DocFrankenstein wrote in post #5720563
If you're pushing stuff a lot, why not just shoot it on the bessa with an ND filter?
How do you find manual focusing with elan?
Firstly, I am still a novice in this whole photography thing, and for film, it is a particularly new venture having stepped into it only last March, so I am in the experimentation stage.
That said, it is the Bessa that I use for shots pushed one or two stops to bolster grain and contrast; and so far, I have not found an ND filter necessary. The poorly placed "push" comment was actually a general remark on the benefits of a fast shutter speed, irrespective of camera, especially since I frequently move between bright and shadowed areas---easier to change shutter speed/aperture than mess with a filter I would assume. In any event, the Bessa has a shutter speed of 1/2000, while the Elan and FM2 top out at 1/4000.
For the Elan, I use Tri-X at its normal setting, or I'll use the camera for higher resolution films, such as Fujifilm's Neopan Acros 100, which I've only used once…good illumination on highlights, I thought, but also a little cold. I will be giving Ilford FP4 Plus a shot (like I said, still very new to all of this).
I use chipped adaptors for the Zeiss (M42 mounts), so I can use the focus confirm beeps, lights, and all, should I not trust my eyes. However, I have found that out of all three cameras, the easiest to focus is the Nikon FM2; the split screen and microprism combo is great…actually, I have yet to complete my first roll in the Nikon, so I have yet to confirm my focusing skills.
Ultimately, should any of my decisions be questionable, it is simply because I am still figuring my way around all of this. I do enjoy having different systems; while there is a lot of crossover, each camera will occasionally inspire me in different ways. I look forward next year to jumping into medium format.