Bump the ISO. Also shoot as close to the glass as you can, focusing far away, to make the glass less of an issue. You probably want to err on the side of slightly overexposing (especially if shooting raw) because you want that ice nice and white.
Sageg Senior Member 521 posts Joined Oct 2005 Location: Montreal More info | Oct 21, 2007 20:30 | #16 Bump the ISO. Also shoot as close to the glass as you can, focusing far away, to make the glass less of an issue. You probably want to err on the side of slightly overexposing (especially if shooting raw) because you want that ice nice and white. Sarah
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Oct 21, 2007 20:33 | #17 I agree with bumping up the ISO to 1600. A MKIII should let you shoot at 3200. Canon G1X II, 1D MKIV, 5DSR, 5DIV, 5D MKII, 16-35/2.8L II, 24-70/2.8L II, 70-200/2.8L IS II, IS, 100-400/4.5-5.6 L IS II, 500/4 L IS II, 24-105/4 IS, 50/2.5 macro, 1.4x MKII, 1.4X MKIII, 2X MKIII,580EX II, 550EXs(2), ST-E2.
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Lacks_focus Goldmember 1,025 posts Likes: 2 Joined Oct 2006 Location: Coventry, CT More info | Check the sports section of this forum. Lots of info in there, with example pics, of shooting hockey through the glass and otherwise. FWIW, I shoot @ 1600 1/320(ish) and wide open at a youth rink with decent results. You should be able to do at least that at an AHL game. I assume you're working with better lighting than most of us "hockey dads" will ever see at the rinks our kids play in. 1D MKIII | FujiFilm X10 | 24-70 f/2.8 | 70-200 f/2.8 | 135 f/2 | 85 f/1.8 | 580EX |
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TeamSpeed 01010100 01010011 More info | Oct 22, 2007 05:52 | #19 Look into Noiseware Community to help with any grain you might get as well, it will change your perception of using high ISOs. Past Equipment | My Personal Gallery
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LBaldwin Goldmember 4,490 posts Likes: 4 Joined Mar 2006 Location: San Jose,CA More info | Oct 22, 2007 06:36 | #20 This is always a problem without strobing. I have shot loads of hockey and it is the same all over. jacking up the ISO is just about the only answer except for strobing the arena from the ceiling. One thing you can and should do is visit during a practice, get on the ice when it is not being used and meter it by hand. Luckily the ice acts as a great big reflector. But the backgrounds will fool yor meter everytime. Shooting through the glass is a waste of time. If you want to go long you can backup the seats and shoot over the glass but that limits you FOV. Holes in the glass are the best answer, but pay attentin to what you put out those holes, you might want it back <vbg> Les Baldwin
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TeamSpeed 01010100 01010011 More info | Oct 22, 2007 06:43 | #21 And be sure you shoot with 4-5 UV filters on the front! Past Equipment | My Personal Gallery
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DavidEB Goldmember 3,117 posts Joined Feb 2005 Location: North Carolina More info | Oct 22, 2007 07:36 | #22 at AHL level you need a shutter speed of 1/400 at the slowest, 1/500 is better. Anything less and you'll have too many blurred body parts (unless you specialize in shooting players who aren't moving). Use M Mode, go up to ISO3200, open your lens to f2.8, dial in 1/500. If you get the subject properly exposed you won't need noise reduction. >>These<<were shot at 3200. If that isn't giving a decent exposure, then get an f2 lens. I keep my 135 f2 in the bag for the worst-lit rinks. David
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Oct 22, 2007 10:56 | #23 Sageg wrote in post #4166764 Bump the ISO. Also shoot as close to the glass as you can, focusing far away, to make the glass less of an issue. You probably want to err on the side of slightly overexposing (especially if shooting raw) because you want that ice nice and white. Ya beat me to it...THAT'S the solution...bump the exposure 2 clicks to compensate for the meter's desire to turn white into gray...it thinks it's doing you a favor...it's counter intuitive, just as when shooting against a black background you have to UNDER expose a bit (to compensate for the meter's desire to turn BLACK into gray...) to keep the black, BLACK. My Canon kit 450D/s90; Canon lenses 18-55 IS, 70-210/3.5-4.5....Nikon kit: D610; 28-105/3.5-4.5, 75-300/4.5-5.6 AF, 50/1.8D Nikkors, Tamron 80-210; MF Nikkors: 50/2K, 50/1.4 AI-S, 50/1.8 SeriesE, 60/2.8 Micro Nikkor (AF locked), 85mm/1.8K-AI, 105/2.5 AIS/P.C, 135/2.8K/Q.C, 180/2.8 ED, 200/4Q/AIS, 300/4.5H-AI, ++ Tamron 70-210/3.8-4, Vivitar/Kiron 28/2, ser.1 70-210/3.5, ser.1 28-90; Vivitar/Komine and Samyang 28/2.8; 35mm Nikon F/FM/FE2, Rebel 2K...HTC RE UWA camera
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Oct 22, 2007 11:03 | #24 Thank you for all your wonderful feedback.
