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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 28 Oct 2020 (Wednesday) 12:21
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Outdoor Light Stand Ecommendations

 
elitejp
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Oct 28, 2020 12:21 |  #1

I just recently picked up a ad200 and i am wanting to do more outdoor ocf. Right now I will probably be doing more self portraits just to keep myself entertained and continue learn/use my camera. I mainly enjoy outdoor portrait photography (people with a nature in the background). What kind of light stand would you recommend for outdoor photography or does it really matter?


6D; canon 85mm 1.8, Tamron 24-70mm VC, Canon 135L Canon 70-200L is ii

  
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mfingar
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Oct 28, 2020 12:55 |  #2

WIND is your enemy. I use lightweight Manfrotto 1051BAC's and 20# sandbags on each (or buy gallon jugs of water on location). I have traveled the world for over ten years with them (I have 8 of them) and they are still going strong.


www.markfingar.com (external link)

  
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RicoTudor
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Oct 28, 2020 13:25 |  #3

AD200 is small and light so any crappy light stand will serve. When you add modifiers like a softbox or umbrella, the problem of wind requires a more serious rig: steel light stand, grip head, ground stake. Alternatively, use bounce when enlarging the source and seek wind-resistant white surfaces like a wall or parked van. When using the built environment for light modification, you move the shoot to a location, not the modifier to the shoot. Scouting is the act of finding a location—not just for the background but for the lighting potential.


Canon, Nikon, Contax, Leica, Sony, Profoto.

  
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ImageMaker...
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Nov 09, 2020 21:39 |  #4

RicoTudor wrote in post #19144451 (external link)
AD200 is small and light so any crappy light stand will serve. When you add modifiers like a softbox or umbrella, the problem of wind requires a more serious rig: steel light stand, grip head, ground stake. Alternatively, use bounce when enlarging the source and seek wind-resistant white surfaces like a wall or parked van. When using the built environment for light modification, you move the shoot to a location, not the modifier to the shoot. Scouting is the act of finding a location—not just for the background but for the lighting potential.

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Sandbags... the more the safer. Avoid the newb tax. Buy decent stands.

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Nikons, Rolleiflexes, Elinchroms, Broncolor Paras, Billinghams

  
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Wilt
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Nov 09, 2020 22:19 |  #5

For outdoor usage, I would seek the tripod with the WIDEST footprint, as any weights you might use are more effective at the end of a longer footprint than on a lightstand with a smaller footprint.


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Canon dSLR system, Olympus OM 35mm system, Bronica ETRSi 645 system, Horseman LS 4x5 system, Metz flashes, Dynalite studio lighting, and too many accessories to mention

  
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thomasjpello
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Nov 18, 2020 23:53 |  #6

My working stands for OCF right now is from Strobepro in Canada. Awesome built quality.




  
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Jotto123
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Nov 29, 2020 19:32 |  #7

Stay away from Flashpoint "heavy duty" stands.

I had two that stripped screws the first time using them. I was on location when it happened and it was so embarrassing because the softbox kept falling.

I also didn't over tighten them either the screws were just super cheap garbage.


6d - 135L - 85mm 1.8 - 50mm 1.8 - 35Art

  
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elitejp
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Dec 02, 2020 10:43 |  #8

Appreciate the replies. Now here is a random question. Currently this is my only flash. Would you recommend picking up a ocf to trigger the ad200 or or just buy a trigger?

sorry, i meant to say "on camera flash" which ends up being the same acronym as "off off camera flash"


6D; canon 85mm 1.8, Tamron 24-70mm VC, Canon 135L Canon 70-200L is ii

  
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thomasjpello
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Dec 26, 2020 21:38 as a reply to  @ elitejp's post |  #9

Trigger is always better, unless you will be using an on camera flash a lot of time i.e shooting weddings




  
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camerabug
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Jan 14, 2021 17:10 |  #10

I'd look at a C-stand if you're not too concerned for portability, otherwise portable solutions such as Manfrotto's nano-stand would be a good option.




  
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Wilt
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Jan 14, 2021 17:40 |  #11

elitejp wrote in post #19160672 (external link)
Appreciate the replies. Now here is a random question. Currently this is my only flash. Would you recommend picking up a ocf to trigger the ad200 or or just buy a trigger?

sorry, i meant to say "on camera flash" which ends up being the same acronym as "off off camera flash"

Trigger via on-camera flash will often mean and 'optical trigger'...BAD when ambient light is bright and distances are not short!

Trigger via on-camera flash can mean 'radio trigger' using the internal radio system of the flash...GOOD for most circumstances.
Use of a professional radio trigger can mean much longer distances that units can be triggered, compared to in-flash radio system.


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Canon dSLR system, Olympus OM 35mm system, Bronica ETRSi 645 system, Horseman LS 4x5 system, Metz flashes, Dynalite studio lighting, and too many accessories to mention

  
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Outdoor Light Stand Ecommendations
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