GerBee wrote in post #4607372
I’m not going to argue the benefits of studio lights and agree with you on you primary point that the ‘Strobist Cult’ has grown two heads.
This thread showing the massive gear purchases gear certainly seems ill conceived where the philosophy of the ‘Strobists Cult’ was to ‘live off the land’ so to speak, use what one already had and to use it in a way they never thought possible.
So I can see where your coming from, yes my mouth dropped too.

Everything changes and grows from something. Yes, it all started out as a way to 'make things you already have' work for different situations. But isn't that true for everything? My setup was purchased to cover a lot of basis, not to make due with what I had. With that kind of thinking I should still be using my old Canon T60 manual SLR with the original lenses and never purchased anything to make things easier or to go beyond what I already had. I would have loved to purchase an amazing set of studio strobes but then what? Make due with long extension cords running across location shots with children playing? No one way is the only way. Do I use all of my gear at one time? Yes, no, sometimes, not always. I would be interested to see a link to your gear so that I could also make a judgement on your choices.
I posted this thread to help others with their research, nothing else. It's easy to sit back and talk about "ill conceived" this or that. If you don't agree with my purchases, philosophy or point of view, I certainly have no problem with that. I'm sure later in my studies/career I'll change my mind about these products. But, for now, it was the best choice considering my situation.
I know there are a lot of people looking for the same sort of solution. They don't have a studio, or the space to dedicate to one, or the ceiling height or the necessity to have a studio at home. I myself plan on doing mostly location, outdoor, environmental shots with my lighting setup and that's why I went with this setup. I couldn't afford to purchase a studio set and then battery packs and everything else that goes along with making studio strobes portable. That's where I'm at. I don't have an infinite supply of money that I can buy anything I want, or usually even what I want. There are usually compromises.
Sorry if I'm ranting but I thought GerBee's comments were maybe less than polite. You can have your opinion but it would be nice if you worded in a way that stated your opinion in a way that didn't offend the person involved. I'm sure I'm over reacting.
I will admit that my setup is not for everyone or for every situation. Some will need to buy cheaper or less gear, others will want to purchase higher end, professional gear. I've gotten nothing but compliments from friends and subjects and am quite pleased with most of my choices. The best thing about my selection is I don't need to take it all with me, nor do I need an assistant or multiple trips to bring my gear on a shoot. Ask me in a year or two and I might have a different point of view. Things change and we either change with them or become stagnant.
Agree or disagree. This is merely that way I see things, at this point in time.
BTW, Happy New Year to everyone!