I tried again to resize to post here. I ended up with 3 different versions. If you dont like any of them, thats ok, I was just trying some things out.
RightCraniumImaging Senior Member 416 posts Likes: 1 Joined Apr 2008 Location: Seattle More info | Apr 30, 2008 23:33 | #16 I tried again to resize to post here. I ended up with 3 different versions. If you dont like any of them, thats ok, I was just trying some things out. (Insert Over Used Photography Quote Here)
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RightCraniumImaging Senior Member 416 posts Likes: 1 Joined Apr 2008 Location: Seattle More info | Apr 30, 2008 23:34 | #17 |
beepclick Goldmember 1,850 posts Joined Mar 2008 More info | Apr 30, 2008 23:37 | #18 Flo wrote in post #5407932 To me I see two seperate photos here.the old rusty vehicle and the grasses.and then the sheds etc? First thought I had, also. Gear https://photography-on-the.net/forum/showthread.php?t=635450
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RightCraniumImaging Senior Member 416 posts Likes: 1 Joined Apr 2008 Location: Seattle More info | Apr 30, 2008 23:44 | #19 As far as mechanics, I like the picture a lot, but as others have said I would like to see another angle minus the truck bed. Also for some reason I keep wanting to know what is to the right further, I want to see it in a widescreen aspect. Maybe if there is more field and grass off to the right you could place the tree trunk and shed in the left third of the frame. Now that I look at it again though, I kinda like the truck bed there too. Maybe just play around with the angles a little. (Insert Over Used Photography Quote Here)
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May 01, 2008 00:46 | #20 Thanks all for the continued critique and comments. Right Cranium Imaging wrote in post #5438383 ... Also for some reason I keep wanting to know what is to the right further, I want to see it in a widescreen aspect. Maybe if there is more field and grass off to the right you could place the tree trunk and shed in the left third of the frame... I'll see if I can drop by and take some wide angle establishing shots of the lot. Right Cranium Imaging wrote in post #5438383 ... Now that I look at it again though, I kinda like the truck bed there too. Maybe just play around with the angles a little... I think it could be incorporated as an additional "element of interest" and perhaps add some depth to the image if it can be kept from becoming a distraction. That's why I wondered earlier if the rusty truck bed could be desaturated a bit in post to blend better with the more muted appearance of the shed. I may be able to do this with different natural lighting, weather cooperating. “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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tonydee Goldmember 2,009 posts Joined Sep 2007 Location: Tokyo More info | May 01, 2008 10:21 | #21 Mr Right Cranium Imaging: I like all 3 arty edits (especially the last two, but I'm a gloomy kind of guy). All very tastefully done, and seem to minimise the distraction of those few niggling compositional issues long discussed. These kind of edits have been around for a long, long time, but you've used them well. Gives us an idea what to expect if the work is sent to one of these print-on-canvas services. 5D and too much glass. Mamiya 645E.
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May 02, 2008 00:03 | #22 tonydee wrote in post #5440284 ...selective desaturation is very easy to do in many software packages. Have you tried it? Could use the Gimp - free for Windows/Mac/Linux - if you're stuck for software... Sweet. I just purchased PS Elements 6 and will be diving into it soon. Thanks Tony.
Later, Mark “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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Laramie Still livin' the cowboylife 3,220 posts Joined Nov 2006 Location: Inland Empire, California More info | May 02, 2008 13:07 | #23 I think the composition of the original shot is perfect. I don't think it's too distracting having the two objects. 5DIII | 40D | 17-40 f4L | Tamron 28-75 2.8 | 50 1.4 | 70-200 2.8L | Oly Zuiko 50 macro | Tamron 1.4x
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May 04, 2008 01:37 | #24 cowboylife wrote in post #5447890 My only suggestion: The grass does seem to bet a little high. I'd like to see you on a step stool, back of a pickup or something to give you some height above the grass. cowboylife: Thanks for the comments. Unfortunately I wasn't able to get a higher perspective since more height revealed part of the gravel road just in front of the shed (see photos in previous post) and it was somewhat distracting. Guess I'll have to go with the grass... Re-edited photo below. I made these (somewhat subtle) changes: > selectively brightened and sharpened the shed & the tree trunk > selectively darkened the bright sky-spots shining through the tree branches as well as the shed to the left to lessen distraction. > desaturated the trailer and darkened some hot spots on it to help the trailer blend better with the rest of the photo. > less global sharpening & more natural green color hue?
For better or for worse on this one? Thanks, Mark “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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Laramie Still livin' the cowboylife 3,220 posts Joined Nov 2006 Location: Inland Empire, California More info | May 04, 2008 03:06 | #25 The original has most of an "antique" feel to me. I like your edit, but I think the original is still my fav. 5DIII | 40D | 17-40 f4L | Tamron 28-75 2.8 | 50 1.4 | 70-200 2.8L | Oly Zuiko 50 macro | Tamron 1.4x
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May 04, 2008 12:56 | #26 cowboylife wrote in post #5456873 The original has most of an "antique" feel to me. I like your edit, but I think the original is still my fav. Ha! I was just comparing the two (after a good night's sleep) & I'm not convinced that I like the edit any better either. There are elements of both that I would've liked to combine, but couldn't quite recreate in my edit (although its exciting to see how much more flexibility I have in editing now with the new software - before it was just ... global brightness, contrast & sharpening). Thanks again. “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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BillBoehme Enjoy being spanked More info | I also like the original. Atmospheric haze in images? Click for Tutorial to Reduce Atmospheric Haze with Photoshop.
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May 04, 2008 21:50 | #28 bill boehme wrote in post #5461186 I also like the original. "sigh...." I think you're right ... worth trying but ultimately doesn't really work for me either as I scroll back & forth between them. I think some things could be improved - but I'll have to get some more PP time under my belt. Thanks for the comment, Bill. Its what I need. “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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May 05, 2008 00:29 | #29 I have to add that I like the original, also. Composition-wise, I see no need to separate it into two images. When separate they're incomplete and kind of stale and cliché and, well... formulaic. As one image, even though some 'rules' are broken, a story is told. Website: Iowa Landscape Photography
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May 05, 2008 10:55 | #30 photoguy6405 wrote in post #5462117 ...the greens 'pop' better in the original. Thats what gets me too, photoguy - I find the green hue much more pleasing in the first. I tried to duplicate that in the edit and I couldn't quite get it. “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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