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Oct 22, 2007 19:58 | #25 sportsshooterinME wrote in post #4170093 Thank you for all your wonderful feedback. Good point adam8080. I will try putting my ISO up next time and deal with the grain. And I do shoot RAW so I can manipulate the pics fairly easily. Bumping the exposure to get white ice will reduce the noise a lot...noise being exaggerated by underexposure. My Canon kit 450D/s90; Canon lenses 18-55 IS, 70-210/3.5-4.5....Nikon kit: D610; 28-105/3.5-4.5, 75-300/4.5-5.6 AF, 50/1.8D Nikkors, Tamron 80-210; MF Nikkors: 50/2K, 50/1.4 AI-S, 50/1.8 SeriesE, 60/2.8 Micro Nikkor (AF locked), 85mm/1.8K-AI, 105/2.5 AIS/P.C, 135/2.8K/Q.C, 180/2.8 ED, 200/4Q/AIS, 300/4.5H-AI, ++ Tamron 70-210/3.8-4, Vivitar/Kiron 28/2, ser.1 70-210/3.5, ser.1 28-90; Vivitar/Komine and Samyang 28/2.8; 35mm Nikon F/FM/FE2, Rebel 2K...HTC RE UWA camera
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RichNY Goldmember 1,817 posts Likes: 3 Joined Sep 2006 More info | Oct 22, 2007 20:41 | #26 Ann- I shoot two youth hockey games each weekend with the same camera and lens combination that you have, also shooting RAW. Sunday's game was at ISO 1600, f/2.8, 1/640th. Don't hesitate shooting at ISO 1600 and use Noise Ninja to clean up the images. Nikon D3, D300, 10.5 Fisheye, 35 f/1.4, 50 f/1.4, 85 f/1.4, Zeiss 100 f/2, 105 f/2.5, 200 f/4 Micro, 200 f/2, 300 f/2.8, 14-24, 24-70, 70-200, SB-800x4, SB-900, SU-800, (3) Sunpak 120J (2) Profoto Acute 2400s,Chimera softboxes, (4)PW Multimax, (6) C-stands, (3) Bogen Superbooms, Autopoles
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RichNY Goldmember 1,817 posts Likes: 3 Joined Sep 2006 More info | Oct 22, 2007 20:43 | #27 adam8080 wrote in post #4165835 1. Bump up you iso speed. 2. If you still can't shoot as fast as you need to, you may want to upgrade to a 135L, 100L, or 85L. Adam- You need to take into account both the speed of the lens's maximum aperture as well as focus speed. The 85L while and f/1.2 is a dog when it comes to focusing. At that focal length one is much better off with the 85 f/1.8 for shooting moving objects. Nikon D3, D300, 10.5 Fisheye, 35 f/1.4, 50 f/1.4, 85 f/1.4, Zeiss 100 f/2, 105 f/2.5, 200 f/4 Micro, 200 f/2, 300 f/2.8, 14-24, 24-70, 70-200, SB-800x4, SB-900, SU-800, (3) Sunpak 120J (2) Profoto Acute 2400s,Chimera softboxes, (4)PW Multimax, (6) C-stands, (3) Bogen Superbooms, Autopoles
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JMHPhotography Goldmember 4,784 posts Likes: 1 Joined May 2005 Location: New Hampshire More info | Oct 22, 2007 21:19 | #28 RichNY wrote in post #4173335 Adam- You need to take into account both the speed of the lens's maximum aperture as well as focus speed. The 85L while and f/1.2 is a dog when it comes to focusing. At that focal length one is much better off with the 85 f/1.8 for shooting moving objects. I was just gonna say this... the 85L couldn't track a turtle in AI Servo mode, let alone a skater. The 85mm f/1.8 is VERY fast and would do the trick. ISO 1600, 85 f/1.8 at 1.8 would get you some decent shutter times. Focusing far away will be better as the DOF increases, Hockey is HARD to cover without really fast glass. The mkIII and the N**** D3 would be GREAT for Hockey since they've got some really clean ISO 3200 capabilities. ~John
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