Show me your photographers

Roy Mathers wrote in post #9616093
I'm sorry, I still don't see it. We evidently have different senses of humour.

Gonna have to go with you here Roy, I dun get it really either.

pratman64 wrote in post #9616012
He looks awestruck with the sheer size of the lens the lady in front of him has. The beer-gut and the way his left hand is pointed backwards - I just find that humorous.

I guess maybee...He isss leaning back a little like "Woah!" But other than that slight hint, it looks like he is just standing there waiting.

No idea what he was shooting, as I couldn't see anything in the direction the camera was pointing. I came across this post a few days ago and then seeing this guy reminded me of it, so here he is....

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Got these two. Hope they won´t mind.

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I saw this guy down at Pike Place holding his camera up in the air to take a picture of him and his lady friend. Gotta love the Myspace angles

Kelcey wrote in post #9656570
I saw this guy down at Pike Place holding his camera up in the air to take a picture of him and his lady friend. Gotta love the Myspace angles
[TIMG]http://i34.photobucket​.com …itty/cameraguy.​jpg[/TIMG]

Gotta love those ugly gloves.

Abyssgh0st wrote in post #9656594
Gotta love those ugly gloves.

I'm sure they were stylish...a decade ago...maybe more.

Some photographers at the Chinese New Year celebrations in London

A photographer leans out of a car park window to get a clear shot of the lion dance.

All the little white specks in the foreground are point and shoot screens:

garryknight wrote in post #9658863
Some photographers at the Chinese New Year celebrations in London

This young woman, toting an L lens (the 24-70, I think), waits for her next shot.

I think this guy is shooting with the EF 70-200mm f/2.8 L IS USM lens.

24-105 f/4L, 70-200 f/4L IS.

Thalagyrt wrote in post #9659113
24-105 f/4L, 70-200 f/4L IS.

i'm going to go one step further and correct it to:

24-105mm f/4L IS and 70-200mm f/4L (non-IS)

i think the switch panel on the IS version is larger and slightly farther back on the barrel.

alt4852 wrote in post #9659262
i'm going to go one step further and correct it to:

24-105mm f/4L IS and 70-200mm f/4L (non-IS)

i think the switch panel on the IS version is larger and slightly farther back on the barrel.

Well there's only one 24-105L, and IS is implied. Can't say I'm certain on the 70-200 whether it's IS or not, it's been ages since I saw my 70-200 f/4 IS.

Thalagyrt wrote in post #9659276
Well there's only one 24-105L, and IS is implied. Can't say I'm certain on the 70-200 whether it's IS or not, it's been ages since I saw my 70-200 f/4 IS.

oh, i didn't mean to say anything about your identification of the 24-105. but.. i think we've hit a new low in dorkiness by trying to analyze photos of other people's equipment. hahaha, we're awesome.

alt4852 wrote in post #9659299
oh, i didn't mean to say anything about your identification of the 24-105. but.. i think we've hit a new low in dorkiness by trying to analyze photos of other people's equipment. hahaha, we're awesome.

Too bad the camera's angled away from us... If it was angled toward us there would be a telltale sign if it's the IS or not... The IS has the rubber gasket!

Actually, looking at it again, it looks like it's angled close enough that you can see the metal on the mount. Non-IS it is.

at park

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Thalagyrt wrote in post #9659310
Too bad the camera's angled away from us... If it was angled toward us there would be a telltale sign if it's the IS or not... The IS has the rubber gasket!

Actually, looking at it again, it looks like it's angled close enough that you can see the metal on the mount. Non-IS it is.

i was mostly basing it off of the panel that houses the switches behind the focus ring.

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