Okay, despite my best efforts to avoid it, the two images were in the Washington Post yesterday or today and I saw them.
Here's the deal: Had the artist worked from his head, based on a conglomeration of images of Obama, he'd be in the free and clear.
The problem is that he took a photograph, which is the physical expression that is specifically protected by copyright, and made a derivative work. The image chain is what's important here. He worked from a photo that was not his, and that's a violation of the photo owner's copyright.
(By the way, the photographer either specifically and in writing transferred his ownership to the AP, or he made the photograph as a work for hire. The AP didn't steal it from him, and he has no standing in this case.)
Lots of people try to hide the fact that they worked from a copyrighted photograph by applying a range of alterations. And that may work, but that doesn't make it not a derivative work.
It's not Obama's face that's protected. He's a public figure and as such as given up any rights to his visage. The problem is simply that the artist did in fact work from a specific photograph.
I knew this was true because his lawyer was making a case based on Fair Use, which does not apply here. It was not a work of criticism that used only a necessary portion of the image, etc. Had the artist created his image legally, by doing it from his head or from his own viewing of the subject, that's what he would have argued. The artist didn't know copyright law and spilled the beans. That makes him like most appropriators these days.
Had he claimed that the image came to him in a dream, or that he saw Obama at a rally and painted it from memory, then the burden would be on him to convincingly describe how he did so, and how he managed to achieve so much similarity. That's assuming the photograph is registered with the Copyright office. If it is not, then the burden would be on AP to prove that he did work from the photo. Since he already blabbed that fact, it's already an acknowledged fact.
Arguing that we should be allowed to use images of the President without regard to copyrights is like arguing that a mass-murderer should not be executed because we don't believe in capital punishment. It's a separate argument for a separate time, but not relevant in the particular case under the particular law.
The bottom line: We know when we derive work from others, no matter what steps we take to change it and make it appear not so, or what we might say or think to justify it in our minds. If challenged, we will have to prove that we didn't.
Example: Let's say I arrange tuba quartet version of, say, the Fanfare from La Peri (a well-known work for brass ensemble by the composer Dukas.) Let's further say that the original version is in the public domain. But let's say that I used a modern brass quintet arrangement of that work as the basis for my tuba quartet arrangement. Is that infringement? Yes. I worked from a copyrighted arrangement to make my version. If challenged, and if I claimed that I had worked from the original, I will be expected to produce that public-domain original, and maybe also show how my arrangement emerged from it.
Example 2: Let's say someone appropriates an image from my website, and then makes an artistic interpretation of it. Is that an infringement? Yes. Let's further say that they claim it's based on their photo. They produce a copy of my photo, claiming it's theirs. If it's a photo of a popular subject, how will anyone know? In my case, I will be able to produce a raw image and evidence of my having been there at a specific time. That will establish the chain of ownership of that image. If my image is registered with the Copyright Office, the burden of proof will be on the infringer to show how their work derived from their photograph. And they'll then have to produce their own raw image (or negative or whatever) to give evidence of that. If my photo is not registered, it's still protected, but now I'll have to prove up that chain of ownership.
To those of you who think it ought to go against the AP just because they are big and corporate, what if Fairey was the photographer and an AP illustrator who made the poster? Right and wrong, legal and illegal should be evaluated on their own merits.
Rick "thinking the artist did it to himself" Denney