MDJAK wrote:
I have the 550 flash and the 20d which I use along with my 70-200 2.8 IS lens for indoor high school wrestling and swimming picture taking. I haven't tried it, but can the flash (or the internally mounted flash) keep up with the five frames per second speed of the camera? Would an external battery pack small enough to be carried on the hip be useful?
If not, are these speeds only to be used outside, or where there is enough light?
As a rank amateur, I am always amazed when I see that perfect sports photograph, but I tend to think that the photographer had his finger down shooting shot after shot to get that one good one.
You need to re think using a flash from the camera postion to shoot sports. And that's any flash!
You really have two choices with a camera position flash: You either eliminate all of the ambient light (1/250 @ f8 ) and get flash fall off so there is only blackness behind the subjects; or you try to match the ambient light to the flash, 1/60 @ f2.8 which will cause ghosting. The first shots look like they were done in the 1950's and the latter shots have lots of blur. In any case they both suck.
The high speed flash capability of the 550 and 20D will both significantly weaken the flash output, and is VERY hard on your flash. Have a look at the 550's instruction book for that bad news.
Pro's as I've said here before, will use radio slaved strobes that they mount in the ceiling of professional sports arenas. The use at least two, the light is indirect and there is no background fall off. They recycle very quickly and have short duration flash pops. I used to think that the Sports Illustrated guys worked in wonderfully bright buildings, but they just had the toys, and more than a little talent.
Well that setup is impossible for most of us and all we can do is use a high ISO and fast lenses. That's it. I always found that I needed f2 to shoot in high school gyms. ISO 1600 (pushed Tri-X), 1/500 @ f2 and I got good results at basketball and volleyball games. I generally won't shoot sports at shutterspeeds under 1/500 of a second, but wrestling is slower so you might get the shutterspeed down to 1/250 if you pick your spots.
You almost certainly will have to go to ISO 3200 (H) to use the 70-200. If this still won't do it (that's some dark gym!) then walk away. My newspaper was always sending us to this rink, ironically called the Grey Rink, which was home to short course speed skating in my town. Well the lighting was about 1/60 @ f2 with ISO 3200. All I could do was shoot the start where the four skaters were motionless. The third time the paper sent me I asked why we just didn't use one from the week before, and the sport's editor took the hint! My point is that just because they have the sport it doesn't mean that we can successfully shoot it.
I've never shot sports by holding down the shutter button either. I generally shoot in bursts with a three shot burst being the longest, and even that was infrequent. The key is knowing the sport so you have some sense of what's coming next. And don't - for god's sake - move around! I'd go to a hockey game and watch my competition move from one side of the rink to the other. It always seems that the other man's grass is greener but you have to be patient and let the action come you you. Set up in a good place (and I'd be sitting right on the floor for wrestling) and watch - through the lens - until you anticipate the shot.
Now in spite of the great AF in the 20D, and it is very good, a whole bunch of your sport shots are going to be out of focus. This happens to everyone and you too will have your stories of the great ones that got away.
For swimming, flash actually looks good if you can shoot from the pool deck with the flash aimed down so there's no background. But swim races often start now with an electronic flash pulse rather than a gun. If you are shooting and your flash pops, this may give rise to false starts and you're likely to be chucked out, so ask first.
"There's never time to do it right. But there's always time to do it over."
Canon 5D, 50D; 16-35 f2.8L, 24-105 f4L IS, 50 f1.4, 100 f2.8 Macro, 70-200 f2.8L, 300mm f2.8L IS.