DayHawk wrote in post #2922579
Hi all
I have a shoot outside tomorrow in bright sunlight, I was thinking of taking out my new strobe for the day (first time outside with a strobe :confused

my question for you guys is, do I place the model in the shade when using a strobe? I could imagine that it would be very hard to control the light hitting the model, if theres allready harsh sunlight hitting her, not to say the skin tones would be all messed up.
how do you experienced folk do it?

- Nick
If there's any possible way I want my subjects to be in the shade and facing away from the sun. I don't care how much power your flash has it will be next to impossible to fill in shadows if bright daylight is hitting parts of her face.
I should also be obvious that you don't want the subject looking into the direction of the sun either or they'll just squint. For wedding groups I know of a few parks that will give me a shady treeline and the sun will be behind and over the subject's head, assuming that I do the groups at this location between 4-6 o'clock.
The potential problem with this is flare, and I use a bellows lens shade to avoid it. The shades that come with a lens are better than nothing but aren't nearly as long as they should be. Obviously if it's a zoom the shade cannot be allowed to vignette at the lenses' shortest focal length. Then you have to wonder about the effectiveness of that kind of shade at longer focal lengths.
In any case I use the bellow lens shade and extend it until it's just this side of vignetting for a specific focal length. I don't have the flexibility to zoom back and forth, at least without readjusting the bellows, but flare prevention is critically important I don't see how I could do otherwise.
I am using the Lee bellows lens shade now. I have a Lindahl that I used with my Mamiya 645 film camera but it's far too heavy for the more delicate Canon lenses. The Lee is self supporting and very light, and although it's less expensive than the Lindahl the build quality is far superior. You will need specific mounting rings for your different lenses, but they are available.
Now assuming that you aren't going to rush out and buy one right away, my suggestion for your shot tomorrow having a friend hold a big card to shade the lens. The main thing is to keep direct sunlight off of the front element of your lens.
"There's never time to do it right. But there's always time to do it over."
Canon 5D, 50D; 16-35 f2.8L, 24-105 f4L IS, 50 f1.4, 100 f2.8 Macro, 70-200 f2.8L, 300mm f2.8L IS.