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Thread started 18 Jul 2007 (Wednesday) 17:37
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Tupperware Photography & Red Ring Tinfoil (14)

 
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poppie ­ guy
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Jan 23, 2009 15:53 |  #316

Greg, nice balloon capture, I like the color.




  
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Greg_C
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Jan 23, 2009 15:53 |  #317

Togra4 wrote in post #7172200 (external link)
Greg, I think you passed! beautiful

Thanks Tracy.

poppie guy wrote in post #7172321 (external link)
Greg, nice balloon capture, I like the color.

Thanks Mike.


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Togra4
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Jan 23, 2009 16:07 |  #318

poppie guy wrote in post #7172303 (external link)
The 28-75 might not be wide enough for groups in that space considering the crop factor. My son has a 30D with one of the lenses that have been mentioned here earlier, the 17-85, and he loves it. My 5D, 24-105 would work in a room that size. Your 20D plus 17-85 would give you an approximate full frame FOV of 27-136. Sounds like you could make some money with it and then buy more gear!:D:D:D


17-85....hmmmm....let's see what I can find used.....off to the sell thread...


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Jan 23, 2009 16:13 as a reply to  @ Togra4's post |  #319

Tracy what lenses do you have?

Greg, LOVE that balloon shot. Glad you are having good results with the M3. Nice impulse purchase :lol: that's TRUE TMS!!


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Togra4
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Jan 23, 2009 16:19 |  #320

Permagrin wrote in post #7172452 (external link)
Tracy what lenses do you have?

Um, none at the moment...the 20D i am getting is coming with a 28-80 that I hear isnt worth much and I ordered a 50 1.8.


Tracy :)
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20D, 17-85 IS, 50 1.8, 430ex and whatever I rent from LensRentals.com!
Oh yeah, and a rocketblower;)

  
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Permagrin
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Jan 23, 2009 16:24 |  #321

Togra4 wrote in post #7172497 (external link)
Um, none at the moment...the 20D i am getting is coming with a 28-80 that I hear isnt worth much and I ordered a 50 1.8.

oh okay. I was just wondering what you had to work with already (I probably missed that post, sorry) :lol:


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Togra4
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Jan 23, 2009 16:29 |  #322

oh no dont be sorry, it's hard to keep up with this place...lol.


Tracy :)
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20D, 17-85 IS, 50 1.8, 430ex and whatever I rent from LensRentals.com!
Oh yeah, and a rocketblower;)

  
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Greg_C
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Jan 23, 2009 16:49 |  #323

Permagrin wrote in post #7172452 (external link)
Tracy what lenses do you have?

Greg, LOVE that balloon shot. Glad you are having good results with the M3. Nice impulse purchase :lol: that's TRUE TMS!!

Thanks. Mmm maybe not really TMS. I stewed over it for about three days before I raised my hand and bid. I had been considering the 5DII but changed my mind last Oct/Nov, been saving up for a new mkIII but this one came up second hand for less than a 5DII <whoooot!>.

Best thing was the seller pointed me to another local forum where someone is selling a RRS L plate for a mkIII. I'm hoping to pick that up and if I do it'll save me $100 compared to shipping one over and our cr@ppy exchange rate at them moment.

Just been out the back with the MPE-65 on it.

Can I start a joke thread saying that the mkIII focus is no good because my MPE can't AF on the 1D either:p;) oh wait that could be a user problem.:p


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ibdb
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Jan 23, 2009 16:59 as a reply to  @ Greg_C's post |  #324

poppie guy wrote in post #7172303 (external link)
The 28-75 might not be wide enough for groups in that space considering the crop factor. My son has a 30D with one of the lenses that have been mentioned here earlier, the 17-85, and he loves it. My 5D, 24-105 would work in a room that size. Your 20D plus 17-85 would give you an approximate full frame FOV of 27-136. Sounds like you could make some money with it and then buy more gear!:D:D:D

The 17-85 focal length is a really good fit for a 1.6 crop. For full body shots, and when you're talking about wedding dresses you're definitely going to want full body shots, a 50mm on a crop body might be too long. The 50 and the others that have been mentioned before are great at portraits, head shots, and details, but for groups and full length portraits in an enclosed space, probably wouldn't work.


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Permagrin
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Jan 23, 2009 17:04 as a reply to  @ ibdb's post |  #325

I never had the 24-70 on my 40D. It was always the 16-35 or the 70-200. The 24-70 was on the ds2 or the M3. But I tend towards the uwa or the closeup and rarely in between. That being said, I would not be without either the 17-(whatever) or the 24 (or 28 )-70 because they both have their uses in a portrait type setting. Then again, the 70-200 is so important too. Hard choices for sure.


.. It's Permie's world, we just live in it! ~CDS

  
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Permagrin
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Jan 23, 2009 17:05 as a reply to  @ Permagrin's post |  #326

however, if she already has the 50, then I'd advise wider and longer for the next purchases.


.. It's Permie's world, we just live in it! ~CDS

  
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poppie ­ guy
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Jan 23, 2009 17:09 |  #327

Permagrin wrote in post #7172790 (external link)
however, if she already has the 50, then I'd advise wider and longer for the next purchases.

I'd like a 135L. Why don't you convince Dan that is sucks, then talk him into selling it to me while Chris is out of town?:lol::lol:




  
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Permagrin
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Jan 23, 2009 17:11 as a reply to  @ poppie guy's post |  #328

lol! you know, I've owned it twice now. The first time I sold it after I sold my 5D (it was too long for crop) but I regretted it. SO I really stressed to him that he shouldn't sell it.


.. It's Permie's world, we just live in it! ~CDS

  
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Jan 23, 2009 17:11 |  #329

I'm considering selling my 10-22 when I sell the 40D. I don't have a regular UWA now, I do have a 10-17 Fishy which will be ok to about 15 or so. WIll pick up a 16-35 in a few months hopefully. No real rush as I tend to prefer longer focal lengths to wider stuff.


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Permagrin
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Jan 23, 2009 17:13 as a reply to  @ Greg_C's post |  #330

I wasn't fond of the 16-35II. I didn't like how it handled anything but the center of the photo. It was one of my peeve lenses. I preferred the 17-40. But I needed 2.8 for work.


.. It's Permie's world, we just live in it! ~CDS

  
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