Ahhh, the EF 50L... my absolute favorite lens for years, despite its many foibles (soft rendering, CA, and the specter of focus shift always looming, which never really ever bothered me). That lens under the right conditions was able to make images that just sang. It harkens back to the era before this nonsensical "Sony" clinical perfection arms race started, when the designers made lenses for how the image rendered instead of winning test chart competitions. The EF 35 f/1.4L, 85L II and 135L come from that same generation. Classics.
IMAGE LINK: https://flic.kr/p/ia6vLi
Tiffs By a Tree in Wisconsin
by
M K
, on Flickr
The RF 50 is touted as being an almost perfect lens, and as a 50mm guy, it occasionally tempt me. We still have a Canon cameras in the house, as that what my wife uses for her portrait business, so I have the means to shoot the RF 50L if I were so inclined, but it's such a huge, expensive lens that it would be left at home. I don't know, my wife likes the 50mm range as well, and as her portrait business develops, maybe she'll one day want to add a fast 50... if I have any say, it'll be the RF version. Yeah, it won't have the "imperfections" that create that unique render of the EF version, but I'm reading/seeing that it has a look all its own too, so my interest is piqued
((As an aside: for my personal use (casual, travel, family snaps), I stopped using FF gear. This transition occurred after I'd happened upon a lens that was 1/4 the cost, 1/2 the size, with sharper and cleaner IQ than my EF 50L, but also retains a unique rendering/drawing: the Fuji 35 XF f/1.4. Basically, it's an EF 50L without any of the drawbacks. This lens alone convinced me that a massive f/1.2 optics and completely melted backgrounds aren't needed to make wonderful photos.))