend a good APO doublet for general imaging and viewing. I would go for an 80mm aperture at first. Even a simple 80mm F7.5 APO is great (cheap!) like the Orion ED80 or SkyWatcher equivalent. They're the "everyone's APO" because they're cheap, very good, common, and you can get a focal reducer for it (making it 480mm F6).
APO refractors are basically in the same class as your Canon lenses (most camera lenses). They are color corrected to an extent too (that's the only reason you don't have wild CA happening. You can image with your camera lenses no problem. Stop down maybe 2/3rd to 1 stop of focal-ratio to tighten things up. It's fine to practice with these for really wide field.
I would keep your ST80 for visual purposes. You can image with it, but the CA is very strong. Most DSO's don't have CA though, so you can totally use this to practice on big DSO's while you wait to get an APO. Your stars will have CA and bloat, but you can at least learn with it and get good images of DSO to learn to process and stuff as you figure things out. It can also be a guidescope later, but it's heavy for a guidescope and not needed, but you can use it if you want for that.
I would get a small 50mm guidescope for imaging/guiding. Lighter weight, less surface area to catch wind, and easier to keep warm (you must combat dew formation).
Heaters are an important thing to talk about. You have to have heat or dew management for your scopes (the imaging scope & the guidescope). All your scopes need this. You have to warm up the element/object exposed to ambient to be warmer than ambient or dew will form. I use basic heat strips hooked to electricity and I cook them. I'm in Florida so mine have to be hot because ambient temps are in the 60's and 70's at night in the summer, so my scopes have to run hot. Doesn't effect anything for imaging. I don't use any fancy heat controllers or temp gauges. I just go full bore heat and cook it. Its' fine (cheap too). But this is 100% needed to image all night, otherwise, dew will shut you down. Dew is your #2 enemy. Clouds are your #1 enemy.
I image with a simple APO doublet, an ED80 (cheap scope, these are commonly $350~400 used, $550 new roughly). You can find equivalents in SkyWatcher and others. It's a basic oldschool Synta design. But it's a good "everyone APO" and cheap. I use a 0.80x focal reducer on it (also cheap) to make it a 480mm F6 APO imaging scope. I use a very inexpensive 50mm achromatic guidescope on it with a helical focuser ($100?) by Astromania (generic, GSO makes it too, everyone has a version). I put a small USB camera on it for guiding. I image DSO in color with an APS-C dSLR. The reason is I live in dark skies with very little light pollution so I can get away with color and short integration (I only need 2 hours on most subjects because of dark skies). I replaced the focuser on my scope with a linear bearing dual speed focuser so it will be more rigid and not slop. My mount is a simple EQ5, the little brother to what you have. My setup is very entry and small. But I use it a lot because it's easy to use, short, light weight, fast, and it's permanently setup on my concrete pier.
IMAGE LINK: https://flic.kr/p/SjP9Fr
IMG_5106
by
Martin Wise
, on Flickr
Here's my astro office, lol:
IMAGE LINK: https://flic.kr/p/Sw5QeT
IMG_5105
by
Martin Wise
, on Flickr
This is the kind of material I get from this cheap entry setup, using a junk color dSLR, and a cheap doublet. I process with DSS (free, stack only) and Photoshop (see my post later with a link to a tutorial on how to process LRGB dSLR):
IMAGE LINK: https://flic.kr/p/SrjmE2
M42_02282017
by
Martin Wise
, on Flickr
IMAGE LINK: https://flic.kr/p/QBWuoz
FlameHorseHead_ReProc_01232017
by
Martin Wise
, on Flickr
IMAGE LINK: https://flic.kr/p/RgsUH1
NGC2238_ReProc_02042017
by
Martin Wise
, on Flickr
I was thinking about a Mak for planetary visual, i tested or looked though C9.25 scope that is in a local astronomy group building, the view was amazing, but they used i think a wide field eyepiece, and then i just decided i want something bigger magnification for that more than C9.25, SCT are expensive, so Mak was the only option, and in my mind i am thinking about that 180mm 7" Mak that has 2700mm focal length, i don't look at aperture or focal ratio, and many agreed about this Mak, but still some trying with me to g with SCT if possible or a Dob better option, in between this or that i got lost, Mak and Dob are the cheapest options, and i don't want anything less than C9.25, i know C8 is nice too, but i know inside myself or mind that i will ask for more immediately, so that C9.25 was minimum reference, and i can't go with C11 because it is too much expensive for me right now, unless i wait long and save more then i can afford that C11, i also looked at Meade 10" option, sounds nice and little more than a Mak but still not very expensive scope, but it has less focal length than that Mak i want, so i don't know which one to follow, i prefer to buy once, and i feel i won't give it a big attention as daily use, but i definitely want a bigger magnification if possible, and i know you may talk about seeing quality condition too, to me i really don't care, i saw through that C9.25 with only 26mm eyepiece once and with 2X Barlow added to that EP again and the view was brilliant, i doubt if i get something bigger will affect it, because someone just said getting 8" or 11" or even 14-16" won't change because the maximum i can get is about 250-300X, really funny if that is true, then 11-16" or bigger are all a waste then, so the viewing quality is fine and nice in my area, light pollution doesn't have big impact on planets and very bright objects anyway.
