All natural light, no reflectors all shot with the 135L.
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Point-n-shoot-n Goldmember 2,037 posts Likes: 1127 Joined Jun 2008 Location: Tampa, Florida More info | Mar 30, 2018 22:00 | #1 All natural light, no reflectors all shot with the 135L. Image hosted by forum (906853) © Point-n-shoot-n [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (906854) © Point-n-shoot-n [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Canon 5D mk IV, Canon 5D mk iii, Canon 5d classic, Rebel XTI 400D 18-55 kit lens, Canon EF 85mm 1:1.8, Canon EF 17-40 F4L, Quantaray 70-300 1:4-5.6 LD, Canon 70-200 F2.8 iiL, Canon EF135 F2 L, Canon 200 F2 L, Tamron 28-75 1:2.8 , 2 alien bee 800's, 430 EXii, 580 EXii, rectangular and octo softboxes, assorted umbrellas, portable backdrops, radio triggers and still adding.............
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Mar 31, 2018 10:15 | #2 Hey pal, Updated: Nikon D700 || Nikon D700 || Nikon 35 1.8 || Nikon 50 1.8 || Nikon 85 1.8 || Nikkor 70-200 2.8 VRI
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Mar 31, 2018 13:50 | #3 valdano wrote in post #18597607 Hey pal, Okay if i'm being honest, let me firstly they these are nice shots. They're not 'OMG WOW', but they're not bad photos either. Here are a few things I saw thought could be changed or done better next time. Image One: 1. Hotspot on her chest is blown out and it's a little distracting. 2. The overall images has a green look to it. Don't know if that's intentional, but I would put some magenta in there. 3. Her expression seems a little off. The one in the second photo is much better. She looks happier in the second photo. 4. The background has a whole lotta sun patches (hotspots). What you could have done was move to your left to get more of the darker trees/shrubs in the background and get rid of the unnecessary clutter and hotspots. Image Two: 1. Same green tint as above comment 2. Hotspot distractions in the background 3. Background a little busy (park bench, post, tree bark, etc.) 4. The expressions in this one is great though. This is my favourite of the two images. Hope I was of some help ![]() Spot on. I second this. A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Point-n-shoot-n THREAD STARTER Goldmember 2,037 posts Likes: 1127 Joined Jun 2008 Location: Tampa, Florida More info | Mar 31, 2018 15:56 | #4 Thanks for the input guys! Maybe I need to calibrate my monitor as the skin tones look pretty good on my screen. I can see where the darker B/G would have been a better choice...I’ll try that next time. The hotspots are as drawn down as I could get them in Lightroom...they were much worse as I metered for the face to avoid under exposing. Still learning...always learning. I have other shots from the same set that are on a darker background that do look better. Thanks again for the input! Canon 5D mk IV, Canon 5D mk iii, Canon 5d classic, Rebel XTI 400D 18-55 kit lens, Canon EF 85mm 1:1.8, Canon EF 17-40 F4L, Quantaray 70-300 1:4-5.6 LD, Canon 70-200 F2.8 iiL, Canon EF135 F2 L, Canon 200 F2 L, Tamron 28-75 1:2.8 , 2 alien bee 800's, 430 EXii, 580 EXii, rectangular and octo softboxes, assorted umbrellas, portable backdrops, radio triggers and still adding.............
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Not a problem pal. Don't worry, we're all learning. I too suffer from the same things I mentioned with your images. It's easy to see the end product and critique, but it's a totally different ball game when you're in the moment and people are counting on you to tell them what to do. Updated: Nikon D700 || Nikon D700 || Nikon 35 1.8 || Nikon 50 1.8 || Nikon 85 1.8 || Nikkor 70-200 2.8 VRI
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OhLook insufferably pedantic. I can live with that. 24,910 posts Gallery: 105 photos Best ofs: 2 Likes: 16339 Joined Dec 2012 Location: California: SF Bay Area More info | Mar 31, 2018 16:36 | #6 Point-n-shoot-n wrote in post #18597769 The hotspots are as drawn down as I could get them in Lightroom...they were much worse as I metered for the face to avoid under exposing. The sunlight from the left was too bright for white fabric and pale blond hair. This was a very light family to begin with, including their clothes. Posing them earlier or later in the day and trying different places without harsh sunrays would have produced more consistency in tones and made PP easier. PRONOUN ADVISORY: OhLook is a she. | Comments welcome
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Mar 31, 2018 16:45 | #7 Subjects appear in focus and well dressed. Overall compositions are decent.
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gonzogolf dumb remark memorialized More info | Mar 31, 2018 18:03 | #8 Point-n-shoot-n wrote in post #18597769 Thanks for the input guys! Maybe I need to calibrate my monitor as the skin tones look pretty good on my screen. I can see where the darker B/G would have been a better choice...I’ll try that next time. The hotspots are as drawn down as I could get them in Lightroom...they were much worse as I metered for the face to avoid under exposing. Still learning...always learning. I have other shots from the same set that are on a darker background that do look better. Thanks again for the input! If you aren't going to light your subjects (and you really should) then you have to find better light. At the very least you need to find consistent light so that the light falling on the subject isn't dappled. Also without .ighting your subjects you have little control over the ratio of subject brightness to the background.
