At B&H Camera it is $579.99
phili1 Senior Member 891 posts Joined Oct 2003 Location: Paramus N.J. More info | Dec 01, 2004 20:48 | #16 At B&H Camera it is $579.99 MKII N-Canon 20D - Tamron 90MM F2.8 Macro -
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NickC Member 221 posts Joined Dec 2001 Location: Sunnyvale, CA USA More info | Dec 01, 2004 23:35 | #17 Permanent bancrazyfoo88 wrote: So if I can get the 70-200L for say, 600 CAD (about 450 USD) it would be definately worth it? I already have the 75-300, but I want better quality glass. If your primary purpose is air shows for your long lens, I think in the very short term you'll find that a maximum of 200mm will be too short to get spectacular shots. I've had my 100-400L since June 2001 on a D30 and now a 10D, and I go to 4 to 7 air shows a year. There is no way in my experience that you can get keeper air show shots with anything less than 300-400mm even on a 1.6 crop factor DSLR. Especially when you factor in the unknown and variable distance between you and the flight line from show to show.
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Dec 02, 2004 09:14 | #18 100-400 hands down, I used it all last year. I also used the 70-200 but most of the time this is for taxi shots and walking around the pits at Reno. 7D, 5D MKIII, 17-40 f/4L, 24-70 f/2.8L, 70-200 f/2.8L IS, 300 f/2.8L IS, 500 f/4L IS, 1.4xII, 2.0xII
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spearce6 Member 36 posts Joined Sep 2004 More info | Dec 02, 2004 09:31 | #19 Andrew,
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Dec 02, 2004 10:10 | #20 Forget the monopod, except for taxi shots. I find it useless trying to use a monopod and follow a plane. I only use a monopod on taxi shots, and ground run ups when I want full prop blur. Tripods stay home to, they just get in the way at shows and are imptractical to carry around. 7D, 5D MKIII, 17-40 f/4L, 24-70 f/2.8L, 70-200 f/2.8L IS, 300 f/2.8L IS, 500 f/4L IS, 1.4xII, 2.0xII
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NightEye Junior Member 25 posts Joined Jul 2004 More info | Dec 02, 2004 14:47 | #21 spearce6 wrote: I've shot s few airshows around Berlin and in my experience, 200mm is a bit short for such work - even with the 1.6x of your digital rebel. For airshow photography, the crop factor shouldn't matter. Remeber that your magnification is ALWAYS THE SAME. 200mm is always 200mm - the 1.6x of your DRebel will NOT get you closer to the aircraft you're shooting - all it does it cut down your angle of view so that you have less space to frame the aircraft than you would on a 35mm camera. It may seem like its being magnified - but you're just seeing less than you would on a 35mm.
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phili1 Senior Member 891 posts Joined Oct 2003 Location: Paramus N.J. More info | Dec 02, 2004 15:56 | #22 Andrew, Look into the sigma 135-400 is cheap and it got good reviews for sharpness. When you can you can upgrade to the CAnon L. MKII N-Canon 20D - Tamron 90MM F2.8 Macro -
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Cadwell Cream of the Crop 7,333 posts Likes: 2 Joined Jan 2004 Location: Hampshire, UK More info | Dec 02, 2004 16:24 | #23 NightEye wrote: spearce6 wrote: I've shot s few airshows around Berlin and in my experience, 200mm is a bit short for such work - even with the 1.6x of your digital rebel. For airshow photography, the crop factor shouldn't matter. Remeber that your magnification is ALWAYS THE SAME. 200mm is always 200mm - the 1.6x of your DRebel will NOT get you closer to the aircraft you're shooting - all it does it cut down your angle of view so that you have less space to frame the aircraft than you would on a 35mm camera. It may seem like its being magnified - but you're just seeing less than you would on a 35mm.
Glenn
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NickC Member 221 posts Joined Dec 2001 Location: Sunnyvale, CA USA More info | Dec 02, 2004 17:16 | #24 Permanent banNightEye wrote: For airshow photography, the crop factor shouldn't matter. Remeber that your magnification is ALWAYS THE SAME. 200mm is always 200mm - the 1.6x of your DRebel will NOT get you closer to the aircraft you're shooting - all it does it cut down your angle of view so that you have less space to frame the aircraft than you would on a 35mm camera. It may seem like its being magnified - but you're just seeing less than you would on a 35mm. Don't want to beat a dead horse, but also don't want have someone make a huge purchase with this popular misconception. Correct me if im wrong. When a biplane is up high doing a hammerhead and I'm zoomed to 400mm (on my 10D/D30), the plane takes up maybe 5 to 10% of the frame (depending on how far up he is and how far the flight line is of course). That's not getting very close.
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mjordan Goldmember 1,339 posts Likes: 5 Joined Apr 2002 Location: Hillsboro, OR More info | Dec 02, 2004 21:13 | #25 400mm will get you a lot of great shots... but not all of them. Hillsboro, OR
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BrianB Mostly Lurking 15 posts Joined Dec 2004 More info | Dec 03, 2004 16:07 | #26 Another Lens Approach
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NickC Member 221 posts Joined Dec 2001 Location: Sunnyvale, CA USA More info | Dec 03, 2004 16:23 | #27 Permanent banNice shots folks!
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Theo Member 89 posts Joined Sep 2002 Location: Cajun Country, La USA More info | Dec 03, 2004 18:09 | #28 Hi Andrew! Louisiana Flavors @ http://community.webshots.com/user/torretab
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donhdefl Mostly Lurking 10 posts Joined Nov 2004 More info | Re: photo enlargement. I have used an awesome product called Imagener. You can find this product at http://www.imagener.com Jon wrote: Generally if you're trying to zero in on an individual aircraft you're going to need 300+mm, even with the cra^hop factor. For formations, and sky patterns (smoke trails, etc.) it can go as wide as 35-50 mm.If you're willing to give up on tight shots on the aircraft, a 75-300 will be adequate, but you'll be limited in how far you can enlarge it. I'd say that IS is really useful here, too.
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PhotosGuy Cream of the Crop, R.I.P. More info | I already have the 75-300, but I want better quality glass. I can understand "wanting" one, but are you really "needing" one? If you're on a "student budget", Maybe you just need a Canon extender for it? FrankC - 20D, RAW, Manual everything...
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