Aperture is everything when it comes to planets. Resolution is directly correlated with aperture size, not focal length. Focal length doesn't matter. Aperture does. Terrestrial camera language often uses aperture in place of the focal-ratio, but in astro, aperture is used correctly and is referring to the diameter of the opening into the telescope. It basically is the bucket size that light can fall into. If you want to resolve a planet, especially the finer details on the surface, you need aperture. A 7 inch scope is an ok aperture for starting with planets, you will at least see the bands on Jupiter and rings on Saturn. But at very small scale. If you really want to see detail and have imaging detail, you will want something bigger aperture. This is why I immediately suggested looking at 8 inch to 11 inch because your mount can take it. Again, focal length doesn't matter here, you can magnify things, but the limit will be aperture & seeing. You can control aperture by getting the biggest aperture you can. You cannot control seeing. So do yourself a favor and get the biggest aperture you can, if you want to really see detail on planets. 7 inch Mak is just barely scratching the surface. It will work. But, I guarantee you that if you start at 7 inches, you will be buying a bigger scope within a few months after you figure out imaging. The 7" Mak is a good starter planet scope. But again, if you can manage an 8 inch or bigger, do it. Aperture rules all for planets. The Meade 10 inch is worth looking into if you can afford it. Again, don't get hung up on focal length--you can change that (a 2 x powermate for example will double your focal length, and you will need one anyways!), you need aperture, not focal length. If you can get a 10 inch meade, get it, that is way way way better for planets than the 7 inch Mak. Just add a 2x powermate to it and you're set. Far superior, really, really far superior.
It's not a waste to get a bigger aperture. Your limitations on magnification mostly come from quality of seeing. After that, having a big aperture is the only way to get higher resolution to see detail. You can magnify all day, but if your limit on resolution is small due to a smaller aperture, higher magnification won't matter, but if your aperture is big, and you get some decent seeing quality, you can get higher magnifications that are useful.
So if you want higher magnification, get a bigger aperture. I can't stress this enough.
Big aperture = higher resolution which directly influences what can be resolved at high magnification if seeing quality is good enough.
Get a big aperture, go for that 10 inch if you can, and a 2x powermate.
If none of that is an option, and the only option you have is the 7 inch Mak, it will get you started. But I can't stress enough, if you need to save up for a bigger aperture, do so. This is only if you really care to do imaging and visual of planets a lot. If planets are not primary interest to you, then you're fine with a smaller aperture for just taking a look. If you really love planets, I promise you, you will want big aperture after a few months when you realize the limits aperture poses on you for detail.
#3, camera, sure i have DSLRs and Sony mirrorless, but i also read in astrophotography that the best recommendation is a mono astro camera, the cooled one, and i did see that ASI1600mm is very popular camera out there, but honestly speaking i made a different choice, i went with QHY163M instead, it is almost same as ASI1600 in everything, but it has built in heater or anti-dew window, only newest version of ASI1600mm have that from what i read, also 163m have 128mb buffer, not sure what is that for, but anything bonus i welcome it, so the quality of images is same as ASI1600mm so i am happy in that and i am not left behind of ASI1600mm shooters, and one thing is the color, black/blue is way nicer for me than red.
The QHY163M is perfect, as you know its the same as the ASI1600M just from another manufacturer. This is ideal. You use it for DSO and planets. For DSO you use the full surface/resolution with narrowband filters (or LRGB if you have to wait to get narrowband). For planets you use region of interest (ROI) which limits what surface on the chip is used, in order to crank up the FPS. You want to capture at the highest FPS you can for planets. A planet will not fill the sensor. So you waste a lot of pixels and so we crop them away with region of interest and focus on only the pixels the planet occupies. This camera allows you to do both very well due to that.
You can also use your dSLR, but it will require a lot more integration time due to your light pollution to get anything useful out of a redzone. Even in dark skies, some objects are super feint and need 6+ hours of exposure before you have enough signal to noise ratio to actually pull it out. Narrowband lets you do this through light pollution, but you still need lots of integration time. Be prepared for 4~6 hour sessions minimum. It's very common to acquire data over several nights just on one object to get 10+ hours of data collected. This is the challenge of DSO.
