Sorry to post this second time but i think it is better here than a reply post on another someone thread, sorry for that.
now i am happy that i got 30D, and i am waiting my 1Dmk2N to come soon i hope.
Now Full Frame calling me alot so i can't sleep till i can afford one very soon.
I will tell you my situation or thinking then you decide what is right decision: I love 1D series body for weather sealing, focus speed and so, for that reason i ordered first 1Dmk2N to help me in wildlife and sports later, i am thinking of 1Dsmk2 very very long time ago and i heard as you heard that maybe mk3 will come maybe, and with all that the price of 5D is coming down slowly so i can afford it anytime soon, but i don't want to get it and then replace it for 1Dsmk2 or mk3, i am sure i will buy mk2 or 3 even if i have 5D so i think maybe i will waste my money to get 2 cameras when i think of one, i am not hurry on FF now but i will think and decide to add it to my list sooner or later, i have time to buy it later. Now another thing i think about is that i got good bodies already so it is time to get some glasses as i am sure you all prefer to get more glasses over bodies, so what i think of glasses are all expensive except one or 2 glasses.
the glasses i look for are the following:
EF 500mm f4L IS
EF 400mm f2.8L IS
EF 300mm f2.8L IS
EF 135 f2L
EF 85 f1.2L
EF 50 f1.2L
EF 35 f1.4L
the most glasses i think of are: 500 & 135, the rest i can buy later one by one and maybe i can ignore some if i don't need for some reasons and all due to my limited budget every month.
there are 300 f4LIS and 400 f5.6L i can afford them as well but always i look for the best so then i don't look back or replace later or buy another, need always fast lenses because i work in all conditions outdoor and indoor in good light and low light.
so now i don't know what to take next, new body is coming (mk2N) so i will not think of new body (dsmk2/3) very soon, so only glasses are in mind now, but 500 is out of my budget for about 2 months, and if i buy one lens now (say 135L) then i will wait another one or 2 month to get another gear. So if you are people in my place, what you will do?
Don't worry people, i take photos of anything in mind everyday (from wide to long).
Tareq, I think I can help you decide what lens you should be first, or the body. But first of all I have a few points to clearify with you before I can really help.
1. Do you like to view your photos on computer screen or on a screen by a projector or view large prints?
2. If what you want is large prints, what is the largest size of prints that you want to have for your photos?
3. If you want to view large prints, get a pro printer from Canon or Epson, with finest ink and professional quality photo paper. I assure you it'll be the most satisfying ever purchase among your photographic lineup.
4. If you want to view on screen by a projector, than get a good projector. Same satisfaction as point 3.
5. If you want to view your photos on computer screen, get a good LCD screen and calibrate it. But for myself, computer is just where I work with my photos, not where I appreciate them.
6. If you have already had all those above, then:
7. I don't know if you are professional, i.e. if you sell or give away prints bigger than A3 upon customers' request. In that case, you DO need prime lenses for the ultimate optical quality. You may even find full-frame not sufficient and want something bigger: medium format. It all depends on what your customers want from you. If they want a wall-size photo, fine. You can go and buy an MF Hassy and Zeiss lens and 22MP digital back for that one particular project ---- you customer will pay everything for you.
8. I'm no professional. So my main interest is to print A4 and occasionally A3 (if I really like the photo) to make my own album (not portfolio though) for fun. If you experiment with the finest inkjet printers, ink and photos, you'll find what lens, megapixels etc make a real visible difference on an A4 or A3 print.
To me, it doesn't matter to me if photos taken with lens A, when you examine a 100% crop on computer monitor, are marginally sharper than those taken with lens B. If they deliver photos on A3 prints identical to my naked eye, they are the same to my need. They may not be the same to you as you have different need. But I think the principle applies. In my case, Lens A is $300 consumer lens, Lens B is $1500 L lens.
9. Do you need the 1D MKIII? I can't answer that for you. However, you can do the reasoning for youself, from the end product backwards. Decide what quality photo you want, then all the gears (camera bodies and lenses) are decided by your need.
However, one word about the 1D series all-weather sealing. It only makes sense when you work in EXTREME conditions for months. Canon's cameras, from 10D/20D/30D to 5D, are absolutely good enough for 30 minutes photograhing in rain with some cover. As long as you wipe it clean and dry when you can. I never hesitated to use my camera in rain or dust, though it's not a 1 series, and it never failed to do its job.
10. You need telephoto primes for sports and wild life. I think if for sports, all pros use zooms instead of primes, the reason is for better composition.
For wild life, more primes than zooms for lighter carrying weight and better optical quality. There are zooms used in wild life though. However, if you shoot that telephoto, you definitely need tripod, no IS will replace tripod in wild life. And when you mount your lens on tripod, you need to turn off your IS.
Lenses that have the IS feature have an additional group of glass, which gives your the Image Stablization, but impairs the optics. Some resolution fanatics don't use zoom, don't use IS either.
11. One word about your 30D. If you feel the resolution of the 30D satisfies you, and you want to do sports or wild life, you may feel the 1.6x factor on 30D is more welcome than a heavier and pricier lens on a full frame. A full frame is more justifyable for wide angle photography.
12. It's absolutely alright for you to have the entire Canon L lens collection. I bought many books that I like but I never read. But, I suggest you play them one by one, for a serious hobby (for family gathering shooting or friend's wedding, pick up the zoom lens that does the job). There's a lot a lot for you to find out at every focal length. For example, 36mm on a full-frame or 24mm on 20D/30D. In order to get a feel what and how a 36mm lens expresses, you gotta train yourself see the everything like a 36mm lens. It takes months, if not years to learn it.
It's more fun to be a master of one certain focal lens than a jack of everything from 10mm to 1000mm. It's just simply more fun, for a serious hobbist.
From my own experience, when my attention was on gears, i enjoyed gears; when my attention was on photography, i began to enjoy photography. I always tell myself that, many of the photos exhibited in New York's most prestigious galleries selling at multi-thousand dollars were taken with merely a Nikon D70 or Canon 10D.
Canon's advantages, over Nikon, one being it's telephoto lenses, one now being it's better image sensor. But don't forget its three tilt-shift lenses:
TS-E 24mm f/3.5L
TS-E 45mm f/2.8
TS-E 90mm f/2.8
If you ask me if I still have any dream lenses, they are.
Happy shooting,
Franxon
I thought you got plenty of lenses so that you are laughing at me.


