BTW - Can you post some of your shots?
bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | Feb 19, 2008 10:02 | #16 BTW - Can you post some of your shots? Fuji XT-1, 18-55mm
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MTStringer Goldmember 4,652 posts Likes: 6 Joined May 2006 Location: Channelview, Tx More info | Feb 19, 2008 11:19 | #17 OK, i will not buy Sigma again even they have great glasses. I guess I don't understand that statement. Did you have a bad experience with Sigma?
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pagnamenta Senior Member 787 posts Likes: 1 Joined Jan 2007 More info | Feb 19, 2008 11:40 | #18 Tareq - If you're shooting with Mark2N I would shoot with the 300 f2.8. It'll get you closer to the action so you'll be forced to frame tighter. You'll also think about your shots because it's a prime, less flexibility than a zoom. Canon 1D3, Sigma 70-200 f2.8, Sigma 120-300 f2.8 (sale), 1.4x converter, 580EX.
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Feb 19, 2008 12:04 | #19 I shoot in a Pro Stadium and not high schools, so the lighting re great [one stadium is not so great but they will replace for better]. Galleries:
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bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | Feb 19, 2008 12:09 | #20 Won't you miss lot of shots with 70-200mm when 200mm is not enough? 200m is only good when action is pretty close. That's why having 2 bodies with zoom on one and the prime on the other is the best option. Fuji XT-1, 18-55mm
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OK, here are some shots from 1 Stadium of my city or area, bad lighting
All cropped and i just set the sharpness on DPP at 5 instead of 0 or 3 and no more pp at all [resized with DPP except #1 resized on photoshop for web]. Galleries:
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Feb 19, 2008 14:03 | #22 one more, pp applied later i will post from another Stadium of next city to my city [My city called 'Ajman' and next city called 'Sharjah']. Galleries:
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bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | Feb 19, 2008 15:20 | #23 Man, the last one has too much saturation OMHO. Fuji XT-1, 18-55mm
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Feb 19, 2008 16:09 | #24 bobbyz wrote in post #4950917 Man, the last one has too much saturation OMHO. The lighting is pretty good IMHO. Some of your shots are somewhat under-exposed, (look at the faces). I wouldn't be worried about ISO 1600. Both lenses should give you very good results. The last one is more saturated because i did 0 saturation but i increased the exposure and contrast. Galleries:
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pagnamenta Senior Member 787 posts Likes: 1 Joined Jan 2007 More info | Feb 19, 2008 16:46 | #25 Definitely need to bump up the exposure on those shots. Why not shoot at ISO 3200? If you have Noise Ninja or any noise removal software, you should not hesitate shooting at ISO 3200. Canon 1D3, Sigma 70-200 f2.8, Sigma 120-300 f2.8 (sale), 1.4x converter, 580EX.
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Feb 20, 2008 00:59 | #26 pagnamenta wrote in post #4951552 Definitely need to bump up the exposure on those shots. Why not shoot at ISO 3200? If you have Noise Ninja or any noise removal software, you should not hesitate shooting at ISO 3200. If I understand what you mean by more professional, then your last pp'ed shot is okay - too much saturation but it's looking more "professional." Just curious - why are some of the crops squares? I have NN, but i was scared to use them as i heard in many threads that those softwares give so smooth or plasticity looks, and i can use ISO 3200 if i need. Galleries:
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Mar 31, 2008 04:26 | #27 OK, bumping this thread back again. Galleries:
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snapzz Senior Member 352 posts Joined Jan 2006 Location: North East Lincolnshire,United Kingdom More info | Mar 31, 2008 14:09 | #28 Just caught this thread so sorry for the late input. Graham
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Mar 31, 2008 16:22 | #29 snapzz wrote in post #5231631 Just caught this thread so sorry for the late input. Here in the UK it is normal for all pro's to use at least two bodies. One with 300/400 and second with (maybe) 70-200. The longer is usually fixed to a monopod and covers action away from the goal mouth while the shorter lens is handheld for any action around the goal. We usully just drop the 300/400 onto our shoulder while using the shorter reach. This way we can quickly cover any action when the ball is moved quickly. One thing I've never done is switch lenses during a game. Chances are I'd proberby miss something. Never seen anyone else do it either. Regarding exposure settings we just use whatever we have to even in dark stadium.I've shot at 250th @ISO3200 but you will get some blur especially with the ball. Try to keep 400th or preferably 640th. We often submit underexposed shots to the newspapers but they expect it and will make corrections. They have to otherwise they just wouldnt get the live pics quickly enough. If shooting for yourself then only you can make the decision on exposure. I'd certainly use NN so try experimenting with various setting until you get the right sesults. Thank you very much Galleries:
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snapzz Senior Member 352 posts Joined Jan 2006 Location: North East Lincolnshire,United Kingdom More info | Apr 01, 2008 02:32 | #30 I would go with 640th if you can but if the light falls drop to 400th.Mk2 & 3's can easily handle noise at that level of ISO. Graham
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