BrentBoshart wrote:
...I'm still lamenting the loss of my Contax 21mm G lens but not sure how I will replace it using a 1.6x body...So, I'm looking for comments, suggestions or alternatives.
1. Welcome to POTN.
2. You'll think this odd, but the Sigma 15mm fisheye f/2.8 is a fast max aperture wide lens, with wonderful color, that does not show much fish distortion on an APS-C 1.6 body, focuses close, sells for $350 used, and has about a 21mm field of view on a 35mm camera when the distortion is cropped out.
These crap hazy day non-edited or non-cropped images are just instructive play. This is bending horizon of the fish distortion handheld: http://postit.rutgers.edu/uploads/Handheld%5FFish.jpg
Now put the camera on a tripod, with a double bubble level, and shoot the same shot from same spot: http://postit.rutgers.edu …d%5FDbleBubble%5FFish.jpg
When the APS-C 1.6 camera is level, the image shows little distortion, and has better corner sharpness > Canon's 10-22mm zoom. I do not like ultra wide zooms, seem to "invite" composition errors. There are many other 15mm fish photos with this lens on my web site like: http://aesop.rutgers.edu …s/BlewFamilyFarmSolar.htm
3. Some words of warning.
While digital is still photography, making the transition to the "digital darkroom" is different. Slow. Frustrating. More costly in time and computer software than imagineable. It saves no time over film. But, the results are great. Canon's new Picture Styles make it easier to get good photos with less digital darkroom than previously. Once you GET the digital darkroom, it rekindles excitement for photography.
4. While I use a 1-D camera at work with a 16-35mm and 70-200mm and macro lenses, for home/casual/travel use I have a APS-C 1.6 30D with a lens selection not far off from what you are contemplating. I have:
- 30D (I like the Canon ergonomic Quick Control Dial for fast on-the-go reportage, and the consumer bodies don't have it).
- EF-S 60mm macro because this is an amazing lens. The contrast and color rendition is just like best of old Kodachrome 64 slide film. I decided to build my whole travel lens kit around this lens.
- 15mm Siggie Fish f/2.8 to cover the wide side. I manually focus this.
- A normal zoom. I sold the 17-40 after a couple years, and got the 17-55 IS. Costly, yes. But, 55mm reach, IS, and f/2.8 enabling focus in lower light were valued. With shocking good Canon high ISO performance, we no longer need fast lenses so much to maintain shutter speed, but they are needed for accurate autofocus. Maybe you can check the Tamron 17-50 f/2.8 or the expected Tokina f/2.8 normal zoom due out.
- On the long end, any good tele or tele zoom will do you. The 135 is stellar. I like IS long zooms for convenience.
5. Depending on your age, you may not like the small dark viewfinders on these APS-C 1.6 sensor cameras. Dim compared 35mm viewfinders.
Other than the ultra wide, your choices are similar. Just watch out coming from film and transition to digital darkroom. Go to the http://luminous-landscape.com/new/index.shtml
and read some of essays and tutorials on digital darkroom.
Best wishes. Jack