In another place someone is saying Canon and Nikon are conning the public into paying a fortune for lenses, and most other manufacturers get much better and more effective (more stops) image stabilisation by moving the sensor.
Any comments?
peterbj7 Goldmember 3,123 posts Likes: 1 Joined Oct 2007 Location: A Caribbean island in Belize and occasionally UK More info | Aug 01, 2008 22:25 | #1 In another place someone is saying Canon and Nikon are conning the public into paying a fortune for lenses, and most other manufacturers get much better and more effective (more stops) image stabilisation by moving the sensor. 5D & 7D (both gripped), 24-105L, 100-400L, 15-85, 50 f1.8, Tamron 28-75, Sigma 12-24, G10, EX-Z55 & U/W housing, A1+10 lenses, tripods, lighting gear, etc. etc.
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SOT I make up stuff about Cameras 915 posts Joined Oct 2007 More info | Aug 01, 2008 22:30 | #2 To them I say, Don't hate the playa', hate the game. http://img81.imageshack.us/img81/8646/capture1o.jpg
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RiffRaff Goldmember 1,111 posts Likes: 1 Joined Mar 2007 Location: Austin, Texas, USA More info | Aug 01, 2008 22:31 | #3 Both Canon and Nikon say the opposite. Most other manufacturers also don't have to worry too much about how well stabilization works on twelve pound lenses like the 400mm f/2.8. Shawn McHorse - Shawn.McHorse.com
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shavedaccord Senior Member 308 posts Joined Jun 2008 Location: Gates, OR More info | Aug 01, 2008 22:33 | #4 I forgot..someone remind me whose on top and what color of lens do you almost exclusively see at sporting events etc... 40D - 28-135 IS - 50 1.8 MK II - Canon 200DG - Broken Tiffen Magnum X3T
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Aug 01, 2008 22:34 | #5 I've never seen a thorough test (I'd love to conduct one myself) but I think it's fairly reasonable to expect in lens and in body to perform fairly equally up to a point. I do expect the in lens approach to be more effective for telephoto lenses however. http://www.colorblindedphoto.com
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dshirey Member 200 posts Joined Apr 2008 Location: Georgia, USA More info | Aug 01, 2008 22:43 | #6 Since you have both a 24-105 and a 100-400 I will pose this to you. When you have the 24-105 on your camera set at 24mm and you move the camera body a smidge, say a normal shake-like movement, how much does the image you see in the viewfinder move? Not much, really. Now, if you put the 100-400 on there and zoom it out to 400mm and you move the camera body a little bit you are looking at something completely different. It is just like shooting a gun, if you are shooting long distances (kind of like taking a picture at 400mm) then moving the barrel of the gun a little bit makes you miss by several feet. So even a tiny bit of shake with a long lens is going to require a good bit of movement from the stabilizer to save the photo, but with a short lens on the movement isn't that severe, so it doesn't require much of a stabilizer. 40D gripped | 30D | Tamron 17-50mm XR DiII | 70-200mm F/4L | 70-200mm f/2.8L IS | 24-70mm f/2.8L | 300mm f/2.8L IS | 1.4X TC | 50mm F/1.8 mkII | 420ex | Lowepro Stealth Reporter 200AW | Kata R-103 Rucksack | Naneu Pro Lima | Flickr
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Weth Junior Member 20 posts Joined Jul 2008 Location: San Diego, California, USA More info |
Aug 01, 2008 22:58 | #8 Weth wrote in post #6030349 Comparison done here: http://www.popphoto.com …ecial-stop-the-shake.html I've read that before, unfortunately (and no surprise) the methods, analysis and data presentation prevent any real meaningful conclusions from being drawn in my opinion. http://www.colorblindedphoto.com
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longisland.km Member 67 posts Joined May 2007 More info | Aug 01, 2008 23:06 | #9 peterbj7 wrote in post #6030233 In another place someone is saying Canon and Nikon are conning the public into paying a fortune for lenses, and most other manufacturers get much better and more effective (more stops) image stabilisation by moving the sensor. Any comments? Peter, the real con is making people think that the in-lens IS systems are ultra complicated and ultra costly to make, thus justifying their huge markup.
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smcclelland Goldmember 2,686 posts Likes: 2 Joined Aug 2007 More info | Aug 01, 2008 23:13 | #10 PermanentlyHaving shot Pentax before I became a Canon shooter all I can say to in camera IS is "balogne". It's kind of a dumb system if you ask me because it's utterly worthless for sports IMO compared to having the 2-stage IS system in the Canon or Nikon lenses. Shawn | Flickr
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ImRaptor Goldmember 1,448 posts Joined Mar 2008 Location: Humboldt, SK Canada More info | Aug 01, 2008 23:32 | #11 peterbj7 wrote in post #6030233 In another place someone is saying Canon and Nikon are conning the public into paying a fortune for lenses, and most other manufacturers get much better and more effective (more stops) image stabilisation by moving the sensor. Any comments? From the prices on B&H: http://imraptor.deviantart.com/
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Mark_Cohran Cream of the Crop More info | Aug 01, 2008 23:36 | #12 Canon published a White Paper not too long ago explaining why they chose to go with in-lens IS. Bottom line with that the two companies have two different approaches. I prefer Canon's line of thinking. You may prefer Sony's. Different strokes for different folks. Mark
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tremontandgulf Mostly Lurking 12 posts Joined Jun 2007 More info | Aug 02, 2008 00:53 | #13 Did anyone on here take a class in physics? Gosh-O Mighty if you did how in the hell can anyone say in camera is the end all?
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Hermeto Cream of the Crop 6,674 posts Likes: 2 Joined Oct 2005 Location: Toronto, Canada More info | Aug 02, 2008 01:29 | #14 Permanent banThe big advantage of in-lens IS is that you can actually see the effects of stabilization in the viewfinder. What we see depends mainly on what we look for.
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_aravena isn't this answer a stickie yet? 12,458 posts Likes: 12 Joined Feb 2007 Location: Back in the 757 More info | Aug 02, 2008 02:59 | #15 ^True that. I actually did a thorough test once while work at Circuit City. On the tele end IS with Canon and Nikon is beyond far superior than Sony's or Olympus' crap in body. I Use Nikon's and Canon's 70-300 IS and then a Sony 300 lens and I forget which Olympus lens it was since they have the odd 2x crop in their cameras. Last Shot Photography
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