
Using my rough and ready chart,
Please explain.
jr_senator Goldmember ![]() 4,861 posts Joined Sep 2006 More info | Nov 08, 2008 13:22 | #106 |
Nov 08, 2008 13:25 | #107 Lester Wareham wrote in post #6648377 ![]() Very nice. I was wondering if you could just use the maths to apply the tilt, looks like you can. Was this just focus by eye or does the focus confirm light help any? Hi Lester I was able to confidently focus just using the viewfinder on this one, but do use the focus confirmation lights more on the 90 TS-E. Scuff
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Here is a shot that demonstrates how well flare is controlled with this lens. It also has a Hoya Pro-1 UV filter on the front...... Scuff
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Lester Wareham Moderator ![]() More info | Nov 09, 2008 03:35 | #109 Scuff wrote in post #6648419 ![]() Hi Lester I have posted this chart before, but to save searching...... I use it most of the time as a quick and dirty reference which helps me visualise the focus plane more accurately. ..... I was able to confidently focus just using the viewfinder on this one, but do use the focus confirmation lights more on the 90 TS-E. Right you can derive that mathematically and the angle of the planes of acceptable focus, see http://www.zen20934.zen.co.uk/photography/tiltshift.htm What I was asking about was where you say: So I tilt the lens, then focus again through the viewfinder. Can the focus confirm be relied on in your experience or do you focus by eye? My Photography Home Page
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Lester Wareham Moderator ![]() More info | Nov 09, 2008 03:37 | #110 Scuff wrote in post #6648452 ![]() Here is a shot that demonstrates how well flare is controlled with this lens. It also has a Hoya Pro-1 UV filter on the front...... Again great shot. Have you noted any vignetting problems at maximum tilt or shift with a filter fitted? My Photography Home Page
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Hi Lester Scuff
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Lester Wareham Moderator ![]() More info | Nov 09, 2008 07:21 | #112 Thanks. My Photography Home Page
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sheawyatt Goldmember ![]() 1,406 posts Likes: 28 Joined Dec 2005 Location: Victoria, BC More info | Just picked up my mint, used copy an hour and a half ago. There aren't nearly enough samples from this lens, so I thought I'd throw up a few quick and dirty samples to showcase it's technical merits while I learn to use the thing.
2 -- 100% crop
To show how tilting can be useful when you need DOF but can't stop down in order to keep the shutter speed up (not required in this case but for moving flowers, etc, it will be handy) 3 -- no tilt. 100% crop 1/50 f/5
4 -- max tilt. 100% crop 1/50 f/5
5 -- A bit of shifting action 1/500 f/3.5
6 -- 100% crop of the above. NOTICE I missed focus on the shed. The lack of CA and fringing is amazing! My 17-40 would be horrible with the backlit branches and leaves stopped down, never mind wide open!
7 -- macro function using a 12mm extension tube. Focus was about 2 cm from the front element. 1/100 f/9 ISO800
8 -- 100% crop of the above.
My conclusion after only 1 hour of playing with this thing: It is built like a tank, optical quality is SUPERB, learning to use tilting and shifting properly will be a major challenge. I can't wait to pick up a 5D2 in the spring to really make it shine. Expect more updates in the coming weeks, provided the weather remains half decent. Edit: Oh yeah, the focusing ring. It is sublime. I thought I might miss AF, but the manual focus action is so smooth it is a delight to use, and AF confirm works perfectly. I'll have to learn to focus pull for HD video with the 5D2, but I don't think it will be too difficult. X-T3 | 10-24 f/4 | 18-55 f/2.8-4 | 16 f/1.4 | 80 f/2.8 Macro | 55-200 f/3.5-4.8 | 100-400 f/4.5-5.6 | 1.4x TC |
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Dec 12, 2008 02:09 | #114
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Lester Wareham Moderator ![]() More info | Dec 14, 2008 05:22 | #115 Mark Vuleta wrote in post #6862764 ![]() Lester, I was wondering if you could give me a bit of assistance with the above chart. I have read/re-read the articles that the chart is taken from & are getting a better handle on the mathematics behind the operation of the lens. From the above I understand that the angle of the SF plane changes dependant upon the focus distance for a given amount of tilt but can you give me an explanation of the figures one the right hand side (which are the key to the coloured plots on the graph) What I am trying to ask: what do the numbers e.g. o.029 or 0.042 represent? I have just got the 24 and am finally getting the chance this weekend to play with it outside (weather permitting:rolleyes ![]() Sorry for the delay in getting back to you. When the lens focus is set close to infinity you get the plane of sharp focus at 90 degrees with a wider wedge of planes of acceptable focus like this: A simpler way of showing this is But if you have one of these lenses to play with you can enjoy practical experimentation rather than having to make do with wistful mathematical analysis. ![]() My Photography Home Page
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Dec 15, 2008 02:11 | #116 Thanks Lester
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Lester Wareham Moderator ![]() More info | Dec 15, 2008 11:52 | #117 Mark Vuleta wrote in post #6880658 ![]() Thanks Lester Now that my brain has got over your post (it eventually made sense to me:rolleyes ![]() I have spent a bit of time trying to understand the maths of the lens for two reasons. Firstly, I struggle with focusing the lens due to poor eyes and the small viewfinder on the 30D. I am tossing up as to whether to get a split screen for the camera or get a 1DsM11 ![]() And the second reason, just to attempt to improve my technical knowledge although it seems the more I learn, the less I know ![]() As a follow up question, is there some form of table that I could convert the decimal figures to equivalent focus distances (or could you point me to the appropriate formula). Maths & algebra not being my strong point (point me to a leaking water pipe or a blocked drain & I'm your man!, maths, not so much) As a matter of interest, do you know how accurate are the charts in respect to "thin lens"verses the actual practical lens? Sorry for all of the questions, I think I will like the beast but would just like to get the best out of it. (did have good weather this weekend but too busy to play ![]() Actually I thought Scuff's diagram above was fairly handy My Photography Home Page
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Dec 16, 2008 00:48 | #118 Thanks Lester
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MaDProFF Goldmember ![]() 4,366 posts Likes: 1 Joined May 2007 Location: East Sussex, UK More info | Dec 22, 2008 04:10 | #119 Has anyone found this lens to be soft in use? Photographic Images on Brett Butler
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sheawyatt Goldmember ![]() 1,406 posts Likes: 28 Joined Dec 2005 Location: Victoria, BC More info | Dec 22, 2008 20:34 | #120 MaDProFF wrote in post #6925182 ![]() Has anyone found this lens to be soft in use? The only softness I've seen is corners when used with max shift -- if you avoid the ranges marked with red on the lens, sharpness is very good. I find the centre sharpness to be best between f/5.6-7.1, but still very good up to f/13.
Shifting up/down - Two landscape shots stitched vertically
Shifting left/right - Two landscape shots stitched horizontally
Tilted 1.5 degrees to get the far footprint in focus at f/5.0
X-T3 | 10-24 f/4 | 18-55 f/2.8-4 | 16 f/1.4 | 80 f/2.8 Macro | 55-200 f/3.5-4.8 | 100-400 f/4.5-5.6 | 1.4x TC |
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![]() | x 1600 |
y 1600 |
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