timmyquest wrote:A tad off topic but seriously
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How much of this picture is:
Camera
Lens
Lighting
I think "Mark II" in this shot is mainly the dynamic range - in those same conditions I simply never was able to keep white scores and foreheads from overexposing, while having a good exposure on the rest. It all required lots of curve fiddling if you wanted to get above "look" and if the shot was ISO 1600 then the quality would not have held together.
Lighting on that photo was fixed concert hall roof lighting and lens was the good 70-200 f/2.8L (which I btw decided not to swap to IS version because my copy is so suberbly sharp over whole range). It was up to me to a) choose a lens and b) find a position where light was good c) shoot.
Of course it is so that all cameras are very much alike (after certain basic requirements) and can take similar pictures (on that size). Why Mark II then, and not 300D? When you pick up Mark II, even if you never touch burst mode or 45 point AF, you will get more good shots simply because of handling (balance, viewfinder), speed (shutter, buffer, preview), accuracy (AF, metering) and low noise / high DR. I find that at the moment of taking a shot I think now less about camera and AF than I did before with D30/60 and 10D. A feeling worth paying for.