jbergdoll wrote in post #5543127
Ok then, my experience with optical triggers has been subpar. They are not versatile in any way, and they greatly limit your lighting ability, since your optical flash must be in the line of fire of your on camera (or off-camera radio/infrared triggered) flash. Radio slaves are the way to go, even eGay slaves are a better alternative to optical slaves.
If used inside, optical slaves typically do not require "line of fire" as indicated.
They work nicely off of light bounced off ceilings, floors, walls, and other fixtures in the area. I have personally used may types of studio flash and hotshoe based flash with optical slaves in studio conditions (or ad hoc studio conditions). I have never had an issue with an optical slave. They work consistently and reliably. Bit, I understand how they work and use them in a manner consistent with their design.
They are limited to small to medium sized rooms. But in many situations this is the use desired (like studio or ad hoc studio work).
If you use optical slaves within their design limitations, they are very reliable.
But, if you use them in a willy-nilly manner without thought, if your use mode is inconsistent with the device you are using you will be disappointed (just like any other device).
In short, just because an optical slave will not work in all situations, but will work in a predictable manner when the user understands the device, does not mean they do not have merit.
Just because you 400D will not work underwater does not mean that it does not have merit.
Enjoy! Lon