Approve the Cookies
This website uses cookies to improve your user experience. By using this site, you agree to our use of cookies and our Privacy Policy.
OK
Forums  •   • New posts  •   • RTAT  •   • 'Best of'  •   • Gallery  •   • Gear
Guest
Forums  •   • New posts  •   • RTAT  •   • 'Best of'  •   • Gallery  •   • Gear
Register to forums    Log in

 
FORUMS Post Processing, Marketing & Presenting Photos RAW, Post Processing & Printing 
Thread started 18 Apr 2007 (Wednesday) 13:12
Search threadPrev/next
sponsored links (only for non-logged)

dang stuff...

 
Davy-Kelly
Member
Avatar
215 posts
Joined Feb 2007
Location: Broughton Astley, UK
     
Apr 18, 2007 13:12 |  #1

I recently got the book Digital Wed. Photo. by Glen Johnson (great book, thoroughly recomend) and he pointed out something that I hadn't realised but made a few things clearer. Colour Space, Adobe RGB is better but printers ALL print using sRGB meaning that you loose some of the reds causing people to look grey (now I know why that was happening!!)

I just got a bunch of prints (the first set since I calibrated my monitor) and was expecting them to be identical to the on screne images (how idilic my mind is :D !!!) only to find that the skin tones were all greyish :(

So... to avoid this we must convert to sRGB ourselves or leave it to the lab to do so (assuming they know what they're up to :rolleyes: ) the Q I have is at what stage is it best to convert to sRGB? in camera raw (I use Photoshop)? In photoshop itself or somewhere else??

Also how do I go about changing the colour space? I can't seem to find an option in PS. There's one in camera raw (in the workflow options, sRGB IEC61966-1).

One last thing, if we have to convert to sRGB before printing why bother with Adobe RGB in the first place??

so in summary:

no.1 What stage is best to convert to sRGB?
no.2 How do I convert it?
no.3 Why bother with Adobe RGB?

Cheers, Davy

PS: I've just realised one of two things either there's not hash key on my mac keyboard or I'm going selectivly blind!!

Looking forward to hearing from you guys.


"The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again, since it is life" - William Faulkner -

www.davykelly.co.uk (external link)

  
  LOG IN TO REPLY
In2Photos
Cream of the Crop
Avatar
19,813 posts
Likes: 6
Joined Dec 2005
Location: Near Charlotte, NC.
     
Apr 18, 2007 13:16 |  #2

1. Convert just before saving for the final time.
2. Edit > Convert to Profile (towards the bottom).
3. Why do you shoot RAW if you end up with JPEG?;) To use every piece of inforamtion you have until you just absolutely have to change it. Same thing applies here. Also, your screen doesn't display the total gamut either.

Take a look at the book Real Word Color Management by Bruce Fraser for ALL the info.


Mike, The Keeper of the Archive

Current Gear and Feedback

  
  LOG IN TO REPLY
canoflan
Goldmember
Avatar
1,059 posts
Joined Jul 2006
Location: Texas, US
     
Apr 18, 2007 13:17 |  #3
bannedPermanent ban

Well, I understood it that 8 ink or more ink jet printers could use the aRGB space gamut.




  
  LOG IN TO REPLY
Wilt
Reader's Digest Condensed version of War and Peace [POTN Vol 1]
Avatar
46,482 posts
Gallery: 1 photo
Likes: 4578
Joined Aug 2005
Location: Belmont, CA
     
Apr 18, 2007 13:18 |  #4

I have repeatedly asked Question #3, after asking (and getting few replies) about commercial printers who can print aRGB files. The wisdom seems to be 'So you have it when you finally can use it.'


You need to give me OK to edit your image and repost! Keep POTN alive and well with member support https://photography-on-the.net/forum/donate.p​hp
Canon dSLR system, Olympus OM 35mm system, Bronica ETRSi 645 system, Horseman LS 4x5 system, Metz flashes, Dynalite studio lighting, and too many accessories to mention

  
  LOG IN TO REPLY
Davy-Kelly
THREAD ­ STARTER
Member
Avatar
215 posts
Joined Feb 2007
Location: Broughton Astley, UK
     
Apr 18, 2007 16:57 |  #5

canoflan wrote in post #3063762 (external link)
Well, I understood it that 8 ink or more ink jet printers could use the aRGB space gamut.

I'm not guru on this but I think that there are printers out there that will recognise that your pic is in aRGB and convert it to sRGB properly for you automatically.

I'm not sayin that 8 inks don't use aRGB though.

Davy


"The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again, since it is life" - William Faulkner -

www.davykelly.co.uk (external link)

  
  LOG IN TO REPLY
Davy-Kelly
THREAD ­ STARTER
Member
Avatar
215 posts
Joined Feb 2007
Location: Broughton Astley, UK
     
Apr 18, 2007 16:58 |  #6

In2Photos wrote in post #3063758 (external link)
1. Convert just before saving for the final time.
2. Edit > Convert to Profile (towards the bottom).
3. Why do you shoot RAW if you end up with JPEG?;) To use every piece of inforamtion you have until you just absolutely have to change it. Same thing applies here. Also, your screen doesn't display the total gamut either.

Take a look at the book Real Word Color Management by Bruce Fraser for ALL the info.

