nellyle wrote in post #18429858
Hello
Up until March this year I had a version 1 Canon 500 f4 IS. I was in the process of doing up a property to sell, so I sold it help out with cash flow.
I've now accepted an offer on the flat which means I'm planning what to replace my old 500 with!
The easy foolproof (as in I know what I'll be getting) is to replace with the version 2 of the 500 and maybe also add a 100-400ii to be used with a 5D3, but part of me thinks that getting a 300 2.8ii, 100-400ii and a 7D2 might be nice, mainly as I'll have a more portable set up for similar performance.
I shoot mainly wildlife, birds and mammals, but also dabble a bit in motorsport too.
Has anyone compared the above and gone in a particular direction? If so, what and why?
Thanks
It really comes down to how you approach wildlife.
While the physical reach is a good thing, the 500 F4L you already know has it, and performs great with a 1.4x TC at 700mm. Great physical reach and still sharp and fast. The MKII is a bit nicer than the MKI too with the weight changes, so it is a great lens.
That said, a 7D2 with a 300 F2.8L II has nearly the same FOV and high pixel density as a full frame and a 500mm lens. But is still shooting at F2.8 and you get the much higher FPS of the 7D2 compared to your 5D3. That's worth considering, because to me, that's even more compact, yet has faster focal-ratio and achieves the same FOV essentially, with 2lbs less weight, yet again, able to shoot at F2.8 with that same FOV. You can use TC's to get to 420mm and 600mm and still have upwards of F5.6. So the point is, you may give up 700mm to 600mm at F5.6 and lose a wee bit of reach, but you gain a wider potential FOV if you want it, the same FOV if you want it, and F2.8 which you didn't have access to.
It also depends on what you're calling mammals & birds. If we're talking big lumbering mammals and huge lumbering birds and you're doing it from maximum distance, then the physically longer lens will suit you more. That said, if you're getting very close to smaller birds, especially fast moving ones, and smaller mammals, especially fast moving ones, you may appreciate a smaller kit that is lighter, if you're getting close via hunting methods (and not just shooting from a car or a park or a big comfy blind). I bring this up because I went from 600mm on full frame & APS-C to using a 300 F4L IS on full frame & APS-C for my birding & wildlife in general because I changed how I approached things and was getting closer. So close that I found my 600mm to be too long for a lot of it. And I super appreciate the light weight, small size and speed of the 300 F4L IS for this. While I'd love to have the 300 F2.8L, it would add to the weight, and I'd stop it down anyways because I don't want F2.8 when I'm really close to a subject (getting half a bird in focus). But F2.8 would be great for distant things in lower light.
So really it comes down to how you do things, what you shoot, and how much weight you want. For me, it's a no brainer, for my purposes I would get the 300 F2.8L IS II if I could. I'd be happy with any old 300 F2.8L with AF actually. They're stupid good lenses and still reaosnable with weight (5lbs or so; compared to a 13lb beast like the 400's). They take TC's very well making them flexible, while still being F2.8 when you need that. So for me, I'd favor that lens over the 500. But, if I were shooting elk and eagles, I know I'd just get the 500 or something for that (but honestly, that's why I have a 600 because for huge lumbering things from max distance, you just need physical reach as you don't need crazy shutter speeds as they're not moving fast; unlike a close range bird that is moving or a fast moving mammal at close range, there you need shutter speed, so having aperture helps).
I think you'd prefer the 300 when doing Moto too.
So I'd lean towards the 300 and a handful of TC's (1.4 & 2.0) and either a 7D2 or 80D as a sidekick to your 5D3. You can fit the 5D3 with a 24-105 or 70-200 as your wide FOV system to compliment the reach system. I never roll with one camera. And that's why I like having full frame & APS-C to help with managing FOV with physical lenses.
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Now ALL that said, I just went through your recent Flickr and based on the subject material and your proximity, it seems to me that you will live at maximum focal lengths available. Thus, for your situation, you probably should just get the 500 and a 1.4x TC and consider adding a 7D2 or 80D or 1DIV (unless you're happy with the 1D3, as it's great still!) to get the most pixel density on subject as you're shooting subjects from very far away that are very spooky of humans so you won't be getting close unless you're in a blind or something. So maybe the 500 is best for you based on that.
Very best,