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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 27 May 2007 (Sunday) 03:28
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ETTL working with manual flash?

 
Lotto
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May 27, 2007 03:28 |  #1

There are couple of recent discussions on combining ETTL with manual flashes. I have not used this combo before and wonder how it work in real practice. So here go the test.

First the trigger setup: stick the ebay trigger on the side of the 580EX, plug in the sync cord. The ebay trigger is smaller and lighter than the PW, so there is an advantage:lol:

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As for what reasons to use a on-camera auto flash with off-camera manual flash/strobes, I could think of few situations where in weddings and events when the photog and subjects are constantly moving, and it's impractical to manually adjust the flash outputs. Of course there are the ETTL wireless flashes and optical slaves, but we will leave them out for a diffrerent topic.

In theories, flash photo is consisted of two parts: the ambient exposure and the the light from the flash. So lets say I set a manual flash to light the background at f5.6, and set the camera in M and f8, the on camera 580 should properly expose my main subjects at f8 (again, we don't want to talk about the consistancy of the ETTL for now:-x). Remember, the measuring ETTL preflash is fired before the shutter opens, thus before the firing sync signal too. So my thinking is that as long as the on camera flash is the main light, there should not be a problem.

On to the tests. I grabbed my daughter as my test model for a 5 min test session. All test shots were made with 580EX on a 20D, in portrait posistion, flash head straign on forward, full auto with +2/3 FEC I think.

1. on camera flash only. Background too dark and ugly side shadow.
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2. A Sunpak 383 with 1/16 power added to the mix, triggered by the ebay transmitter. I could've pointed the Sunpak lower to handle the shadows better. ETTL treats the Sunpak as it's not there, the 580 exposes the subject OK. She's about 10' from the camera.
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3. My daughter walked close and threated me if I take another shot:shock:. She's about 3 feet in fornt the lens, again, 580 provided a good exposure on her automatically. The background was bit darker because the flash from the 580 was weaker, otherwise was consistant.
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In conclusion, if I keep a constant aperture on the camera and a fix output from the manual flash for the background, the on camera 580EX can take care the exposure on my main subject automatically. In fact, the manual flash can be used as weak fill and back/hair light too, but I have to measure it and set the f# accordingly.

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Jim ­ M
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May 27, 2007 11:07 |  #2

I do a lot of drag race photography and I have been toying with using studio lights as fill for the sides of the cars and and a 580EX as the main light for the front. I was going to try my ebay radio unit plugged into the PC socket and the 580 on the hot shoe. Placement of the studio light would be an issue since I need to have the studio light more or less the same intensity within a range of where the car is at the time of the shot. Things don't always happen at the same spot even in a drag racing starting line photo. I haven't done it yet because I've been a little concerned about being more of a distraction to the drivers than I already am, but one of these days, I'm going for it. I'm glad to see someone playing with the idea.




  
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Wilt
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May 27, 2007 11:28 |  #3

Lotto, yes the result you got looks fine; it assumes the off-camera flash contributes no light on your subject, but only on the background.

If your manual off-camera light casts its output onto the main subject, you end up with very different results!

I double light weddings, and my off-camera unit is not on Manual, but on Auto (on-flash photosensor control). My on-camera flash functions as fill light, my off-camera flash functions as key light.


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mmahoney
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May 27, 2007 14:06 |  #4

Wilt wrote in post #3274808 (external link)
I double light weddings, and my off-camera unit is not on Manual, but on Auto (on-flash photosensor control). My on-camera flash functions as fill light, my off-camera flash functions as key light.

Do you trigger the off-camera light with an optical slave? .. I'd like to do the same and retain ETT-L Oon the on camera flash) but the pre-flash prohibits.
Mike


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Lotto
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May 28, 2007 02:00 |  #5

Jim, I would agree that it could be a distraction. I know the race drives and their crews are anal about all the little details :)

Wilt, I normally would not use auto mix with manual anyway. This is more like for testing purpose. But since you mentioned adding the slave to main's exposure, I went ahead and did another test. ETTL and thyristor metering are bit different. In ETTL, flash metering and required power are sent to EXs before the camera tripping the manual flash. My Sunpak firing has no effect on camera's flash metering, though it will add its own flashing on top of what the camera/EX think is the proper exposure. With thyristor flashes, if they are pointing to the same subject, the master/salve will affect each other because they meter and fire at the same time.


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Wilt
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May 28, 2007 10:44 |  #6

mmahoney wrote in post #3275433 (external link)
Do you trigger the off-camera light with an optical slave? .. I'd like to do the same and retain ETT-L Oon the on camera flash) but the pre-flash prohibits.
Mike

Radio slave. No way I would ever depend upon optical trigger at a wedding, where every Uncle Bob and Aunt Maggie with a camera would be triggering my slave!


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Wilt
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May 28, 2007 10:46 |  #7

Lotto wrote in post #3278249 (external link)
But since you mentioned adding the slave to main's exposure, I went ahead and did another test. ETTL and thyristor metering are bit different. In ETTL, flash metering and required power are sent to EXs before the camera tripping the manual flash. My Sunpak firing has no effect on camera's flash metering, though it will add its own flashing on top of what the camera/EX think is the proper exposure. With thyristor flashes, if they are pointing to the same subject, the master/salve will affect each other because they meter and fire at the same time.

Seems to me that the shot with both flashes is brighter by about 0.25 EV


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cosworth
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May 28, 2007 10:51 |  #8

ETTL on camera with a wireless transmitter works fine. The flash doesn't fire until the pre flash has finished. Therefore the wireless transmitter doesn't fire until the preflash is done - second curtain Or first curtain doesn't matter. Once the preflash is quenched all flash circuits will fire.

On a body that has a sync port and a non 580II flash it does the same thing.

I've done this lots. You have to fiddle a bit but it works just fine.


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PacAce
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May 28, 2007 19:17 |  #9

cosworth wrote in post #3279863 (external link)
ETTL on camera with a wireless transmitter works fine. The flash doesn't fire until the pre flash has finished. Therefore the wireless transmitter doesn't fire until the preflash is done -second curtain Or first curtain doesn't matter. Once the preflash is quenched all flash circuits will fire.

On a body that has a sync port and a non 580II flash it does the same thing.

I've done this lots. You have to fiddle a bit but it works just fine.

If you have a setup like in Lotto's previous example (with the stuffed dog), having the non-ETTL flash in auto mode fire on the 1st curtain and the ETTL flash fire on the 2nd curtain would ensure that the exposure of non-ETTL flash is not influenced by the ETTL flash. Also, dialing in some - EC on either or both flashes to attain the proper lighting ratio would be a good idea, too.


...Leo

  
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ETTL working with manual flash?
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