chuckmiller wrote in post #19278824
What do you think would render the sharpest image?
The subject is a small bird, 25 feet away, which needs cropping in post to fill the frame.
Here are the options:
Canon 100-400 ver2 at 400mm, image cropped/zoomed to match the 500mm FOV
Canon 100-400 ver2 with the Canon 1.4x ver3, shot at 500mm with no crop
Sig/Tam 150-600 shot at 500mm, again no crop required
I don't have a 150-600 to test against but maybe someone here has both lenses.
Unfortunately this test is just going to show optical design variation and various forms of aberration as the difference. It doesn't account for the control of chromatic and spherical aberration as you change up the optics, add optics, or switch glass, etc. Even if you keep the pixels on the sensor constant and the ambient light and subject constant. So when it comes to sampling (recording angular resolution) it won't be comparing the same things going on, since the optics involved are different.
The nerd stuff, if you care (ignore if you don't):
If the glass was the same and you were simply testing variables that influence resolution (ie, recording angular resolution at critical sampling, differentiating the airy disc), you would find that all of these setups are undersampling for the wavelengths of light and the pixel size for these fast focal-ratios and so lots of resolution is actually lost on these setups. The saving grace is that you're actually close to the subject (a few feet) and have lots of signal (light) so you can stand to loose massive amounts of angular resolution to unoptimized imaging setups, like fast camera lenses and big pixel sensors. For example, a 4.0um pixel pitch will critically sample visible spectrum light (ie, BGR, so around 400nm to 700nm roughly) with a focal ratio F25 (for the blue), F18 (for the green) and F14 (for the red), so F25 to critically sample all the visible spectrum wavelengths in one exposure on that pixel size. Just as an example. Shooting at F8 or F11 is losing resolution due to being undersampled. This is of course again acceptable in terrestrial photograph when you're imaging a large subject that is a few feet away with lots of signal (light) where even a single hair covers many pixels, so its not a challenge to differentiate the airy disc when its light source is covering many pixels already.
Even if you did this test with those three arrangements, the results would be different on different bodies with different pixel sizes and if you had different sample copies of each optic, it would change a bit too.
TL;DR:
So anecdotally, I will assume the 100-400 MK II and the Sig 150-600 native glass will have less aberrations than the 100-400 Mk II + TC, on any modern pixel size sensor from APS-C to 35mm. But without testing it, your copies, you can't be positive either way.
Very best,