You will curse the weather. You think terrestrial imaging causes headache with weather, location, etc. A simple cloud will ruin your day! It's just part of the deal.
I said i decided on the filters already, and i didn't find something better than Astrodon itself, i know it is very expensive, and i really have very bad financial situation now, but i don't want to rush and get another makers and then i buy Astrodon, it will be like twice purcahse and i doubt i can sell my previous non Astrodon filter if i need, so i better just keep my plan on Astrodon and buy it once and never look back, and i know what to buy, all recommended me to start with Ha, and i definitely will think about 5nm over 3nm for a reason, but for O3 and S2 i will go with 3nm, i can buy Baader 7nm or Astronomik 6nm or even Optolong 7nm one and i will have good results, but you know that i always try to get the highest quality, i couldn't get that with the mount maybe or with the scope, then at least i can go with highest quality of filters, at the end the total price will be still less than most expensive mount or most expensive scopes such as Takahashi, so no need to tell me about filters, it is already decided and i will wait to afford one by one, but the only question i can ask here is, i am thinking to get Ha first then LRGB as next, O3 and S2 can wait as i see they are less used than HaLRGB, what do you think?
Yes, starting with HA just to image in narrowband at first is great. This allows you to learn how to do it all and get something from it. This allows you to image through light pollution in a red zone. Later, you can add S2 & O3 as you can. You can get by with inexpensive LRGB filters. The ones that matter for quality will be narrowband S2 and O3. It's ok to do 5nm or 7nm HA. But you want 3nm on S2 & O3.
And important note is that to image in HA you have to make sure your subject matter is emitting or reflecting HA light! Not all DSO's do this. So make sure you check which DSO you're wanting to image, and make sure it has HA, or you can image all night and get nothing because there's no HA. This is true of many galaxies for example, and some nebula. You want to focus on nebula mostly that have HA emission. So this means doing a little research and selecting appropriate targets to image so that you don't waste your time. HA is the most common light out there because hydrogen is the most common element and all the stars are burning this stuff. But, again, not every DSO has a lot of HA involved in the actual DSO, so just make sure and research your subjects. Imaging in just HA means black & white in reality, but that's fine! It still looks really good and gives you a lot of data to process.
Things i have to think about is the software, because that is all where i need to spend time too, i may leave my mount scope camera taking subs exposures for hours and hours through days or weeks, but at the end i need to stack and process them, and i think i know which software, but i don't know how to process them at the moment, i still watch videos, but i have to focus on one software, i only think about PixInsight but i don't have it now, it is in my list no doubt, they told me it is the best one to get, DSS is fine but i feel i lack things, PI is like Photoshop in photography, so i will get it then no doubt.
PixInsight has a massive learning curve. It's good software. You will need to watch a lot of videos to learn to use it.
I use basic stuff. I use DeepSkyStacker for my stacks. I process in Photoshop. Here's the tutorial that tought my the most on how to understand how to process DSO in photoshop using curves, levels and masks. You can download & save the video. I still use it to reference when I process to this day.
http://www.astronomersdoitinthedark.com/dslr_llrgb_tutorial.php
I still have problem about to understand the polar alignment and guiding, that is why i bought PoleMaster but it didn't show here yet since nearly 4 weeks, i feel i can't use my mount without it, i hate to go the other methods, the polar scope in mount is a headache, i didn't test it at all but i really don't want at all, drift alignment i really don't know how, do i need special tools or it is only by software? i do have ASI120MC, a color version with USB2.0, i am not sure if i can use this for now as guiding camera, in the future i will gt another camera, most likely QHY5L-II, but until that time i have this camera, QHY163M is an imaging camera, so i hope i can understand how to guide and how to PA first.
Polemaster does exactly what SharpCap on your guidescope will do; but SharpCap is free. Polemaster is good, though, but again, you don't need it you already have a guidescope and you can run software to do alignment. It's the same thing. They both just use plate solving. You don't need to drift align. You have the ability to plate solve with the Polemaster, that's how it works. Or you can use sharpcap and your guidescope and do the same thing. You can use your 120MC for a guide camera, that's totally fine, mono is better (more sensitive) but that doesn't mean you won't be able to use it, it will work fine too.
Here's my tutorial on using a basic 50mm guidescope, any USB camera (yours is fine!), and SharpCap software to polar align with plate solving (text & picture tutorial):
https://www.cloudynights.com …nt-experiences/?p=7624471
Very best,