MatthewK wrote in post #19049468
Nice to see you back in the saddle, Phil! Believe it or not, I rarely see House Finches, and have never had a photographic opportunity with one. I see Jays all of the time, but still can count on one hand the number of photos I've gotten LOL
You seeing any Painted Buntings yet?
After you've had more time with the Z50, how would you compare it to the D500?
Thanks Matt. It sure is nice (not to mention relaxing) to be able to photograph some birds, even if they were just in the yard.
I really like the Baby Z (Z50). It's an excellent compliment to the D500. The Z50 can produce sharper images, in the right circumstance(s). As long as you're not trying to lock onto a moving (particularly small) subject, the Z50 does extremely well. Once you get a lock on your subject, it also does quite well. If you add a TC (1.4, 1.7, or 2x), and you have to conditions mentioned above, the Z50 will regularly produce better results. I think that's fundamentally a mirrorless characteristic in general.
Having said all that, I've been shooting the Z bodies "primarily" for the last couple months and have become accustomed to their nuances. However, when I sat out with the D500 this weekend it was like a swift slap in the face. "Instant" AF acquisition & lock. The different is huge and obvious when you go from one to the other, after being used to which ever the previous one was. I know that's kinda rambling, but I hope it makes sense.
I dig them both and enjoy them both. I can get results with both too.
If a D500 "equal" ever comes out MILC format, it will be a HUGE HIT!