Compromise, put the camera on raw+jpeg for a day and take a bunch of shots, have a go at pp'ing a jpeg and another at pp'ing the same raw image. If you find a borderline keeper of a jpeg, you will probably be able to use the raw to make it a definite keeper. I'm with you on the "get it right in the camera" but sometimes you just have to recover a shot because it means something to someone.
The raw should give you more room to play with, but if you don't know what to do with that room its no good to you. (Ever see someone not able to park in an empty spot with no cars to either side of them)
DPP is free with your camera and more than good enough to get benefits and only really adds 30 seconds to your processing time. Changing the colour profile, white balance and brightness of a raw are as simple as using a jpeg in picassa. If you are pp'ing the jpegs their is nothing new here, just better results, if you want them.
After that go out to a jpeg or tiff, open in your favourite editor and do whatever you normally do with a jpeg.
After a day trying you will know yourself if you are a jpeg or raw guy. Of course if you shoot in the auto modes most of the time raw is not an option which is fine as you end up with a high quality P&S camera which is all a lot of people really want.
I red an interview with a motorsport photographer recently and he shots raw+jpeg because he gets it right in the camera but realises even as years of a pro their is always one shot in a days work that you will need to rescue, and with the cheap price of 16gig flash cards we have nothing to loose by giving ourselves the option.









