I see it mentioned around here but I haven't the faintest idea what it is?
cali Senior Member 266 posts Joined Jan 2006 More info | Apr 23, 2006 23:38 | #1 I see it mentioned around here but I haven't the faintest idea what it is? 20D, 17-85 kit lens, 70-200 F4, 50 1.4, Amvona AT CF 994 Tripod, Manrotto Monopod that I have never used and a 580EX Flash
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Tsmith Formerly known as Bluedog_XT 10,429 posts Likes: 26 Joined Jul 2005 Location: South_the 601 More info | Apr 23, 2006 23:44 | #2 In simple layman terms: High Dynamic Range. The ability to take a series of different exposures of the same scene and combining them in post processing so basically all the image is properly exposed.
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Duder Goldmember 1,201 posts Joined Feb 2005 Location: L.A. formerly N Ireland More info | yeah, basically most camera's are not capable of recording the entire dynaimc range of light in that exists in the real world, capturing only about 5-7stops in good quality detail. HDR's are created my taking multiple LDR shots exposed for the highlights, mid-tones and shadows seperately and then merged into a single 32-bit image which has a dynamic range up to 14-15 stops. Pete
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Jesper Goldmember 2,742 posts Joined Oct 2003 Location: The Netherlands More info | Apr 24, 2006 03:56 | #4 |
SiberianSiren5 Hatchling 6 posts Joined Nov 2009 Location: Pilot Hill, California More info | Dec 28, 2009 12:18 | #5 Is one RAW image enough to produce the 3 different exposures or should you actually shoot 3 separate exposures? Is that even possible with action photography?
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i_am_hydrogen Goldmember More info | Dec 28, 2009 16:51 | #6 ^You can take a single exposure and make it into 3 exposures using Adobe Camera Raw. flickr
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tzalman Fatal attraction. 13,497 posts Likes: 213 Joined Apr 2005 Location: Gesher Haziv, Israel More info | Dec 28, 2009 17:07 | #7 Is one RAW image enough to produce the 3 different exposures or should you actually shoot 3 separate exposures? HDR is by definition the extension of the dynamic range portrayed in the final image beyond what the camera can capture in one shot. The camera has a 11 stop range but your final image has detail from elements in the original scene that were 18 stops apart. One RAW from that camera will have 11 stops worth of data, no matter what you do to it. You are not God nor is your computer, you can't create new data from nothing. However, blending multiple conversions from a single RAW into what is called a "fake HDR" can be an excellent way to get the maximum milage out of the data you do have. Another way is to convert to a single 16 bit tif, to retain almost all the data, and work on it with something like PS's Highlight/Shadow tool. But the three conversion method does have a certain advantage in that you are pushing and pulling linear RAW data before it gets bent out of shape by the gamma correction of the conversion. Elie / אלי
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