Thanks, I see what you mean when you compare it o RAW

Davy


"The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again, since it is life" - William Faulkner -

www.davykelly.co.uk (external link)

  
  LOG IN TO REPLY
Davy-Kelly
THREAD ­ STARTER
Member
Avatar
215 posts
Joined Feb 2007
Location: Broughton Astley, UK
     
Apr 18, 2007 17:45 |  #7

one last thing (then I promise I'll leave this alone)

In the convert to profile options box I have Engine: Adobe (ACE) or Apple CMM

and Intent: Perseptual or Saturation or relative or absolute colormetric.

and use black point compensation
and use Dither.

Please advise

Thank you so much, Davy


"The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again, since it is life" - William Faulkner -

www.davykelly.co.uk (external link)

  
  LOG IN TO REPLY
tim
Light Bringer
Avatar
51,010 posts
Likes: 375
Joined Nov 2004
Location: Wellington, New Zealand
     
Apr 18, 2007 18:20 |  #8

Getting into those options you really need to read the color management book - book thread link in my sig. Leave it alone until you understand it, then you'll likely leave them alone anyway.

Each print firm accepts different things. I have two labs I regularly use, one accepts any color space and prints in that space. The other accepts aRgb or sRgb but converts to sRgb for prints. Other less professional labs don't know what a color space is.


Professional wedding photographer, solution architect and general technical guy with multiple Amazon Web Services certifications.
Read all my FAQs (wedding, printing, lighting, books, etc)

  
  LOG IN TO REPLY
Davy-Kelly
THREAD ­ STARTER
Member
Avatar
215 posts
Joined Feb 2007
Location: Broughton Astley, UK
     
Apr 18, 2007 18:25 |  #9

tim wrote in post #3065377 (external link)
Getting into those options you really need to read the color management book - book thread link in my sig. Leave it alone until you understand it, then you'll likely leave them alone anyway.

Each print firm accepts different things. I have two labs I regularly use, one accepts any color space and prints in that space. The other accepts aRgb or sRgb but converts to sRgb for prints. Other less professional labs don't know what a color space is.

Thanks Tim,

I'm just trying to get this batch finished off ASAP, I have the book on order.

Davy


"The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again, since it is life" - William Faulkner -

www.davykelly.co.uk (external link)

  
  LOG IN TO REPLY
Sathi
Senior Member
Avatar
656 posts
Joined May 2005
Location: Albany, NY
     
Apr 19, 2007 12:27 |  #10

canoflan wrote in post #3063762 (external link)
Well, I understood it that 8 ink or more ink jet printers could use the aRGB space gamut.

That is what I thaught about my pixma 9000. When I print using aRGB the prints are very over saturated. I havn't looked into this at all yet though.


20d / Tamron 28-75 2.8 / Canon 10-22 / Canon 100mm macro

  
  LOG IN TO REPLY
EOS ­ MAN1
Senior Member
Avatar
655 posts
Joined Feb 2007
Location: Orlando, FL
     
Apr 19, 2007 12:31 |  #11

I send my prints out to Adorama's printing service and I convert to their color space before sending. They have them for download. That way I get accurate colors from their particular printer. I always use aRGB before that. Straight out of the camera gives you the most to work with.


BERNARD BRZEZINSKI
- Photography & Consulting Services
- http://www.bernardbrze​zinski.comexternal link | contact: nfo@bernardbrzezinski.​com

  
  LOG IN TO REPLY
In2Photos
Cream of the Crop
Avatar
19,813 posts
Likes: 6
Joined Dec 2005
Location: Near Charlotte, NC.
     
Apr 19, 2007 12:38 |  #12

EOS MAN1 wrote in post #3069330 (external link)
I send my prints out to Adorama's printing service and I convert to their color space before sending. They have them for download. That way I get accurate colors from their particular printer. I always use aRGB before that. Straight out of the camera gives you the most to work with.

I believe you are confusing color space with ICC profiles. ICC profiles can be dowloaded but not color spaces.


Mike, The Keeper of the Archive

Current Gear and Feedback

  
  LOG IN TO REPLY
sponsored links (only for non-logged)

860 views & 0 likes for this thread, 7 members have posted to it.
dang stuff...
FORUMS Post Processing, Marketing & Presenting Photos RAW, Post Processing & Printing 
AAA
x 1600
y 1600

Jump to forum...   •  Rules   •  Forums   •  New posts   •  RTAT   •  'Best of'   •  Gallery   •  Gear   •  Reviews   •  Member list   •  Polls   •  Image rules   •  Search   •  Password reset   •  Home

Not a member yet?
Register to forums
Registered members may log in to forums and access all the features: full search, image upload, follow forums, own gear list and ratings, likes, more forums, private messaging, thread follow, notifications, own gallery, all settings, view hosted photos, own reviews, see more and do more... and all is free. Don't be a stranger - register now and start posting!


COOKIES DISCLAIMER: This website uses cookies to improve your user experience. By using this site, you agree to our use of cookies and to our privacy policy.
Privacy policy and cookie usage info.


POWERED BY AMASS forum software 2.58forum software
version 2.58 /
code and design
by Pekka Saarinen ©
for photography-on-the.net

Latest registered member was a spammer, and banned as such!
2584 guests, 172 members online
Simultaneous users record so far is 15,144, that happened on Nov 22, 2018

Photography-on-the.net Digital Photography Forums is the website for photographers and all who love great photos, camera and post processing techniques, gear talk, discussion and sharing. Professionals, hobbyists, newbies and those who don't even own a camera -- all are welcome regardless of skill, favourite brand, gear, gender or age. Registering and usage is free.