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FORUMS Cameras, Lenses & Accessories Canon Digital Cameras 
Thread started 27 Nov 2007 (Tuesday) 22:20
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bmynbr
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Nov 29, 2007 14:55 |  #16

20droger, thanks, I never thought of doing that.
Dave


Canon 7d, 50 f1.8, Canon 17-85is usm, 58mm hoya cpl, 67mm b&w slim cpl, Manfrotto 190 tripod with 486rc2 ball head, Canon efs 10-22, 580exII, cybersyncs, Canon 70-200 f4L

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20droger
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Nov 29, 2007 17:49 as a reply to  @ bmynbr's post |  #17

You're welcome. I hope it solves the problem.




  
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amfoto1
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Nov 29, 2007 19:34 |  #18

Hi,

I don't disagree with others, that you might do best using sRGB.

There's one thing to think about, though....

If you shoot Adobe RGB, originals are stored with the fuller color data and the images (or copies of the originals) can always be converted to the smaller gamut sRGB later.

On the other hand, if originals are made in sRGB, the full data will never be be available if it ever becomes desirable later to convert them to Adobe RGB. The resulting converted file may show as Adobe RGB color space, but will only actually contain the sRGB data.

In other words, you can easily make an Adobe RGB file into an sRGB file, but you cannot make an sRGB file into a true Adobe RGB file. It's a one way street, so to speak.

The above is most important when generating JPG files in-camera.

If you shoot RAW files (or RAW + JPG), and store them, either Adobe RGB or sRGB can be pulled from the RAW data in the conversion process, as needed.

sRGB might be all you ever need. Just make your decisions based on all the info.


Alan Myers (external link) "Walk softly and carry a big lens."
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