wxjef wrote in post #19490926
Agree!

I think that's also part of my issues is I'm using the wrong tools for the job unfortunately which causes some motivational issues. Compound that with not really using gear for a while (somewhat new at that) and bad lighting conditions (was pretty overcast.
I notice a lot of wonderful images throughout potn have pop to them and most I've ran through this box I call a computer are rather flat and dull no matter what I do to them.
Incidentally I pulled up the dump of images from the outing and some did have some obvious motion blur in them. Still other images just seem off to me.
Anyway guess if I want to continue with photography, perhaps I should look at some different tool in the digital darkroom.
Bird photography is, technically, probably the most challenging of all genres. You need fast shutter speeds, as most birds move around a lot, and low ISOs, as birds have lots of high-frequency feather detail that is damaged by heavy-handed noise reduction. These settings are always a compromise. You also need to learn about the habits of birds, and of course the many different species of birds vary widely in those habits, as well as lighting, backgrounds, camera settings and post-processing. Many of us have spent many years developing and refining our fieldcraft, camerawork and post-processing techniques to produce those photos that pop. There is no magic bullet and no single solution; the techniques each photographer uses vary widely.
Assuming your camera and lens are working correctly, there is nothing wrong with the 80D and 300 f/4 for bird photography; many of us have used that camera and/or lens to produce fine images. It just takes practice, like any skill, and the more you practise the better you get.
Still waiting for the wisdom they promised would be worth getting old for.