DaveSt wrote:
With regards to the C/A and the distortion at the extreme wide end of the lens, in this day of post processing being expected when shooting with DSLR cameras, I don't see how this is much of an issue. Programs like DxO, or any number of Adobe plugins will correct for those flaws quite well.
This may be true, I haven't tried too hard. The built-in correction in PS / CS2 helped but couldn't quite eliminate it.
I'm a "time is money" kind of guy, and regardless of what software could or could not do, I just did not want to have to spend the time messing with it. I wanted the shot simply to be good the first time and was disappointed that the lens couldn't deliver that. I'm an engineer, and maybe it's the way I'm wired, but when I put time into something, I want it to work correctly and the way I expect. I don't want to do something and then have to fix it again later.
BearLeeAlive wrote:
Iif you have yourself conviced the 17-85 is that bad of a lens no matter the proof to the contrary, you will not likely be able to shake this opinion.
Exactly. Once I started to get annoyed at the results of some of the pictures, I began seeing the same flaws in all of them, and developed a real dislike of the lens. Tried telling myself that it really was a nice lens, and worked fine some of the times, but I just couldn't shake the fact that I no longer wanted to use it. Somewhere in this time I bought the 50-1.4, and it was a real awakening. I thought "a-ha, *this* is how pictures are supposed to look". It was all over at that point.
I won't say that anyone's pictures with that lens are not sharp, what I see above seems fine. 2 things come to mind on that though:
1) It's not all about sharpness, there's also color, chromatic abberation, bokeh, etc. to be had. Any one quality on it's own may not be too bad, but all put together...
2) It's hard to put up a single picture and judge it on those kinds of terms. However if you do back-to-back comparisons, you really start to see it. I took a variety of test pictures around the house, indoors and out, shade and sun, all on a tripod, comparing the 17-85 (set at 50mm) to the 50-1.4. I would take a shot with one lens, swap them out, and take the exact same shot again. Afterwards, I dumped the pictures down to the PC and set up two instances of ACDSee and flipped back and forth between them. The 17-85 shots seemed fine on their own, but compared against those from the 50's - let's just say the 50 smoked it in every way possible.
I guess I said it, but again - I think you can look at shots from the 17-85 by themselves, and say and believe the lens is wonderful, everyone else is crazy. But if you repeat the same shots with it and something else that is claimed to be better - an L lens, or a nice prime such as the 50, then you will realize how good or bad the 17-85 truly is. Hey - maybe you'll still be real happy with it and not see any difference at all. When I did that though, it really settled it for me and the lens went up on ebay pretty much immediately.