...product photography...small company...spending a great deal of time getting the right shot (lighting) and PP'ing...spend less time on the PC...don't know what to look for in a lighting kit...decent quality...affordable because the company is not funding this.
Nothing wrong with your posted lens shot, depending on intended use.
Company not paying means this is hobby learning growth experience using company subjects. Okay. Make a list of:
- Your budget
- Size of subjects, because effective size of light with modifiers or bounce needs to be as big or bigger.
- Material subjects are made of (whether diffuse surface or glossy direct reflective surface like ceramic, glass, whether surface polarizes, metal, etc.)
- Depth of field f/stop desired (shooting at f/11-16 for closeups may demand lots more light output than you imagine vs. if only need low power, one can use daylight balanced cool FL lights)
- Kind of backgrounds (always neutral white, or sometimes thing in its natural or industrial use environment)?
- Can subject withstand constant hot lights (not food nor bugs)?
- Whether lights will stay in one place, or be rugged & portable enough to be lugged to locations, and set up, torn down, etc?
- larges size you will print? If it's just for web, no problemo.
The list will get long, but it will help focus your choice direction.
If making a move, get used studio light with at least 150 watt model lamp bulb. Biggest time and frustration saving difference over using hotshoe flash is NOT flash power, it is ability to preview shadows and highlights with the model lamps.
Possibly start with just one good light a reflector, and a softbox appropriate to subject size.
Cruise the web for good free product still life tutorials. There are many decent ones out there, like in Photoflex web site, or Prophotolife on You Tube.
Start collecting pieces of white and black cardboard. The black for flags and go betweens. Build a free collection of props and stuff.
For a pale light subject on white background - "white on white" photo - you frequently need two lights. One for subject (many times overhead) and one to illuminate background independently.
I will not recommend light kinds or brands, that just makes people argue their brand favorites, but the principles are the same for all of them. Jack