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Thread started 19 Jan 2009 (Monday) 15:43
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Low Light Restaurant Dining - 24L or 35L?

 
BrianMC
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Jan 20, 2009 07:51 |  #16

TaDa wrote in post #7116349 (external link)
:lol: :lol: :lol: Yeah, so if you can climb up into the rafters of the restaurant, the 85L will be the lens for you :)

:lol::lol: That is funny....


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adam*
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Jan 20, 2009 07:53 |  #17

Crop 24L, FF 35L.


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nightcat
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Jan 20, 2009 08:44 as a reply to  @ adam*'s post |  #18

24mm for a crop. You need that extra room.




  
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Poe
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Jan 20, 2009 11:55 |  #19

Just so you guys know, I am using a 5D

Also, I will be taking pictures seated at the table of the people across from me. I will not be up and about moving around the room.

I don't think this is the kind of restaurant where I want to be firing off my flash.

I thank you guys for your feed back. I'm thinking I may rent a 24L for this weekend so I'll know if it's too wide or too tight still. I was also considering the 20 2.8, but that's not as fast as I would like. I'd rather err on the wide side than tight side, which makes me lean more towards the 24L.



Nikon D750, D7200 | Nikon-Nikkor 14-24G, 60G Micro, 70-300E | SIGMA 35A, 105 OS, 24-105 OS | ZEISS Distagon 2.0/25 Classic, Apo-Distagon 1.4/55 Otus, Apo-Planar 1.4/85 Otus, Makro-Planar 2/100 Classic, Apo-Sonnar 2/135 Classic

  
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adam*
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Jan 20, 2009 12:17 |  #20

I'd go for the 35L then. Only because i've sat at a table and framed portraits of people sat opposite me, 35L was PERFECT. Which is why I want one :) If you can, go rent them I guess.


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BrianMC
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Jan 20, 2009 13:18 as a reply to  @ adam*'s post |  #21

Why don't you rent both then?


Brian
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timnosenzo
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Jan 20, 2009 13:34 |  #22

BrianMC wrote in post #7118106 (external link)
Why don't you rent both then?

Or just buy them both, they're both excellent lenses. :D


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Poe
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Jan 20, 2009 13:53 |  #23

BrianMC wrote in post #7118106 (external link)
Why don't you rent both then?

I would prefer to just rent one.

I did some calculations for the "window" sizes I should get for subjects 3' and 4' away and I liked the results for the 24L better than the 35L.



Nikon D750, D7200 | Nikon-Nikkor 14-24G, 60G Micro, 70-300E | SIGMA 35A, 105 OS, 24-105 OS | ZEISS Distagon 2.0/25 Classic, Apo-Distagon 1.4/55 Otus, Apo-Planar 1.4/85 Otus, Makro-Planar 2/100 Classic, Apo-Sonnar 2/135 Classic

  
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Poe
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Jan 20, 2009 13:56 |  #24

timnosenzo wrote in post #7118187 (external link)
Or just buy them both, they're both excellent lenses. :D

I hope to acquire them both in the next year or two. Although I may have to wait on the 24L depending on how good the 21 2.8 ZE is when it is released. :cool:



Nikon D750, D7200 | Nikon-Nikkor 14-24G, 60G Micro, 70-300E | SIGMA 35A, 105 OS, 24-105 OS | ZEISS Distagon 2.0/25 Classic, Apo-Distagon 1.4/55 Otus, Apo-Planar 1.4/85 Otus, Makro-Planar 2/100 Classic, Apo-Sonnar 2/135 Classic

  
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echo
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Jan 20, 2009 18:54 |  #25

Hi Poe,

Maybe the 24L... An example of 35L at table on 1.3 crop

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dan_1337
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Jan 20, 2009 20:22 |  #26

i've found that the 28mm f/1.8 is a useful tool for these occasions. it is a great focal length for indoor-across table shots and of a smaller size than the 24L and 35L.

it also costs between 1/4-1/3 the amount for either the 24L or 35L.


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JeffreyG
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Jan 20, 2009 20:43 |  #27

Poe wrote in post #7117640 (external link)
Just so you guys know, I am using a 5D

Also, I will be taking pictures seated at the table of the people across from me. I will not be up and about moving around the room.

I don't think this is the kind of restaurant where I want to be firing off my flash.

I thank you guys for your feed back. I'm thinking I may rent a 24L for this weekend so I'll know if it's too wide or too tight still. I was also considering the 20 2.8, but that's not as fast as I would like. I'd rather err on the wide side than tight side, which makes me lean more towards the 24L.

35L.

By the time you get close enough for 'portrait' type framing with the 24mm lens on a 5D you will be too close for an attractive portrait. 35mm is the widest I would go.

I would prefer to just rent one.

I did some calculations for the "window" sizes I should get for subjects 3' and 4' away and I liked the results for the 24L better than the 35L

24mm will require you to be about 2 feet from the subject for waist up framing. 35mm needs 3.5 feet. IMO 2 feet is too close.


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grego
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Jan 21, 2009 00:18 |  #28

Poe wrote in post #7117640 (external link)
Just so you guys know, I am using a 5D

Also, I will be taking pictures seated at the table of the people across from me. I will not be up and about moving around the room.

I don't think this is the kind of restaurant where I want to be firing off my flash.

I thank you guys for your feed back. I'm thinking I may rent a 24L for this weekend so I'll know if it's too wide or too tight still. I was also considering the 20 2.8, but that's not as fast as I would like. I'd rather err on the wide side than tight side, which makes me lean more towards the 24L.

35L is probably the best choice on 5D. But.. but renting the 24L will tell you for sure if it's too wide. 20 on FF will be way too wide.


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suyenfung
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Jan 21, 2009 00:59 |  #29

24.


cleveland ohio wedding photographer (external link) | gear

  
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Poe
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Jan 21, 2009 10:47 |  #30

echo wrote in post #7120613 (external link)
Hi Poe,

Maybe the 24L... An example of 35L at table on 1.3 crop

QUOTED IMAGE

Good shot! If this is a 1.3x sensor, then it would be a bit wider on FF.



Nikon D750, D7200 | Nikon-Nikkor 14-24G, 60G Micro, 70-300E | SIGMA 35A, 105 OS, 24-105 OS | ZEISS Distagon 2.0/25 Classic, Apo-Distagon 1.4/55 Otus, Apo-Planar 1.4/85 Otus, Makro-Planar 2/100 Classic, Apo-Sonnar 2/135 Classic

  
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Low Light Restaurant Dining - 24L or 35L?
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