You're arguing far beyond the original scope of the thread.
NOPE, I am arguing as this thread flows...otherwise why would I respond to others, yea? Now you are being argumenative...lol 
Steiglitz Goldmember 1,526 posts Likes: 1 Joined Jan 2007 Location: Lake George, NY State, Supposed Arrogant, but Not really.... More info | Feb 15, 2007 11:52 | #61 cdi-ink.com wrote in post #2713312 You're arguing far beyond the original scope of the thread. NOPE, I am arguing as this thread flows...otherwise why would I respond to others, yea? Now you are being argumenative...lol Gear is essential, but often has little to do with composition, pictures, and art...Alfred Steiglitz
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Feb 15, 2007 12:30 | #62 Steiglitz wrote in post #2713414 NOPE, I am arguing as this thread flows...otherwise why would I respond to others, yea? Now you are being argumenative...lol ![]() You were the first in this thread to push the argument into the current in which it now "flows". Go back and read posts 2, 3, 4 and then your 5 if you don't believe me. Did you lose Digital Photo Professional (DPP)? Get it here
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LBaldwin Goldmember 4,490 posts Likes: 4 Joined Mar 2006 Location: San Jose,CA More info | Feb 15, 2007 12:37 | #63 Another varible is the general idea of "quality". Perhaps one of the most difficult terms used to define an image. Les Baldwin
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Steiglitz Goldmember 1,526 posts Likes: 1 Joined Jan 2007 Location: Lake George, NY State, Supposed Arrogant, but Not really.... More info | Feb 15, 2007 13:14 | #64 cdi-ink.com wrote in post #2713578 You were the first in this thread to push the argument into the current in which it now "flows". Go back and read posts 2, 3, 4 and then your 5 if you don't believe me. Strange you don't know how threads work....most peculiar....they start, they flow, they are dynamic. Gear is essential, but often has little to do with composition, pictures, and art...Alfred Steiglitz
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Steiglitz Goldmember 1,526 posts Likes: 1 Joined Jan 2007 Location: Lake George, NY State, Supposed Arrogant, but Not really.... More info | Feb 15, 2007 13:17 | #65 LBaldwin wrote in post #2713617 Another varible is the general idea of "quality". Perhaps one of the most difficult terms used to define an image. There are those on this thread that would be satisfied with something from *mart and there are those that would never use a print from anyone except their custom printer. And that is part of the rub too. The OP is not likely to want to spend $30 per square foot for a custom print. As long as the image presented to the lab falls well within it;s preset parameters you can get a usable print. But usable and custom are too different animals. With a custom print, you get a specific ICC profile, color correction to the media used and to the specific printer. You get a very specific Dmax and Dmin parameter. All of the very technical aspects to create a fantastic print. For a machine print you get what they have, period There are so many possible varibles to this question that it really needs to be better defined prior to the discussion, so lets start again. Can you make a poster print from a 10 D? The answer is Yes. A poster print is NOT a custom lab print. Steiglitz wants to compare it to a custom lab print or so I think. The rest of you are OK with a machine print. Apples and oranges Les I think you said it well...this word "quality" is very subjective, and this subjectivity is the reason for disagreement on this thread. One man's pixelated mess is another's "masterpiece". Gear is essential, but often has little to do with composition, pictures, and art...Alfred Steiglitz
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Feb 15, 2007 13:24 | #66 Steiglitz wrote in post #2713806 Strange you don't know how threads work....most peculiar....they start, they flow, they are dynamic. Go parent someone else.
Did you lose Digital Photo Professional (DPP)? Get it here
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jr_senator Goldmember 4,861 posts Joined Sep 2006 More info | Feb 15, 2007 21:48 | #67 My wife took shots of an event at the school where she is a teacher. The main subject in the shots was a hot air balloon. I printed 3 of them after PP to near fill 13" x 19" paper. I was just shocked by the results. They looked really good. Now, I am someone who just a couple or three years ago sold off his Mamiya RB67 outfit (god, I miss it), Rolleicord and Fuji GA645. I'm not trying to say these pictures my wife took were as good as MF, of course they are not. But, they still look really good. She used a Canon A540 (6MP).
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LBaldwin Goldmember 4,490 posts Likes: 4 Joined Mar 2006 Location: San Jose,CA More info | Feb 15, 2007 23:20 | #68 Jr, Les Baldwin
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peatoire Goldmember 1,084 posts Likes: 4 Joined Nov 2005 Location: Nottingham (Home of Robbing Hoods) More info | Feb 16, 2007 03:20 | #69 LBaldwin wrote in post #2716595 Jr, i agree. But Film and digital do the same thing (record an image) not even close to the same way. DUH some of you are probably saying. Well yeah but not really. Film has properties that do come across the digi lines and the worst offender is size. The bigger the sensor the more pixels you can pack on, but but but. Bigger is not really always better, BUT it takes a whole village to raise an photographer... If I could get LF quality out of a reasonably priced d-cam I would. But it is still outrageous to own and operate. if any of you ever get the chance to shoot LF do it. It smokes EVERYTHING in the DSLR area. That is why they compare so often, they want to be = to LF. Suprise me beat LF. Get me camera that takes full tilts , swings and massive perspective control with the ease of use of a Dslr. Oh and under 4g's Les Large format photography blows everything out of the water with quality. 5D & Grip, 17-40 f4, 70-200 f2.8 IS, 50mm 1.4, 85mm1.2 580EX 430EX II, Tamron SP AF 90mm f/2.8 Macro. Rickety tripod.
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jr_senator Goldmember 4,861 posts Joined Sep 2006 More info | Feb 16, 2007 06:59 | #70 Ansel Adams made contact prints with 8x10 negatives. I'm sure that print quality can not be matched by any digital camera. I had a RB67 and I have not seen anything digital that can equal the tonal range, detail of that format.
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fWord Goldmember 2,637 posts Likes: 1 Joined Jan 2006 Location: Melbourne, Australia More info | I hardly ever print pictures from my camera. LightWorks Portfolio
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LBaldwin Goldmember 4,490 posts Likes: 4 Joined Mar 2006 Location: San Jose,CA More info | Feb 16, 2007 17:00 | #72 I agree with much of what you said. But you do ahve to have the image sharp and of a decent file size when working with prints that large. Otherwise it is sh*t and Sh*t out. Les Baldwin
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ruel Hatchling 2 posts Joined Apr 2005 More info | This might be a late reply....I was just browsing the archives.
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Ballast Senior Member 266 posts Joined Feb 2007 Location: London, Ontario More info | Jun 09, 2007 08:22 | #74 I have made several 18 by 24 and 24 by 36 inch posters from my SD600. If I can do that with my low level of skill and have it look good, anyone can do a 20 by 30 with a 10D.
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airfrogusmc I'm a chimper. There I said it... More info | Most really large images on posters and bill boards are increased in size by using Genuine Fractals or a similar program. You can get great enlargements without noticable loss of image quality. When the image leaves the photographers hand and gets to the grapic designer if they're designing a billboard they'll bump it up using such a program. I can get great 13X19 from my 5D at 240 dpi give or take a little but I wouldn't even try going bigger without using Genuine Fractals. You can get killer 20X30s from your 10D by using this program. I've seen the results.
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