i only use my 17-40 for work. i like me 50mm1.4 as my walk around lens.when the lighting is right its the 70-200mm f4 every time, thats my favorite lens .
steve535 Senior Member 784 posts Joined Apr 2006 More info | i only use my 17-40 for work. i like me 50mm1.4 as my walk around lens.when the lighting is right its the 70-200mm f4 every time, thats my favorite lens . canon 50D | canon 30D | canon 135mm f2 L |
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Thanks for the reply. I think I just have to get the 17-40!
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LesterWareham Moderator More info | Nov 09, 2006 03:40 | #18 Dazecoop wrote in post #2238201 Hi Steve, thanks for the advise there, it makes sense, and thinking about it further, like you say the 17-40 and 24-105 overlap a bit much. I am finding more and more that I am not using my telezoom as much as my wide angle. I general shoot things very wide, and then sometimes just "normal" (40-50mm), but not much which is in the tele range - at least not in the Winter it seems? I am also shooting a lot of night photography and want the quality of those shots to be spot on. My 18-55 kit lens is a good quality lens, it must be said, but I find that it misses focus sometimes since the front rotates and wobbles so much! After what you've said, I'm thinking maybe the 10-22 and 24-105 would go well together, although I have seen and used the 17-40 and it is just fantastic. Im not loaded with cash, but I can feel a feaver of some kind coming on with just needing more glass. Help! ![]() Yes the 10-22 and 24-105 go together well. The 17-40 will be sharper between 17-and 24 and is a more useful focal length for most walk around. More importantly if you do a lot of night work the flare characteristics of the 17-40 are a lot better than the 24-105, the 10-22 is not to bad for flare but not as good as the 17-40. Gear List
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siejones Goldmember 1,267 posts Joined Aug 2006 Location: UK More info | Nov 09, 2006 03:48 | #19 Definatly the 50mm. It's cheap if you get the 1.8 and you won't look back. Great shallow depth of field and super sharp optics and simply no distortion. Great fun to use just on it's own. Technical perfection is only ever important if it improves the asthetic. It is not the precursor to beauty. Not in art..not in music and not in photography!
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Nov 09, 2006 03:50 | #20 Awesome OK thanks! I am getting the impression that in this range, the 17-40 is almost the ultimate lens? I notice in various users of this forum, their signatures note that they also own this lens, and its a lot of users too so it must be good!
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sheepdog Member 74 posts Joined May 2006 Location: U.K More info | It sounds like youve decided on the 17-40 and at this price I think it hard to beat but it would probably sit on your camera most of the time and I cant help thinking that sometimes you'll wish it was a bit faster and most of the time you'll wish it was a bit longer.
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Nov 09, 2006 04:26 | #22 Hi, looking at your sig, you've almost got the same setup as me at the moment!
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condyk Africa's #1 Tour Guide 20,887 posts Likes: 22 Joined Mar 2005 Location: Birmingham, UK More info | Nov 09, 2006 05:07 | #23 I've had a number of the options around the wider/walkaround range, including the 17-40mm L and 24-105mm IS L, and got good results with them all. the IS L is about as good as it gets on a FF, but too long too often at 24mm for a crop body in my experience. https://photography-on-the.net …/showthread.php?t=1203740
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Nov 09, 2006 05:21 | #24 I was in the same position as you, then I bought the 17-40 to replace the kit lens. Despite the short range it's a really handy lens and I find that if I need longer I can switch to my telephoto. I only bought 50mm for portraits. Photos from my travels
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sheepdog Member 74 posts Joined May 2006 Location: U.K More info | Nov 09, 2006 06:04 | #25 Dazecoop wrote in post #2238304 Hi, looking at your sig, you've almost got the same setup as me at the moment! I've looked at the Tamron too. A while back, however, I owned a Sigma 24-70EX and I thought it was terrible. The focusing was slow, it was missing and had major problems. It wasn't as nice to use as my "cheap" Canon kit lens. I know its vein, but since this, its put me off buying anything non-Canon. I am also apprehensive, but havn't heard any horror stories about the Tamron, I would buy from a shop rather than the net in this case.
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muscleflex Goldmember 3,013 posts Likes: 3 Joined Jun 2005 Location: UK More info | Nov 09, 2006 06:08 | #26 del
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Nov 09, 2006 06:09 | #27 Awesome, thanks so much for all your replies.
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Nov 09, 2006 06:10 | #28 muscleflex wrote in post #2238474 you know - all this talk about filling in missing spaces between a 17-40 and a 70-200, why not walk forward or backward to get the required frame? or crop during processing??? Yes, I fully agree. Its a good quality lens, so I should be able to crop to 80-100% without a problem. I can also walk, which helps!
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rico83 Junior Member 28 posts Joined Aug 2006 Location: Kilsyth, Glasgow, Scotland More info | Hi there, Canon EOS 350D || Canon 17-40 F4 L || Canon 50mm F1.8 II || Sigma 70-300mm F4-5.6 APO DG MACRO
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Nov 09, 2006 06:22 | #30 Nice one, thats pretty much the same setup as I am aiming for. Can't wait to get a nifty-fifty, but trying to save for the L glass!
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