My wife and I just returned from two days at the Bosque del Apache preserve in central New Mexico. because of varios discussion in these forums, I made a point of noting which cameras and lenses were in use.
There were over 1000 photographers, all shooting birds, some at quite a distance. They tended to gather in groups of various sizes from 6-7 to over 50.
I can honestly say that over 80% were shooting Canons. With only one exception, those with large primes, well over 400 people, were shooting Canons exclusively. Mostly 500s, with lots of 600s and a few 400s. I estimate there was well over $1,000,000 in 500 and 600mm glass out there.
Several of the 500mm and 600mm shooters were using 2.0X teleconverters, all Canon. One said she wouldn't use anything but Canon for a 2.0X TC, but Kenko's Pro 300 DG was okay for a 1.4X (which we had).
The one non-Canon big prime exception was a shooting a Nikon D200 with a Nikkor 600mm f/4 lens and a 1.4X Nikon TC. Very nice set up.
The zoom shooters were almoste evenly divided between Canon and Nikon, with a couple of Pentaxes and one lone Sony. About 3/4 of the Canon zoom shooters had nice black non-L zooms (us included). Of the L zoomers, almost all were 100-400mm, as one would expect. There were a few 100-300mm Ls as well.
There wasn't as much Sigma or Tamron glass as I would have expected. I estimate that not more than 20% of the non-L Canon zoomers were using non-Canon glass.
For cameras, lots and lots of XXD bodies, some 1D mk II N and a few mk III bodies, and a generous spattering of Rebels of various flavors. The majority were definitely XXD bodies, mostly 30Ds with some 40Ds and a few 20Ds (like ours).
With the big glass, almost everybody was using a Gitzo triopd with a Wimberly head. Some of the zoomer were using sidekicks, but none of the big primers were.
Most zoomers, us included, were using ball heads. Manfrottos tripods were popular with us ball-head types.
Both dusk and dawn brought our lots of 580EXs with Better Beamers attached. These seem to be very popular. And they work quite well. We had no trouble picking out birds at 100-150 feet. Focusing in dim light, however, is definitely an art.
As I said, this treat is apropos of absolutely nothing. I just though some of you might find my observations interesting.
Oh, yes. Several of the professionals out there (those who make their livings shooting wildlife) referred to themselves as "craneparazzi," paparazzi for sandhill cranes (of which there were thousands).
Our personal best capture was an aplomato falcon, very beautiful and very rare (nearly extinct).



