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Thread started 29 Aug 2007 (Wednesday) 09:51
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bieber
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Jan 01, 2008 11:24 |  #76

Amen to the photo contest warning. And Pete, your technique is perfect, except for one detail; the Stofen. In situations like these, all that thing is doing is throwing light all over the place, and since there's nothing close enough for enough light to bounce to have any effect over the direct light, you're producing exactly the same effect as direct flash, while burning more battery power.


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Blast
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Jan 01, 2008 12:30 |  #77

Pete wrote in post #4211964 (external link)
Course you can!! The flash will give you noiseless subjects. You might still get noise in the background, but it really won't matter that much. Give it a go!


I SOOOOOOO needed this last night New Years Eve. I posted my struggles in "Quest for Candids". I am running a P&S S5 IS.
Pete are you familiar with this camera?

Harry
PS-Thank-you for such an informative post as I have always hated how my indoor/flash shots have looked so shallow and flat. If I can just get my hands around how to get this look out of my P&S.




  
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Pete
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Jan 02, 2008 06:47 |  #78

bieber wrote in post #4608402 (external link)
Amen to the photo contest warning. And Pete, your technique is perfect, except for one detail; the Stofen. In situations like these, all that thing is doing is throwing light all over the place, and since there's nothing close enough for enough light to bounce to have any effect over the direct light, you're producing exactly the same effect as direct flash, while burning more battery power.

You're mis-understanding entirely what's going on here. The flash is being used as fill-in, the majority of the exposure is the ambient light. The flash isn't going at anything like full power (with or without the stoffen).

Get the word "bounce" out of your head. It doesn't figure here at all.


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Pete
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Jan 02, 2008 06:48 |  #79

Blast wrote in post #4608761 (external link)
I SOOOOOOO needed this last night New Years Eve. I posted my struggles in "Quest for Candids". I am running a P&S S5 IS.
Pete are you familiar with this camera?

Harry
PS-Thank-you for such an informative post as I have always hated how my indoor/flash shots have looked so shallow and flat. If I can just get my hands around how to get this look out of my P&S.

Sorry, I don't know about the S5. But if it can go into manual mode, bump up the ISO, and support and ETTL, then it'll probably work.


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bieber
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Jan 02, 2008 11:06 |  #80

Pete wrote in post #4613386 (external link)
You're mis-understanding entirely what's going on here. The flash is being used as fill-in, the majority of the exposure is the ambient light. The flash isn't going at anything like full power (with or without the stoffen).

Get the word "bounce" out of your head. It doesn't figure here at all.

That's my point. The Sto-Fen's sole purpose is to bounce light off of surrounding walls and ceilings. If it's not doing that, then all it's doing is getting in the way of your flash, forcing it to put out more light and depleting your batteries faster. The surface itself is exactly the same size as your flash head, so it's not going to do anything to soften shadows, reduce glare, or any such thing...


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Pete
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Jan 02, 2008 12:16 |  #81

bieber wrote in post #4614677 (external link)
That's my point. The Sto-Fen's sole purpose is to bounce light off of surrounding walls and ceilings. If it's not doing that, then all it's doing is getting in the way of your flash, forcing it to put out more light and depleting your batteries faster. The surface itself is exactly the same size as your flash head, so it's not going to do anything to soften shadows, reduce glare, or any such thing...

It's being used here to diffuse the glare from foreheads and glasses.


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finatic
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Jan 02, 2008 13:05 |  #82

I've been reading hear for weeks. Great thread you have going and thanks for all the tips.




  
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bieber
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Jan 02, 2008 13:45 |  #83

Pete wrote in post #4615209 (external link)
It's being used here to diffuse the glare from foreheads and glasses.

But it doesn't. There's no difference between light coming from your flash head and light coming from the sto-fen, as far as peoples' foreheads and glasses are concerned. The only thing that matters in that regard is the size of your light source and its position, and the stofen adds an insignificant amount of size and doesn't change the light source's position at all.


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Jan 02, 2008 13:52 |  #84

bieber wrote in post #4615807 (external link)
But it doesn't. There's no difference between light coming from your flash head and light coming from the sto-fen, as far as peoples' foreheads and glasses are concerned. The only thing that matters in that regard is the size of your light source and its position, and the stofen adds an insignificant amount of size and doesn't change the light source's position at all.

I got the result I wanted, it doesn't really matter how I got there.


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elysium
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Jan 02, 2008 13:58 |  #85

bieber wrote in post #4615807 (external link)
But it doesn't. There's no difference between light coming from your flash head and light coming from the sto-fen, as far as peoples' foreheads and glasses are concerned. The only thing that matters in that regard is the size of your light source and its position, and the stofen adds an insignificant amount of size and doesn't change the light source's position at all.

Actually I beg to differ since I tried the equivalent of a stofen and it did actually help diffuse the light better. Few of my friends from NYE had greasy faces which really showed up to shine without the diffuser.

So I left it on and got these results.

https://photography-on-the.net …p?p=4610109&pos​tcount=158


Everyday, a programmer finds a way of creating an idiotproof program. Everyday, the universe spits out another idiot.....So far, the universe if winning

  
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bieber
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Jan 02, 2008 15:27 |  #86

elysium wrote in post #4615870 (external link)
Actually I beg to differ since I tried the equivalent of a stofen and it did actually help diffuse the light better. Few of my friends from NYE had greasy faces which really showed up to shine without the diffuser.

So I left it on and got these results.

https://photography-on-the.net …p?p=4610109&pos​tcount=158

Your results may have been improved some by the fact that there was a low ceiling allowing some bounce light. Was the flash pointed straight at them, or upwards? If you're still using head-on flash, any improvement you see is going to be coincidental: this is a matter of physics, not really something that you can argue based on personal preference...


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elysium
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Jan 02, 2008 15:30 |  #87

bieber wrote in post #4616566 (external link)
Your results may have been improved some by the fact that there was a low ceiling allowing some bounce light. Was the flash pointed straight at them, or upwards? If you're still using head-on flash, any improvement you see is going to be coincidental: this is a matter of physics, not really something that you can argue based on personal preference...

Pics were taken with the flash angled @ 45degrees. The diffuser does help in situations like this. Coincidental? Perhaps but then I wouldn't have expected the majority of pictures to come out correctly.


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sleeys
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Jan 02, 2008 15:33 |  #88

Yea its super cool!!




  
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bieber
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Jan 02, 2008 15:39 |  #89

elysium wrote in post #4616594 (external link)
Pics were taken with the flash angled @ 45degrees. The diffuser does help in situations like this. Coincidental? Perhaps but then I wouldn't have expected the majority of pictures to come out correctly.

In this case, it looks like it really was doing you some good, as there appears to be a ceiling low enough to bounce off of where you were shooting. I was referring to what Pete was doing, turning the flash head straight ahead but leaving the omnibounce on


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elysium
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Jan 02, 2008 15:44 |  #90

Oh right. I not sure if I tried that. Might be worth checking out but I just tend to partially bounce now while bumping up ISO.

I never knew photography was such a science.


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