TeamSpeed wrote in post #19351147
That is exactly what I do, and my gray card is a pringles can lid (old one that was opaque, not the clear ones now). A Koolaid Lemonade can lid works wonderfully too. Just make sure to fill the frame and defocus to get your baseline shot used to set the WB.
Randomly chosen 'neutral' samples fall within a RANGE of 'neutral' and are not necessarily truly neutral. I just picked up four different 'neutral'...two white and two gray, and only one of them is a known and verified truly neutral color...and verified in comparison against several other brand neutral gray products which I have, all of which resulting in identical WB readings under same lighting.
In comparing the 4 random samples just a moment ago, I shot them all under identical artificial lighting in Av mode so that all would result as mid-tone as shot, then I imported the four RAW files into Lightroom and used the LR sample dropper to render each one truly neutral. The results:
- 3850K white bond Sample 1
- 3900K white bond Sample 2
- 3900K true verified neutral 18% gray card Sample 3
- 3750K 50 year old Kodak 18% 'gray' card on cardboard (other side visibly yellowed 'white' side) Sample 4
IOW, there was a difference of as much as 150K in the resulting WB value merely based upon which surface was chosen! -- which is almost at the low end of the 250K-350K range of direct comparison tests which were published on the web comparing AWB vs AWB-W
Selection of '18% gray card' truly DOES MATTER, since the difference in 'neutral' surface was almost as great a difference in K value in AWB vs AWB-W!