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Thread started 06 Nov 2006 (Monday) 19:15
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Diffraction

 
ChrisBlaze
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Nov 06, 2006 19:15 |  #1

Is there a general rule to know when using small apertures? How low can you go before diffraction occurs? Is this a lens issue or a sensor issue?


Canon 1D Mark II N/5D Mark III/ 6D/ 7D /85mm f1.2L Mk1/ 24-70 f2.8L/ 70-200mm f2.8L IS USM/ 100mm Macro f/2.8

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cwphoto
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Nov 06, 2006 19:18 |  #2

Both. The simple answer is around f/11 for 1.6 croppers, f/16 for 1.3 croppers, and f/22 for FF.

It can get more complicated than that - but it's close enough.


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L: 14/2.8 II | 17/4 | 24/1.4 II | 24/3.5 II | 35/1.4 II | 50/1.2 | 85/1.2 II | 100/2.8 Macro IS | 135/2 | 180/3.5 Macro | 200/2.8 II | 300/2.8 IS III | 400/2.8 IS III | 500/4 IS III | 600/4 IS III | 8-15/4 Fisheye | 11-24/4 | 16-35/2.8 III | 24-70/2.8 II | 70-200/2.8 IS III | 100-400/4.5-5.6 IS II | 200-400/4 IS 1.4x
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ChrisBlaze
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Nov 06, 2006 19:20 |  #3

diffraction results in IQ loss right?


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cwphoto
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Nov 06, 2006 19:22 |  #4

ChrisBlaze wrote in post #2226689 (external link)
diffraction results in IQ loss right?

Bingo. Although interestingly Canon use it to positive effect (reducing the size and weight) in their DO lenses (eg; EF 400mm f/4 DO IS USM).


EOS-1D X Mark II| EOS 5D Mark IV | EOS 80D | EOS-1V HS
L: 14/2.8 II | 17/4 | 24/1.4 II | 24/3.5 II | 35/1.4 II | 50/1.2 | 85/1.2 II | 100/2.8 Macro IS | 135/2 | 180/3.5 Macro | 200/2.8 II | 300/2.8 IS III | 400/2.8 IS III | 500/4 IS III | 600/4 IS III | 8-15/4 Fisheye | 11-24/4 | 16-35/2.8 III | 24-70/2.8 II | 70-200/2.8 IS III | 100-400/4.5-5.6 IS II | 200-400/4 IS 1.4x
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Tsmith
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Nov 06, 2006 19:33 as a reply to  @ cwphoto's post |  #5

Heres a sample I did to prove it to myself. Although it can be subtle its still noticeable.

taken at f/11 using the EOS 30D + Canon 17-40 f/4L & tripod

IMAGE NOT FOUND
HTTP response: NOT FOUND | MIME changed to 'image/gif'


The crops were adjusted to show detail

IMAGE: http://www.pbase.com/smith_xt/image/68447979/original.jpg

IMAGE: http://www.pbase.com/smith_xt/image/68447980/original.jpg



  
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yanz
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Nov 06, 2006 19:35 |  #6

Hi. I learned diffraction this weekend. Shooting with Canon 10-22 @ f16 the IQ was pretty bad, but when i was shooting f9 the IQ was much better. After i posted the pics here everyone said that it was diffraction. I read up on it and reshoot the next day with f9 they were much better. Check out the thread. https://photography-on-the.net/forum/showthre​ad.php?t=236153

Yan


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ChrisBlaze
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Nov 06, 2006 19:44 |  #7

so each lens has a different aperture setting that it needs to be set at to prevent diffraction?


Canon 1D Mark II N/5D Mark III/ 6D/ 7D /85mm f1.2L Mk1/ 24-70 f2.8L/ 70-200mm f2.8L IS USM/ 100mm Macro f/2.8

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mcminty
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Nov 06, 2006 22:58 |  #8

Isn't the general rule regarding aperture and sharpness something to do with "stopping the lens down by two stops?"

Andrew.


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Bob_A
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Nov 06, 2006 23:06 |  #9

mcminty wrote in post #2227776 (external link)
Isn't the general rule regarding aperture and sharpness something to do with "stopping the lens down by two stops?"

Andrew.

When you stop down a few stops from wide open you will improve sharpness. However, if you stop down to f/16 or so sharpness will appear to deteriorate due to diffraction.


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peatoire
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Nov 07, 2006 06:46 |  #10

I never gave it a thought about sensor size and diffraction My 5D goes to f22 ish without diffraction. Cool! I was still basing it on around f11/f12.


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rklepper
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Nov 07, 2006 06:57 |  #11

So, I guess I should stop shooting my 200 at f/32?


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cwphoto
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Nov 07, 2006 07:02 |  #12

rklepper wrote in post #2228904 (external link)
So, I guess I should stop shooting my 200 at f/32?

Especially on a 30D, that is if you are willing to sacrifice extended DoF for sharper pictures. :confused:


EOS-1D X Mark II| EOS 5D Mark IV | EOS 80D | EOS-1V HS
L: 14/2.8 II | 17/4 | 24/1.4 II | 24/3.5 II | 35/1.4 II | 50/1.2 | 85/1.2 II | 100/2.8 Macro IS | 135/2 | 180/3.5 Macro | 200/2.8 II | 300/2.8 IS III | 400/2.8 IS III | 500/4 IS III | 600/4 IS III | 8-15/4 Fisheye | 11-24/4 | 16-35/2.8 III | 24-70/2.8 II | 70-200/2.8 IS III | 100-400/4.5-5.6 IS II | 200-400/4 IS 1.4x
Sundry: 430EX III-RT | 600EX II-RT | 1.4x III | 2x III | 12 II | 25 II | OC-E4

  
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Tsmith
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Nov 07, 2006 07:03 |  #13

I've kinda found as a rule of thumb to not let diffraction hold you back from using smaller apertures on the APS-C sensor. I've got several excellent f/22 photos taken while slowing down water flow for motion blur. Kinda hard not to use f/22 in that situation.




  
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tim
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Nov 07, 2006 08:04 |  #14

Oh ffs, 99% of photographers have better things to worry about. Ansel Adams might have to worry about diffraction for 2 meter wide prints, until you reach that level you should worry more about your lighting and composition.


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peatoire
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Nov 07, 2006 09:10 |  #15

Yeah, let's all forget about defraction. (sarc)


5D & Grip, 17-40 f4, 70-200 f2.8 IS, 50mm 1.4, 85mm1.2 580EX 430EX II, Tamron SP AF 90mm f/2.8 Macro. Rickety tripod.
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