The grey background forms a purple-tinged halo around her head (I've checked the colouration in the Gimp - it's not just a optical illusion) formed by the gradient doesn't seem uniform, and creates a tension.
Most of that was probably caused in pp. I really wasn't happy with the background in the original shot and I did a lot of burning and such to bring it closer to what I had wanted...and it was probably the burning that caused the purplish tint. When I go to do the final prints on these, I'll certainly re-address that and pay closer attention to the color variations there.
The softening too was a result of post...again this model was only 16 and has a bit of a complexion problem. When I go to do the final prints, I may have to address this manually. I agree that it does look over-processed.
The underarm doesn't add much (in general I'm not adverse to a bit of underam, shaved or not - but with the arm down it's more wrinkles).
Yea...I didn't want to say anything about that as I wanted to see if anyone else caught it, but it was distracting me too. Also the model made a comment about it when she saw the proofs so that will get "touched up" a bit when I do prints.
I guess I probably should have had a reflector in front of her to ease up the shadows just a tad, but we were shooting these in a park right on Lake Erie. It was only like 52 degrees outside that day with a pretty strong breeze coming in off the lake and this poor lady was freezing her butt off so I was trying to work as quickly as I could to get the shoot done. It's something I will certainly keep in mind for next time though.
#3: I'm more comfortable with the less posed look here, but the sunglasses are too much for me - it robs the viewer of any ability to connect deeply with the model, and there's not enough in the rest of the shot to be a subject in itself.
I kind of have mixed feelings about that. The sunglasses were the models idea but I didn't really object to it. To me sunglasses are kind of like hats and such that they can add a different feel to the shots...a little character if you will. I can see your comment about the lack of connection with the model but I think there's also a degree of subjective context there. If this were an advertising shot for "Rayban Sunglasses" for example (which clearly it's not) with the exception of the sky, I think the shot would have worked perfectly.
Just thinking outside of the box a little here
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The blue sky in #3 looks like a painted wall. It is a "funny" blue in the context of the rest of the lighting and is too uniform from top to bottom. Also, the forced smile just looks ... uh, how shall I describe it ... how about "forced". It doesn't flatter her nose and overemphasizes some creases around the mouth.
I agree on the sky...I'm still fudging with it. I may just go out the next semi nice day we have and shoot a different sky and then slice it in later. As far as the models smile goes...this was actually towards the end of the shoot and as I said to bill, it was only like 52 degrees out there that day and we were right up on the lake. The smile probably was more than a bit forced as the poor lady was -very- cold by this point. I wouldn't be suprised if she was actually gritting her teeth by this point! LOL!!! I was wearing a coat and was just comfortable...I know she had to be quite frigid.
Anyways, thank you everyone for the comments...I'm truly grateful! Definitely some things there I will keep in mind for the future! I have a second mono light on order and I have two more shoots lined up so I'll have plenty more questions and stuff to review over the next couple of weeks or so.
Peace,
Jim
"It is horrifying that we have to fight our own government to save the environment. " - Ansel Adams
Walczak Photography - www.walczakphoto.izfree.com
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