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Thread started 01 Aug 2008 (Friday) 08:08
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Just Struck a Job

 
Iamcuddles
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Aug 01, 2008 08:08 |  #1

So I just got a job within my work to take pictures of our finished products...schools, jails, courthouses and various gov't buildings. My current setup is the kit lens, nifty fifty and the 70-200L. I don't want to use my kit lens, at all(Ive been spoiled with 'L' quaility).

Can anyone give me some tips with shooting this type of envioronment? Should I just bite the bullet and pick up a wide angle lens? (it will double as a freebording/skateboard​ing lens as well) or should wide angle not be used for architectural shooting?

Any comments or suggestions would be awesome! Thanks




  
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jdebner
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Aug 01, 2008 09:25 |  #2

Wide angle can be very good for building shots but what you need to worry about is barrel distortion. This is effectively, a fish eye look and people don't usually approve of this for architectural photography. For buildings you usually want straight lines, straight.

http://www.dpreview.co​m/learn/?/key=barrel+d​istortion (external link)


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airfrogusmc
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Aug 01, 2008 09:34 as a reply to  @ jdebner's post |  #3

T&S lens




  
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inthedeck
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Aug 01, 2008 09:46 |  #4

Yeap, T&S lens.


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dinanm3atl
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Aug 01, 2008 09:55 |  #5

T&S Lens?


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airfrogusmc
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Aug 01, 2008 10:01 as a reply to  @ dinanm3atl's post |  #6

tilt and shift.
http://www.the-digital-picture.com …lt-Shift-Lens-Review.aspx (external link)




  
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dinanm3atl
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Aug 01, 2008 10:12 |  #7

I read that. I kind of understand it.

Can anyone post some example shots of that and why it is good for wide angle architecture?


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elysium
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Aug 01, 2008 10:14 |  #8

Grab the Canon TS-E 24mm f3.5L for building shots.

If you need more artictic shots, go for a UWA but remember about distortion.


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inthedeck
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Aug 01, 2008 10:30 |  #9

Here's a link...click here. (external link)


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dinanm3atl
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Aug 01, 2008 12:17 |  #10

elysium wrote in post #6026365 (external link)
Grab the Canon TS-E 24mm f3.5L for building shots.

If you need more artictic shots, go for a UWA but remember about distortion.

When you talk about distortion coming in where is that going to be most prevelant.

Say I was using a Tokina 12-24 on a 400D. At 12mm is it going to have that distortion? Or more towards 24mm?


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mackidbrendan
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Aug 01, 2008 12:30 |  #11

dinanm3atl wrote in post #6027086 (external link)
When you talk about distortion coming in where is that going to be most prevelant.

Say I was using a Tokina 12-24 on a 400D. At 12mm is it going to have that distortion? Or more towards 24mm?

the distortion runs to around 16mm.
at least thats all i can tell looking through the lens right now.




  
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elysium
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Aug 01, 2008 12:37 |  #12

dinanm3atl wrote in post #6027086 (external link)
When you talk about distortion coming in where is that going to be most prevelant.

Say I was using a Tokina 12-24 on a 400D. At 12mm is it going to have that distortion? Or more towards 24mm?

5D+Sigma 12-24 @ 12mm (building in the bg just to the right of centre. Its not supposed to be that distorted.

IMAGE NOT FOUND
Byte size: ZERO | Content warning: NOT AN IMAGE


Ok, its bit of a different angle to what a TS-E might be used for but just an idea of what UWA will do.

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inthedeck
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Aug 01, 2008 12:59 |  #13

^^Also look at the guy on the right...see how his head is distorted.


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elysium
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Aug 01, 2008 13:03 |  #14

inthedeck wrote in post #6027342 (external link)
^^Also look at the guy on the right...see how his head is distorted.

I think that happens from being on POTN for so long. (was from a POTN meetup) :lol:


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inthedeck
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Aug 01, 2008 13:16 |  #15

hehe...DOH! I can see the deformations when I look thru the cam. using a fisheye, in a mirror. Gotta get my eyes checked...hehe.


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