kona77 wrote in post #3881959
Some people are happy with mediocre.
And thats part of the issue. Some people wonder why anyone would spend $60K on a car, when they can get one for $20K that drives every bit as good. The $20K car is good enough for them, fits their budget, and will make them happy. It doesn't matter that the $60K car comes with Italian leather, hand built interior, expenisve diamond dust paint. Its still just a car to them. Quality is relative to each individual.
The best thing to do is to market to people that understand quality, will pay more for it, and feel they still got a bargain. That is probably the most important thing I learned after a few years in business. When someone called up and asked how much for X pictures, I kind of knew they probably weren't my type of client from the get go, since they were shopping based on price.
I knew I had a better chance at getting my rate with the ones that didn't bring up price first, but talked about my work, style, or special skills, or some of my images that were similar to what they were looking for. It showed me they were shopping on quality, skills, and style, and not just price.
As for credit lines, they are worth about as much as the paper they are printed on. Or exactly about .05 cents. In all my years, I have never gotten a job from a credit line, or had someone mention they saw one of my images with a credit.
Most art buyers or clients don't want text on or around their images as it may spoil the design of the piece they are creating. Ie, who wants a credit line on a brochure, mailing piece, cover photo, etc. However, I do ask for credits in magazines when I produce a number of images for an article. That credit is usually in the mast head, or with the article itself (story by, photos by). But other than that, I never ask.
It kind of sucks that you gave him lots of information on the phone regarding the job, and then he used it to shoot it himself. But its no worse than creating a 5 page bid with details on how to shoot a job, and have that go to another photographer using some of the ideas from my bid. Its business, it happens, and you just need to roll with the punches.
I almost never get a call back if not selected, and need to follow up with them. On the flip side, I almost never call all the plumbers, contractors, painters, or other 'vendors' when I'm pricing out work either. Some call me and I will explain why I chose a different vendor, but most never call and inquire. So its really not that important to them to understand, and thus not worth my time to call and hand deliver it to them. Heck, I'm even lucky if I can get a contractor to call me at all, even to quote a job. Must be nice not to have to return every sales call
How much do plumbers make an hour. Maybe I should change jobs 