1 question I have right off the bat is how to get the trees in the backround to be clear as well.. they're oof!? I tried to correct this, but ran out of time!
marcus769 Senior Member 642 posts Joined Oct 2007 Location: Minnesota More info | Dec 12, 2007 00:21 | #1 1 question I have right off the bat is how to get the trees in the backround to be clear as well.. they're oof!? I tried to correct this, but ran out of time! 7D, 40D, 28-135mm IS, 50mm 1.8 II, 100mm 2.8L, 70-200mm 2.8L IS, 580 ex II
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spicolli1976 Member 235 posts Joined Mar 2006 More info | Dec 12, 2007 01:09 | #2 Shooting this pic at f14 of higher would be a place to start. Great shot by the way!!! Canon 50D with grip, Canon Rebel XTI with grip, Canon 70-200mm f/2.8L IS USM, Canon 24-105mm f/4L IS USM, Canon 400 f5.6L USM, Canon 50mm f1.4, 580 EX II, Speedlite 430 EX www.thestonichcollection.com
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Dec 12, 2007 01:11 | #3 spicolli1976 wrote in post #4488074 Shooting this pic at f14 of higher would be a place to start. Great shot by the way!!! I tried this, but it was a bit windy.. The branches were a bit blurry if i went any higher.. I dont think I gave it a very good attempt though.. Keep the CC coming please! 7D, 40D, 28-135mm IS, 50mm 1.8 II, 100mm 2.8L, 70-200mm 2.8L IS, 580 ex II
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Dec 12, 2007 01:19 | #4 You need to get the LWT version of the 70-200 f/2.8L IS. It's for Landscapes With Trees (thus LWT). Did you lose Digital Photo Professional (DPP)? Get it here
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policy Senior Member 305 posts Likes: 3 Joined Jul 2005 Location: Elk Grove Village, IL More info | Dec 12, 2007 07:50 | #5 I lite this picture. The sky is so unreal. Canon Digital Rebel T5i, EF-S 17-85mm IS, EF-S 18-135mm IS STM, EF-S 40mm f2.8, EF 50mm f1.8, Speedlite 430EX + some stuff
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epatt250 Senior Member 769 posts Joined Oct 2007 Location: Central, Arkansas More info | Dec 12, 2007 11:07 | #6 You are focused on the close tree. Given the difference in distance between it and the background I dont think any f stop would provide focus for both. I try never to use anything higher than f8 for landscapes as it starts to hurt image quality. At f8 you could have everything from 53' to infinity in focus at 70mm. At f16 you could get everything from 26' on in focus. Gear- Why do you care? If my image is good it's good, if it sucks it sucks. It's most likely my own fault.
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Dec 12, 2007 12:31 | #7 epatt250 wrote in post #4490149 You are focused on the close tree. Given the difference in distance between it and the background I dont think any f stop would provide focus for both. I try never to use anything higher than f8 for landscapes as it starts to hurt image quality. At f8 you could have everything from 53' to infinity in focus at 70mm. At f16 you could get everything from 26' on in focus. Shots in low light like these pretty much have to be shot off a tripod, even then you are dealing with slow shutter speeds and if the wind is blowing, your background trees will still not be sharp. Its ok, the point of interest is the sky. The sky looks very good, even being out of focus, but the sharp tree up close is very distracting for me. Thanks! I'll use this info for my landscapes! 7D, 40D, 28-135mm IS, 50mm 1.8 II, 100mm 2.8L, 70-200mm 2.8L IS, 580 ex II
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pakomo Senior Member 374 posts Joined Jun 2007 Location: Denmark More info | Dec 12, 2007 14:31 | #8 You were using ISO 100, so you could have closed the aperture a bit, and boosted the iso. (but epatt has a point... it's very hard to get the background in focus, when you focus on something so close(relative to the background)) Patrick Kofod Mogensen
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Fyerfytr Senior Member 565 posts Joined Sep 2007 Location: Des Moines, Iowa More info | Dec 12, 2007 17:21 | #9 I think it is wicked. Awesome color...
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Dec 12, 2007 17:37 | #10 Next time, if you want the trees in focus too, take two exposures. One with focus on the tree in the foreground and another for the background. Blend the two in Photoshop. I like it as-is though. Did you lose Digital Photo Professional (DPP)? Get it here
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Dec 12, 2007 21:53 | #11 cdifoto wrote in post #4492912 Next time, if you want the trees in focus too, take two exposures. One with focus on the tree in the foreground and another for the background. Blend the two in Photoshop. I like it as-is though. Good idea! thanks everyone! 7D, 40D, 28-135mm IS, 50mm 1.8 II, 100mm 2.8L, 70-200mm 2.8L IS, 580 ex II
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epatt250 Senior Member 769 posts Joined Oct 2007 Location: Central, Arkansas More info | Dec 12, 2007 22:10 | #12 I actually think it would also make an awesome crop if you cropped the bottom up higher just into the orange to remove the darker background land then crop just to the edge of the tree on the right and throw away all the bare sky. I think you would end up with a neat pic having the dark very sharp tree branches contrasting against the rich orange out of focus sky. That is if you can live with a fairly square crop. Gear- Why do you care? If my image is good it's good, if it sucks it sucks. It's most likely my own fault.
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Potisdad Senior Member 670 posts Likes: 10 Joined Mar 2007 Location: Auckland NZ More info | Marcus, David
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Dec 13, 2007 00:42 | #14 Potisdad wrote in post #4494488 Marcus, Some understanding of hyperfocal distance would help a lot here. Basically, by manually focusing at approximately twice the distance to the branches and choosing the appropriate aperature would allow acceptable focus on both the branches and the background. Read this: http://www.cambridgeincolour.com …s/hyperfocal-distance.htm Great! Thanks alot! 7D, 40D, 28-135mm IS, 50mm 1.8 II, 100mm 2.8L, 70-200mm 2.8L IS, 580 ex II
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