cdi-ink.com wrote in post #2630615
A lot of critiques using the word "distracting" to describe an element of a great photo are just being [B]anal though. It happens way too often, IMHO [

] because more often than not, whatever they're calling distracting isn't
really distracting.
I think it depends on your intent. If people don't ask for feedback, I think it's more of a "share photos" kind of thing, at which point it is being a bit anal retentive to say "yeah I don't like the photo because of that thing in back, zoom to 200% and I'm pretty sure there's a distracting element in those bushes (ie, neil_r doing something terribly obscene back there
)". But at the same time, I think if you ask for commentary it demonstrates that you want to improve your photos. If you want to improve, something has to be pointed out as a flaw unless the photo is absolutely perfect (which I don't think I've seen too many of and probably never managed to take one) and the greater the technical proficiency of the photographer, the more minor the flaws will tend to be.
Nonetheless, those flaws have to be addressed if someone is commited to improving their craft. Photography IMO isn't about reaching a point where you're "good enough" and just sort of leaving it alone, it's about always striving to do the most beautiful image possible.
To each their own of course, it's just a minor nit
milleker wrote in post #2631044
I've found that most images that I feel 'work' do not work with my family. I do everything right, compositionally and technically. Photographer friends like the image as well.. Family just doesn't understand. So how much is this compositional school of thought really overkill for the normal client? Since I'm relatively new in the business side of photography I don't know. Sure, I'd shoot for technically perfect images and go with compositions I know have been tried and true - but to ordinary folk, when is a piksure just a piksure?
The McDonald's big mac is enjoyed by more people daily than a filet mignon. This fact does nothing to devalue a filet mignon.
Not everyone appreciates or even wants to appreciate art. I've had clients who would be just as happy with a snapshot so long as it caught the right moment, it's about understanding what their needs and priorities are. I think with most clients you'll find that "capture the expression/moment/essence of the subject" comes before "make everything look nice" in order of priorities