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Point-n-shoot-n THREAD STARTER Goldmember 2,037 posts Likes: 1127 Joined Jun 2008 Location: Tampa, Florida More info | Mar 31, 2018 21:50 | #9 gonzogolf wrote in post #18597825 If you aren't going to light your subjects (and you really should) then you have to find better light. At the very least you need to find consistent light so that the light falling on the subject isn't dappled. Also without .ighting your subjects you have little control over the ratio of subject brightness to the background. Therein lies the problem with shooting outdoors. I have used strobes to add light but I am trying to get some decent shots using just the natural light. I have a large scrim and some reflectors at my disposal....perhaps I could have benefitted from bringing them along. This shoot was of my wife's Niece and just an afterthought after her baby shower, so nothing was expected or compensated...just playing with the 135L wide open to see what it could do. I shoot indoors in my studio most of the time where the light is never a problem to control. I need to improve my ability to find the good light when outside. I usually look for even shade to shoot in but thought about getting some backlighting in these too see how it would look. I think I remember a tutorial where the instructor was shooting in broad daylight and used the idea of a dark background on backlit photos....I think I will go at it with that in mind next time. Thanks again guys! Canon 5D mk IV, Canon 5D mk iii, Canon 5d classic, Rebel XTI 400D 18-55 kit lens, Canon EF 85mm 1:1.8, Canon EF 17-40 F4L, Quantaray 70-300 1:4-5.6 LD, Canon 70-200 F2.8 iiL, Canon EF135 F2 L, Canon 200 F2 L, Tamron 28-75 1:2.8 , 2 alien bee 800's, 430 EXii, 580 EXii, rectangular and octo softboxes, assorted umbrellas, portable backdrops, radio triggers and still adding.............
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GeorgeZip My neighbours are looking at me a bit strangely More info Post edited over 5 years ago by George Zip. | Apr 01, 2018 03:04 | #10 Hey man.
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GeorgeZip My neighbours are looking at me a bit strangely More info | Apr 01, 2018 08:44 | #11 This is a metter of taste. When shooting in greenery , I tone down the green a bit because it's a primary colour and tends to be distracting.
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GeorgeZip My neighbours are looking at me a bit strangely More info Post edited over 5 years ago by George Zip. | Apr 01, 2018 08:52 | #12 Here is one I posted on FB today of an engaenent shoot I did yesterday in similar circumstances. That green element in the background is a bush way off in the background and was the only dark element amoungset some houses. And i am standing in line with their shadow. Image hosted by forum (907064) © George Zip [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff.
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jcolman Goldmember More info Post edited over 5 years ago by jcolman. | Apr 01, 2018 10:52 | #13 I agree with most of the aforementioned comments. I find that the key to getting good photos outdoors is to find some shade, preferable with a dark background, then adding some off camera flash to the subject. A few examples below. However if you don't want to use flash, then find some "bright" shade. Or a patch of sunlight with a shady background I probably spend more time looking at backgrounds as I do anything else when looking for a location to place my subjects.
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Point-n-shoot-n THREAD STARTER Goldmember 2,037 posts Likes: 1127 Joined Jun 2008 Location: Tampa, Florida More info | Apr 08, 2018 19:00 | #14 jcolman wrote in post #18598234 I agree with most of the aforementioned comments. I find that the key to getting good photos outdoors is to find some shade, preferable with a dark background, then adding some off camera flash to the subject. A few examples below. Or a patch of sunlight with a shady background ![]() I probably spend more time looking at backgrounds as I do anything else when looking for a location to place my subjects. Great suggestions guys! The hair being backlit as in your pic is the look I was going for actually. I am going to hopefully get to take some pics with my newly acquired 200mmF2L this weekend, so I can try some of your ideas to see how it goes! Thanks for all the excellent input and sample photos! Canon 5D mk IV, Canon 5D mk iii, Canon 5d classic, Rebel XTI 400D 18-55 kit lens, Canon EF 85mm 1:1.8, Canon EF 17-40 F4L, Quantaray 70-300 1:4-5.6 LD, Canon 70-200 F2.8 iiL, Canon EF135 F2 L, Canon 200 F2 L, Tamron 28-75 1:2.8 , 2 alien bee 800's, 430 EXii, 580 EXii, rectangular and octo softboxes, assorted umbrellas, portable backdrops, radio triggers and still adding.............
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mdvaden Goldmember More info Post edited over 5 years ago by mdvaden. | Apr 17, 2018 10:56 | #15 jcolman wrote in post #18598234 I agree with most of the aforementioned comments. I find that the key to getting good photos outdoors is to find some shade, preferable with a dark background, then adding some off camera flash to the subject. A few examples below. I probably spend more time looking at backgrounds as I do anything else when looking for a location to place my subjects. Dark backgrounds isn't necessarily"the key" ... it's more of a want or hope. I was adjusting an image last night from a redwood wedding. It was scheduled a specific time of day at a specific park. The entire park was scattered mix of sunlight and shadows. There was no "key" to find, nor time to go elsewhere. Sometimes it is possible to go elsewhere or another hour. Nice option if it's available. Partially cloudy days often cause changes that may make a dark background or light background trade places throughout the day. vadenphotography.com
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